Quotes of All Topics . Occasions . Authors
In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work - the hay in the summertime, for example.
Killing time in the precinct, I find a copy of one of my early volumes in a dump-bin on the pavement outside the charity shop. The price is 10p. It is a signed copy. Under the signature, in my own handwriting, are the words, "To mum and dad".
O naked flower of my lips, you lie! I await a thing unknown or perhaps, unaware of the mystery and your cries you give, O lips, the supreme tortured moans of a childhood groping among its reveries to sort out finally its cold precious stones.
But reading is not idleness?it is the passive, receptive side of civilization without which the active and creative world would be meaningless. It is the immortal spirit of the dead realised within the bodies of the living. It is sacramental.
The next five months are grim ones. I always feel sorry to have the summertime change, with the dark evenings closing in mid-afternoon, and will try to lay in some physical comforts these months - the best insurance against gloominess for me.
How did it happen that their lips came together? How does it happen that birds sing, that snow melts, that the rose unfolds, that the dawn whitens behind the stark shapes of trees on the quivering summit of the hill? A kiss, and all was said.
A day will come when all nations on our continent will form a European brotherhood... A day will come when we shall see... the United States of America and the United States of Europe face to face, reaching out for each other across the seas.
Paris is a sum total. Paris is the ceiling of the human race. All this prodigious city is an epitome of dead and living manners and customs. He who sees Paris, seems to see all history through with the sky and constellations in the intervals.
Soldier, there is a war between the mind And sky, between thought and day and night. It is For that the poet is always in the sun, Patches the moon together in his room To his Virgilian cadences, up down, Up down. It is a war that never ends.
I am of old and young, of the foolish as much as the wise, Regardless of others, ever regardful of others, Maternal as well as paternal, a child as well as a man, Stuffed with the stuff that is course, and stuffed with the stuff that is fine.
When all is said and done, how do we know but that our own unreason may be better than another's truth? for it has been warmed on our hearths and in our souls, and is ready for the wild bees of truth to hive in it, and make their sweet honey.
I made my song a coat Covered with embroideries Out of old mythologies From heel to throat But the fools caught it, Wore it in the world's eyes As though they'd wrought it. Song, let them take it, For there's more enterprise In walking naked.
Even in the stifling bosom of the town, A garden, in which nothing thrives, has charms That soothes the rich possessor; much consol'd, That here and there some sprigs of mournful mint, Or nightshade, or valerian, grace the well He cultivates.
Do you see yonder cloud that’s almost in shape of a camel? Polonius: By the mass, and ‘tis like a camel, indeed. Hamlet: Methinks it is like a weasel. Polonius: It is backed like a weasel. Hamlet: Or like a whale? Polonius: Very like a whale.
A contract of eternal bond of love, Confirm'd by mutual joinder of your hands, Arrested by the holy close of lips, Strength'ned by the interchangement of your rings, And all the ceremony of this compact Seal'd in my function, by my testimony.
Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff: you shall seek all day ere you find them, and when you have them, they are not worth the search.
Gaiety is forgetfulness of the self, melancholy is memory of the self: in that state the soul feels all the power of its roots, nothing distracts it from its profound homeland and the look that it casts upon the outer world is gently dismayed.
I turn you out of doors tenant desire you pay no rent I turn you out of doors all my best rooms are yours the brain and heart depart I turn you out of doors switch off the lights throw water on the fire I turn you out of doors stubborn desire.
That which once united man Now drives him apart.We are not helpless Creatures crashing onwards irresistibly to doom. There is time for everything and time to choose For everything.We are that time, that choice. Everybody gets what he deserves.
It will be seen that the formula - 'Do what thou wilt shall be the whole of the Law' has nothing to do with 'Do as you please.' It is much more difficult to comply with the Law of Thelema than to follow out slavishly a set of dead regulations.
I like the image of The Old Man and the Sea, of striving and succeeding but finding that the success was ghost success. In other words, in the long run, after a certain age, the motives for success, pride or oppressing people or getting power.
I have a profound resistance to the idea that a reader could say, 'Oh, well, that's her story.' We should all be interested, no matter where we come from, or who our parents are. It's not my province; it's ours. These questions concern us all.
I usually see the word "metafiction" applied to works that draw attention to their own devices, their own artificiality, in order to mock novelistic convention and show the impossibility of capturing a reality external to the text or whatever.
People who don't know any better will always be in the dark because the power lies in the hands of men who take good care that ordinary folk don't understand, in the hands, that is, of the government, of the clerical party, of the capitalists.
Everything is beautiful. We have all this beauty in the world and all we have to do is reach out and touch it, it is all there and all ours for the taking." -- Cecilia to Henry Chinaski, liberty taken changing past tense to present tense (173)
It used to be that one poet in each generation performed poems in public. In the twenties, it was Vachel Lindsay, who sometimes dropped to his knees in the middle of a poem. Then Robert Frost took over, and made his living largely on the road.
Ultimately you're trying to reach across and find some other person, some other human warmth. But it is, especially in written poetry, it is inscribed in a text and the text can't do that work by itself and you as a poet can only do your best.
I started then to try and shape something rather than just express it and when I started to shape something and to imitate other poems that were written by other people, when I had tried to integrate my reading and my writing I was on my path.
This is the bud of being, the dim dawn, The twilight of our day, the vestibule; Life's theatre as yet is shut, and death, Strong death, alone can heave the massy bar, This gross impediment of clay remove, And make us embryos of existence free.
I write in praise of the solitary act: of not feeling a trespassing tongue forced into one's mouth, one's breath smothered, nipples crushed against the ribcage, and that metallic tingling in the chin set off by a certain odd nerve: unpleasure.
Sweetheart, when you walk my way, Be it dark or be it day; Dreary winter, fairy May, I shall know and greet you. For each day of grief or grace Brings you nearer my embrace; Love hath fashioned your dear face, I shall know you when I meet you.
In action, the English have the advantage enjoyed by free men always entitled to free discussion: of having a ready judgment on every question. We Germans, on the other hand, are always thinking. We think so much that we never form a judgment.
What I've always found interesting in gardens is looking at what people choose to plant there. What they put in. What they leave out. One small choice and then another, and soon there is a mood, an atmosphere, a series of limitations, a world.
And once I knew a meditative rose That never raised its head from bowing down, Yet drew its inspiration from the stars. It bloomed and faded here beside the road, And, being a poet, wrote on empty air With fragrance all the beauty of its soul.
Sorrowful words become the sorrowful; angry words suit the passionate; light words a playful expression; serious words suit the grave. [Lat., Tristia maestum Vultum verba decent; iratum, plena minarum; Ludentem, lasciva: severum, seria dictu.]
I was stuck on the side of a mountain in Scotland. I was looking down on emptiness. I lay on my back and looked around in panic. I prayed to God and relaxed. I realised if I turned carefully on my front I could see bits of grass to hold on to.
If a body could just find oot the exac' proper proportion and quantity that ought to be drunk every day, and keep to that, I verily trow that he might leeve for ever, without dying at a', and that doctors and kirkyards would og oot o' fashion.
Yet much remains To conquer still; peace hath her victories No less renowned then war, new foes arise Threatening to bind our souls with secular chains: Help us to save free conscience from the paw Of hireling wolves whose gospel is their maw.
There will always be people who have power over me, who can destroy my spirit and drain my soul. My best defense is to behave as if I have no soul, to act as if my spirit has already been crushed. Perhaps then, I will be left alone or ignored.
But love, like the sun that it is, sets afire and melts everything. what greed and privilege to build up over whole centuries the indignation of a pious spirit, with its natural following of oppressed souls, will cast down with a single shove.
Boredom is your window on the properties of time that one tends to ignore to the likely peril of one's mental equilibrium. It is your window on time's infinity. Once this window opens, don't try to shut it; on the contrary, throw it wide open.
Beginning a poem, the poet as a rule doesn't know the way it's going to come out, and at times, he is very surprised by the way it turns out, since often it turns out better than he expected; often his thought carries further than he reckoned.
It's important as a writer to do my art well and do it in a way that is powerful and beautiful and meaningful, so that my work regenerates the people, certainly Indian people, and the earth and the sun. And in that way we all continue forever.
Every relationship of man to the infinite is religion, namely of a man in the full abundance of his humanity. Whenever a mathematician calculates infinity, that, to be sure, is not religion. Infinity conceived in this abundance is the Godhead.
I love painting and music, of course. I don't know nearly as much about them as I know about poetry. I've certainly been influenced by fiction. I was overwhelmed by War and Peace when I read it, and I didn't read it until I was in my late 20s.
Extreme torture is mute, and so we sat silent, petrified, like columns of marble buried under the sand of an earthquake. Neither wished to listen to the other because our heart-threads had become weak and even breathing would have broken them.
We need new words for what this is, this hunger entering our loneliness like birds, stunning our eyes into rays of hope. we need the flutter that can save us, something that will swirl across the face of what we have become and bring us grace.
Beauty and strength were, both of them, much esteemed; Then wealth was discovered and soon after gold Which quickly became more honoured than strength or beauty. For men, however strong or beautiful, Generally follow the train of a richer man.
I had to find meaning in it. So I go through this, I see all these homies die; I see all this terrible devastation, people sitting in prison. I've been saved from prison, from death, and from heroine addiction. What am I going to do with that?
I see that there will be no end to imperfection, or to doing things the wrong way. Even if you grow up, no matter how hard you scrub, whatever you do, there will always be some other stain or spot on your face or stupid act, somebody frowning.