Quotes of All Topics . Occasions . Authors
And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter— they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long.
I can hear, underground, that sucking and sobbing, In my veins, in my bones I feel it,- The small water seeping upward, The tight grains parting at last. When sprouts break out, Slippery as fish, I quail, lean to beginnings, sheath-wet.
Rash, angry words, and spoken out of season, When passion has usurp'd the throne of reason, Have ruin'd many. Passion is unjust, And for an idle, transitory gust Of gratified revenge, dooms us to pay With long repentance at a later day.
A stranger here Strange things doth meet, strange glories see; Strange treasures lodged in this fair world appear, Strange all, and new to me. But that they mine should be, who nothing was, That strangest is of all, yet brought to pass.
A question is a pursuit, an invitation to envision and explore a series of possibilities, to struggle and empathize and doubt and believe. The question moves, whereas our sense of what an answer is can often be static, a stopping point.
The convent, which belongs to the West as it does to the East, to antiquity as it does to the present time, to Buddhism and Muhammadanism as it does to Christianity, is one of the optical devices whereby man gains a glimpse of infinity.
Emergencies have always been necessary to progress. It was darkness which produced the lamp. It was fog that produced the compass. It was hunger that drove us to exploration. And it took a depression to teach us the real value of a job.
The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favourite phantom; yet all these shall leave Their mirth and their employments, and shall come, And make their bed with thee.
The only true source of politeness is consideration,--that vigilant moral sense which never loses sight of the rights, the claims, and the sensibilities of others. This is the one quality, over all others, necessary to make a gentleman.
Men tell us sometimes there is no such thing as an atheist. There must be. There are some men to whom it is true that there is no God. They cannot see God because they have no eye. They have only an abortive organ, atrophied by neglect.
But, indeed, words are very rascals, since bonds [vows] disgraced them." Viola: "Thy reason, man?" Feste: "Troth [Truthfully], sir, I can yield you none without words, and words are grown so false, I am loathe to prove reason with them.
That though the radiance which was once so bright be now forever taken from my sight. Though nothing can bring back the hour of splendor in the grass, glory in the flower. We will grieve not, rather find strength in what remains behind.
Careless of books, yet having felt the power Of Nature, by the gentle agency Of natural objects, led me on to feel For passions that were not my own, and think (At random and imperfectly indeed) On man, the heart of man, and human life.
History counts its skeletons in round numbers. A thousand and one remains a thousand, as though the one had never existed: an imaginary embryo, an empty cradle, ... emptiness running down steps toward the garden, nobody's place in line.
Could man be drunk for ever With liquor, love, or fights, Lief should I rouse at morning And lief lie down of nights. But men at whiles are sober And think by fits and starts, And if they think, they fasten Their hands upon their hearts.
But understand that I want to remain alone, truly alone, so I can precede my face, my voice, my hell without anyone telling me which is the best path, without anyone laughing at the giant's wings and the dwarf's legs that impede my gait.
We have seen over and over that white male historians in general have tended to dismiss any history they didn't themselves write,on the grounds that it is unserious, unscholarly, a fad, too "political," "merely" oral and thus unreliable.
You may tell me that my hand and foot are only imaginary symbols of my existence. I could believe you, but you never, never can convince me that the I is not an eternal reality, and that the spiritual is not the true and real part of me.
In a fragile environment, we need to be aware of ourselves as members of a uniquely powerful species living among other species who are quite as interesting as we are but vulnerable to us because we are cleverer in more destructive ways.
If I were to die thinking that I'd written three poems that people might read after me, I would feel that I hadn't lived in vain. Great poets might expect the whole body of their work, but most of us - well, I would settle for a handful.
But sometimes the world disrobes, slips its dress off a shoulder, stops time for a beat. If we look up at that moment, it's not due to any ability of ours to pierce the darkness, it's the world's brief bestowal. The catastrophe of grace.
Lives there the man with soul so dead as to disown the wish to merit the people's applause, and having uttered words worthy to be kept in cedar oil to latest times, to leave behind him rhymes that dread neither herrings nor frankincense.
I don't think it's always a sign of respect for persons (inside or outside of fiction) to pretend to be able to represent, to have access to, their multi-dimensionality at every moment. That doesn't imply people aren't multi-dimensional.
Some party hack decreed that the people had lost the government's confidence and could only regain it with redoubled effort. If that is the case, would it not be simpler, If the government simply dissolved the people And elected another?
Poems are not easy to start, and they're not easy to finish. There's a great pleasure in - I wouldn't say ease, but maybe kind of a fascinated ease that accompanies the actual writing of the poem. I find it very difficult to get started.
I still have a feeling that I haven't written the best that I can write. I think all poets must feel this: that there is constantly something new to be discovered in the language. It's like a thrilling encounter, and you can find things.
Christ, by highest heaven adored. Christ, the everlasting Lord, Late in time behold Him come, Offspring of a virgin's womb. Veiled in flesh the Godhead see, Hail the incarnate Deity! Pleased as Man with man to dwell; Jesus, our Immanuel!
and how we are all preparing for that abrupt waking, and that calling, and that moment we have to say yes, except it will not come so grandly, so Biblically, but more subtly and intimately in the face of the one you know you have to love
Like any art, what is the most imprisoning thing is also the most delivering thing. If an actor knows he only has 12 syllables in a line, the challenge is, 'How can I interpret the meaning and contain it without going one syllable over?'
A good poem is a contribution to reality. The world is never the same once a good poem has been added to it. A good poem helps to change the shape of the universe, helps to extend everyone's knowledge of himself and the world around him.
Spain held the doctrine (and was right in holding it) that every human enterprise should stand on two pillars - the temporal and the spiritual. To depend upon one of these pillars alone is to call down final failure upon any undertaking.
Man is made of the wholly common, and custom is his nurse; woe then to them who lay irreverent hands on his old house-furniture, the dear inheritance from his forefathers: For time consecrates, and what is gray with age becomes religion.
You will not be able to stay home, brother./You will not be able to plug in, turn on and cop out./You will not be able to lose yourself on skag and skip,/Skip out for beer during commercials,/Because the revolution will not be televised.
You know what has made me the happiest I've ever been? Seeing my son and daughter graduate from college. More than wanting them to be educated, I wanted them to be nice people. To see that they have become both is just a wonderful thing.
There is a Precious Mountain Even the Seven Treasures cannot compare A cold moon rises through the pines Layer upon layer of bright clouds How many towering peaks? How many wandering miles? The valley streams run clear Happiness forever!
The life of woman is full of woe, Toiling on and on and on, With breaking heart, and tearful eyes, The secret longings that arise, Which this world never satisfies! Some more, some less, but of the whole Not one quite happy, no, not one!
Weak minds make treaties with the passions they cannot overcome, and try to purchase happiness at the expense of principle; but the resolute will of a strong man scorns such means, and struggles nobly with his foe to achieve great deeds.
Softly the evening came. The sun from the western horizon Like a magician extended his golden want o'er the landscape; Trinkling vapors arose; and sky and water and forest Seemed all on fire at the touch, and melted and mingled together.
To-morrow! the mysterious, unknown guest, Who cries to me: "Remember Barmecide, And tremble to be happy with the rest." And I make answer: "I am satisfied; I dare not ask; I know not what is best; God hath already said what shall betide.
Gaze into the fire, into the clouds, and as soon as the inner voices begin to speak... surrender to them. Don't ask first whether it's permitted, or would please your teachers or father or some god. You will ruin yourself if you do that.
I want to understand the piers of language and music and comprehension that can hold up a building even when what the building houses is an earthquake. This thinking must surely come into the poems I write, but more by osmosis than will.
Be a good steward of your gifts. Protect your time. Feed your inner life. Avoid too much noise. Read good books, have good sentences in your ears. Be by yourself as often as you can. Walk. Take the phone off the hook. Work regular hours.
At all costs the true world of childhood must prevail, must be restored; that world whose momentous, heroic, mysterious quality is fed on airy nothings, whose substance is so ill-fitted to withstand the brutal touch of adult inquisition.
It is too maddening. I've got to fly off, right now, to some devilish navy yard, 3 hours in a seasick steamer, & after being heartily sick, I'll have to speak 3 times, & then be sick coming home. Still, who would not be sick for England?
Me miserable! Which way shall I fly Infinite wrath and infinite despair? Which way I fly is hell; myself am hell; And in the lowest deep a lower deep, Still threat'ning to devour me, opens wide, To which the hell I suffer seems a heaven.
When I write now I do not invent situation, characters, or actions, but rather structures and discursive forms, textual groupings which are combined according to secret affinities among themselves, as in architecture or the plastic arts.
One will abide, and will confess that another is nobler than he, that another is richer, more handsome, and even that he is more learned, but that another is richer in reason scarcely any will confess: Rare is he who will concede genius.
Now that no one buys our votes, the public has long since cast off its cares; for the people that once bestowed commands, consulships, legions, and all else, now meddles no more and longs eagerly for just two things - bread and circuses.
The teapot takes in water and gives out tea. So the human individual takes in anything you give him and promptly transforms it; he is ready to give you out again his own reactions - first, in thought and emotion, then in voice or action.
Beauty is there to be noticed. Too often it is taken for granted because we are moving too fast to let it in and allow it to deliver its message in us. We need to pay attention. To show indifference to beauty is an insult to its Creator.