Every family is different. I am mom and I am dad and I'm going to do my best. You should be proud, walk through life saying I have the coolest family. I am part of a modern family.

You just have to get rid of fear and confront the world. Look at yourself in the mirror and say to yourself, 'I love you and nothing will destroy you and you're not going to fall.'

It just doesn't mean anything to me, the high-profile, big money side of things. I just want enough to live on, and to be able to get on with what I do, and hang around my friends.

My mother's a very spiritual woman, and I think Pentecostal religion, Bible religion, was very important to her because it gave her a context for a very spiritual approach to life.

Bowie is probably my favorite all-around songwriter and performer and personality. His ability to change over the years is such an inspiration. I love 'Young Americans' and 'Fame.'

We live in a pretty bleak time. I feel that in the air. Everything is uncertain. Everything feels like its on the precipice of some major transformation, whether we like it or not.

At the end of the day, though, the band members have to be strong. It's down to the individuals in the unit. Listen to me, I'm talking like I'm in the army and this is my squadron.

You're either on the Republican team or the Democratic team, and all that matters is that your team wins. Judging by history, regardless of which team wins, the people always lose.

We're not gonna write a fusion song for Avenged Sevenfold, obviously, but I love having those elements and blending it in, and having the eclectic arrangements and stuff like that.

There will come a time when the gun owners of America, the law-abiding gun owners of America, will be the Rosa Parks and we will sit down on the front seat of the bus, case closed.

My songs are my kids. Some of them stay with me, some others I have to send out, out to the war. It might sound stupid and it might even sound naive, but that's just the way it is.

The sound has grown and sweetened over the years as well, and you can hear it on many of my recordings and, most likely, will see and hear me playing it if you come to a live show.

I learned a lot from the various artists I produced. Either you see them doing something that you do want to do it, or you see them doing something the way you don't want to do it.

I could knock out loads of what I term aromatherapy music pretty swiftly. If you want something that is going to last, however, you're going to have to spend a lot more time on it.

The people don't run the system; the people are victims of the system. The people choose the leaders thinking that they will help them. But when they turn around, there is no help.

I've been through a lot of ups and downs. I've been on both sides of it all, I guess. So there's not one specific event or thought that I'm dealing with or drawing from necessarily.

To me, a New Yorker is someone that has general disdain toward landlords, mass-transit authorities, electric companies, sports-team managers, NYU and its students, and anything new.

I don't really get a lot of stuff sent to me, but I do get things given to me in person. One of my favorites was from a kid in the mid-'90s. He gave us all a bunch of pants he made.

The only time it dominates is during a solo, or when we play a low blues and I put figures in behind Eric's vocals. There's never any real problem fitting guitar and organ together.

'Hatful of Hollow' and 'The Smiths' were lent to me, and they made me want to create music that might make another person feel like they made me feel - to have an effect on someone.

I've been studying on my own. I'm not really trained. I went to school for about a year and a half. I never really studied music, but, I mean, I did. I studied for two years, maybe.

Sometimes you hate your music, sometimes you don't. Sometimes I listen to the record and it's really hard for me, and other times I listen to it and I give myself a pat on the back.

Growing up on the plantation there in Mississippi, I would work Monday through Saturday noon. I'd go to town on Saturday afternoons, sit on the street corner, and I'd sing and play.

Originally, the lyrics to "Girl" were really upbeat, and then it didn't work for me somehow. You need the dichotomy. If you're doing something happy and light, you need the shadows.

Most of my recorded material has been in small group configurations. I have not released large orchestral works as recordings because it hasn't been within the realm of possibility.

You could put Jerry Lee Lewis, Little Richard, Chuck Berry and Bo Diddley on one side of the stage, and James Brown on the other, and you wouldn't even notice the others were there!

A man once asked me, what's punk? I kicked over a trash can and said that's punk. He kicked over a trash can and then asked me again, Is that punk? I replied no. That's just trendy.

I know plenty of hyper-intelligent metal people, but at the same time, there's this dumbass, hardheaded, macho attitude associated with it. For younger people, it's like a succubus.

Jesus, that ear. He should donate it to The Smithsonian. Brian Wilson, he made all his records with four tracks, but you couldn't make his records if you had a hundred tracks today.

Look, when I started out, mainstream culture was Sinatra, Perry Como, Andy Williams, Sound of Music. There was no fitting into it then and of course, there's no fitting into it now.

Aretha with no goals, eternally single & one step soft of heaven/ let it be understood that she owns this melody along with her emotional diplomats & her earth & her musical secrets

Shadows are falling and I've been here all day/It's too hot to sleep, time is running away/Feel like my soul has turned into steel/I've still got the scars that the sun didn't heal.

The whole thing of being in music is not to control it but to be swept away by it. If you're swept away by it you can't wait to do it again and the same magical moments always come.

I enjoy working with complicated equipment. A lot of my things started just with a rhythm box, but I feed it through so many things that what comes out sounds very complex and rich.

My guitar only has five strings 'cause the top one broke and I decided not to put it back on: when I play chords I only play bar chords, and the top one always used to cut me there.

I don't like being recognised, I have no interest in being famous at all, I just do what I do. If I could be like Captain Kirk and beam myself up and then beam myself down, I would!

I enjoy making solo albums because over the years it's evolved into more of a genuine personal expression of story-telling and day dreams, and I work in a way that has more control.

Talk about a dream, try to make it real. You wake up in the night with a fear so real. Spend your life waiting for a moment that just don’t come. Well don’t waste your time waiting.

I think when you're writing from your own life, it's hard because you realize that people have their own assessment of how they look, and they don't know how you will describe them.

As Korn go on, it's the same things - bad childhoods and mean moms. It gets too old after a while. How old is Jonathan? Thirty? How long has it been since he lived with his parents?

I don't know what people think in making record is like. But basically, I got a bunch of spaghetti and spaghetti sauce, and the whole band was staying at my house and we had a ball.

CBGB represents a lot to New York City and to underground rock and to new wave and post-punk and whatever. But, you know, it's like tearing down the Jefferson Memorial or something.

In a way, as much as we love to be a big, loud rock band, the acoustic album was a lot easier to make than the rock records. I think because it was brand new territory for the band.

Once I got into punk rock, I started mail-ordering albums, because a lot of the record stores in my area didn't carry the punk bands from England or Sweden or Chicago or Los Angeles

When you're looking for a band name, I know it sounds weird, but everything you look at, everything you observe and read, you kind of think, 'Man, maybe that could be our band name.

There, in the chords and melodies, is everything I want to say. The words just jolly it along. It's always been my way of expressing what for me is inexpressible by any other means.

I don't like talk and I don't like talkers. Like Ma Barker. That's what she always said, 'Ma Barker doesn't like talk and she doesn't like talkers.' She just sat there with her gun.

What I like doing is writing and recording and much more on the, I guess, the - on that creative level. It's fun interpreting songs and all that, but I wouldn't like it as a living.

I think a valid approach to being a musician is to take all of the experience of your life and filter it through your personality and send it back out there, and that's what art is.

Rock & Roll is feeling, and after you know most of the basics ... chords, rhythm, scales and bends ... getting that feeling is just about the most important aspect of playing guitar

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