We had many more points of agreement than we had points of difference, but we did differ, and the bigger we got, the more insistent we got that each one of us should have his way.

If I had my way, I would have sex, drugs, and rock 'n' roll at least 4-6 hours a day. So long as there are going to be things in the way of that, we're going to have a revolution.

I'm not really a fighter, but I've never backed down from anyone in Paris. I feel I can't. In London, I'll just run because I'm not going to fight 50 Wolverhampton Wanderers fans.

I have a distinct memory of friends I had at school whose parents were, for want of a better word, bohemian. That was the kind of England that I thought I should have belonged to.

One of the beauties of working in radio is the way a whole setting can be richly evoked simply by the addition to the track of a little birdsong and a church bell in the distance.

In the beginning there was the word. The word was Jah. The word is in I, Jah is in I. I make what is good, better, and what is better, best. I follow this in every aspect of life.

I don't care at all about the mainstream; I don't care about popularity contests; I don't care about who's got the biggest-selling album; and I don't care about glossy production.

One of the main things when you get notes from a studio is they don't want anyone to be confused ever, everything has got to be so obvious at all times unless it's a twist ending.

Everything I do has the tinge of the finite, of my own demise. At some point you either accept death or you just keep pushing it back as you get older and older. I've accepted it.

It just doesnt mean anything to me, the high-profile, big money side of things. I just want enough to live on, and to be able to get on with what I do, and hang around my friends.

When I lost the use of my hi-hat and bass drum legs, I became basically a singer. I was a drummer who did a bit of singing, and then I became a singer who did a bit of percussion.

I would not rule out going to Israel because I disapprove of the foreign policy any more than I would refuse to play in the UK because I disapprove of Tony Blair's foreign policy.

Who you are as a performer is one thing, but when you're making records, you're dealing with musicians' tastes, their goals, their wants, their needs, everyone's individual pride.

I feel like when you're in your late teens and early 20s, you just don't think about certain things in your life, and as you get older, you think about your parents getting older.

I want to be in the big show, and to be in the big show, you have to practice. I have this attitude now that I'm going to take all the greatness I can. Nothing's going to stop me.

I've seen a fair amount of concert DVDs - some of them are great, some of them are not. If there are problems with them, it's usually because of budget limitations and camerawork.

I see songs not as a commodity used up when the album goes off the charts, which is often the case with pop songs. I see them as a body of work. Life should be breathed into them.

I love making music. I love being involved in arranging music. It's very natural to know what I want to hear next and come up with ideas that are variations of what might be good.

The thing about me is that I'm very fortunate to have had the opportunities with Avenged Sevenfold in songwriting. I really think it's helped to bolster my guitar playing as well.

Still, records are documents of a period of time. Most records are documents of two or three years, and I just approached it as a record I was doing over a 20-year period of time.

I think we in the Alpha Band, which was a strange group anyway, weren't dealing with any of these issues. They sneaked up on us and took us over, before we know what was going on.

Trying to get my music performed live by bar bands was a self defeating experience. It really just distracted me from what I should've been doing all along, writing and recording.

Love is cheering and sharing and compassion, and giving and receiving. Love is an action thing more than a word thing, that brings comfort or joy, or relief to anyone or anything.

I really like stuff that is collectible that you can hold and go, 'There's only a few people that have this.' I like to see that someone's put a lot of labor into making something.

I never want to be in that stage where a band ends up playing state fairs and casinos. I am not willing to go out shooting up Botox and eating corn dogs while judging pig contests.

The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.

Tonight the city is full of morgues, and all the toilets are overflowing. There's shopping malls coming out of the walls, as we walk out among the manure. That's why I pay no mind.

I personally don't know what nerves are. I don't get scared when I'm going to play music. But I think something, maybe my fears, are buried into my songs. Because I'm singing them.

I can't sleep very well at night. It takes me a while to get to sleep. I could just be nocturnal. I have my nighttime witching hour where I hang out, listen to records or watch TV.

The first time that you escape from home or the small town that you live in - there's a reason a small town is called a small town: It's because not many people want to live there.

So for my studio purposes, I know that I'm in my studio with technicians who've done amazing things to my board and to my power amps and I know what I can deliver out of my studio.

So whenever I had some in-between producing time down in my studio I popped a tape in and started working on it. Working a little bit at a time, it actually took almost four years.

I ain't looking to compete with you, beat, or cheat, or mistreat you, simplify you, classify you, deny, defy, or crucify you. All I really want to do is, baby, be friends with you.

Every day is the same thing out the door Feel further away then ever before Some things in life, it gets too late to learn Well, I'm lost somewhere I must have made a few bad turns

You must be vulnerable to be sensitive to reality. And to be vulnerable is just another way of saying that one has nothing more to lose. I don't have anything but darkness to lose.

There's people that get a chance to do the kind of work that changes the world, and make things really different. And there's the kind that just keeps the world from falling apart.

You may not be able to hit all the notes. That's OK. You may not have the clearest tone. You may not have the greatest range. But if you can inhabit your song, you can communicate.

I believe the war on poverty is a more American idea than the war on the war on poverty. I believe that most people feel like that. And I believe that it ain't over till it's over.

I'd like to be remembered as a guy that came along and did his music, did his best and showed up on time, clean and ready to do the job, wrote a few songs and had a hell of a time.

I get mad at myself when I get news from Twitter before I get it from a regular news source. Then I'm off to a bad start: getting the second-hand, filtered experience all day long.

I'm not a lyric writer to make statements. What I enjoy doing is making paintings with lyrics, creating colorful images. I think that's more what entertainment and music should be.

If you're an artist, you need to work. It doesn't matter how old you are, who you are. It doesn't matter if you're 12: if you draw, you draw. If you're 85 and you paint, you paint.

They're great instrumentalists, singers and songwriters and they have this unique way of blending contemporary with traditional. The result is this beautiful mix of timeless music.

With our website we didn't want people to come to our site and find out about Radiohead. We wanted them to come to our site and find out about what Radiohead are finding out about.

In certain ways I still feel like I'm finding my way. I feel pretty comfortable playing acoustic guitar and singing, but then I feel pretty good sitting on a reggae groove as well.

I believe that most people aren't that different from one another. Although we might appear to be different on the surface, I think ultimately we all go through the same struggles.

If there is any selfish angle, then it would probably be me just knocking myself in the head, thinking "Is there anybody here? Am I still able to communicate with other musicians?"

I've gotten to play so many of the great courses around the country and overseas. Sometimes it pays to be the golf guy. People always want to take me to the golf course. I love it.

You go to a festival, you know you're not going to play all new material at a festival. The audience is not there for that. I've made that mistake, but you find out pretty quickly.

I'll just sit at the piano a lot an play like through different chord exercises and kind of just throwing my hands down on the piano from one chord to the next to see what happens.

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