Quotes of All Topics . Occasions . Authors
I meet a lot of readers who first encountered my work in school. And I can only assume there is another group who would run away very fast if they saw me coming, for exactly the same reason. Reading is individual, and not all tastes are alike.
I'd spent way more years worrying about how to look like a poet -- buying black clothes, smearing on scarlet lipstick, languidly draping myself over thrift-store furniture -- than I had learning how to assemble words in some discernible order.
On Sundays, at the matin-chime, The Alpine peasants, two and three, Climb up here to pray; Burghers and dames, at summer's prime, Ride out to church from Chamberry, Dight with mantles gay, But else it is a lonely time Round the Church of Brou.
From laboratories employing complex apparatus, poetry often emerges into the outside world after a long lapse of time, just as some scientific discoveries become common property only after they have entered the blood stream of the generations.
It is impossible to read the daily press without being diverted from reality. You are full of enthusiasm for the eternal verities - life is worth living, and then out of sinful curiosity you open a newspaper. You are disillusioned and wrecked.
It is true that the reluctance to abstain from animal food, in those who have been long accustomed to its stimulus, is so great in some persons of weak minds, as to be scarcely overcome; but this is far from bringing any argument in its favour
Smuggling poems out of prison in the soles of mt shoes i'm way past finding salvation in the arms of a woman, I look out my window and see burning flowers and starving armies but when I look up into the night sky I see the souls of dead heroes
if sometimes we are bogged down in lines full of "corybulous", "hypogeum", "plangent", "irrefragably", "glozening", "tellurian", "conclamant", sometimes we are caught up in the soaring rapture of something unprecedented, absolutely individual.
Entering into writing a poem is an emotional endeavor for me as well as a spiritual and creative one. Having to write those poems for the inauguration, I started asking deeper questions about my cultural identity, and my connection to America.
...you're waiting because you thought it would follow, you thought there would be some logic, perhaps, something to pull it all together but here we are in the weeds again, here we are in the bowels of the thing: your world doesn't make sense.
There is the fear that we shan't prove worthy in the eyes of someone who knows us at least as well as we know ourselves. That is the fear of God. And there is the fear of Man -fear that men won't understand us and we shall be cut of from them.
The ideal of universal literacy, in the West anyway, was first of all a Protestant idea - that everybody had to be able to read to save their soul. That idea got transposed into an idea of the importance of literacy for democratic citizenship.
If a poem is written well, it was written with the poet's voice and for a voice. Reading a poem silently instead of saying a poem is like the difference between staring at sheet music and actually humming or playing the music on an instrument.
Little by little, wean yourself. This is the gist of what I have to say. From an embryo whose nourishment comes in the blood, move to an infant drinking milk, to a child on solid food, to a searcher after wisdom, to a hunter of invisible game.
Poems reach up like spindrift and the edge of driftwood along the beach, wanting! They derive from a slow and powerful root that we can’t see. Stop the words now. Open the window in the center of your chest, and let the spirits fly in and out.
Youth is not a time of life; it is a state of mind; it is not a matter of rosy cheeks, red lips and supple knees; it is a matter of the will, quality of the imagination, a vigor of the emotions, it is the freshness of the deep springs of life.
Youth is not a time of life; it is a state of mind; it is not a matter of rosy cheeks, red lips and supple knees; it is a matter of the will, quality of the imagination, a vigor of the emotions; it is the freshness of the deep springs of life.
The blues records of each decade explain something about the philosophical basis of our lives as black people. ... Blues is a basis of historical continuity for black people. It is a ritualized way of talking about ourselves and passing it on.
I dropped my hoe and ran into the house and started to write this poem, 'End of Summer.’ It began as a celebration of wild geese. Eventually the geese flew out of the poem, but I like to think they left behind the sound of their beating wings.
Some poems present themselves as cliffs that need to be climbed. Others are so defensive that when you approach their enclosure you half expect to be met by a snarling dog at the gate. Still others want to smother you with their sticky charms.
I think it was Milosz, the Polish poet, who when he lay in a doorway and watched the bullets lifting the cobbles out of the street beside him realised that most poetry is not equipped for life in a world where people actually die. But some is.
Imagine all human beings swept off the face of the earth, excepting one man. Imagine this man in some vast city, New York or London. Imagine him on the third or fourth day of his solitude sitting in a house and hearing a ring at the door-bell!
Is there not in every human soul a primitive spark, a divine element, incorruptible in this world and immortal in the next, which can be developed by goodness, kindled, lit up, and made to radiate, and which evil can never entirely extinguish.
You will hardly know who I am or what I mean, But I shall be good health to you nevertheless, And filter and fibre your blood. Failing to fetch me at first keep encouraged, Missing me one place search another, I stop somewhere waiting for you.
I announce the great individual, fluid as Nature, chaste, affectionate, compassionate, fully armed; I announce a life that shall be copious, vehement, spiritual, bold, And I announce an end that shall lightly and joyfully meet its translation.
Without imagination of the one kind or of the other, mortal existence is indeed a dreary and prosaic business... Illumined by the imagination, our life, whatever its defeats - is a never-ending unforeseen strangeness and adventure and mystery.
Cowards die many times before their deaths; The valiant never taste of death but once. Of all the wonders that I yet have heard, It seems to me most strange that men should fear; Seeing that death, a necessary end, Will come when it will come.
What is a man, if his chief good and market of his time be but to sleep and feed? a beast, no more. Sure he that made us with such large discourse, looking before and after, gave us not that capability and god-like reason to fust in us unused.
It is not night when I do see your face, Therefore I think I am not in the night; Nor doth this wood lack worlds of company, For you in my respect are all the world: Then how can it be said I am alone, When all the world is here to look on me?
But love, first learned in a lady's eyes, Lives not alone immured in the brain; But, with the motion of all elements, Courses as swift as thought in every power, And gives to every power a double power, Above their functions and their offices.
With little here to do or see Of things that in the great world be, Sweet Daisy! oft I talk to thee For thou art worthy, Thou unassuming commonplace Of Nature, with that homely face, And yet with something of a grace Which love makes for thee!
Those obstinate questionings Of sense and outward things, Fallings from us, vanishings; Blank misgivings of a Creature Moving about in worlds not realised, High instincts before which our mortal Nature Did tremble like a guilty thing surprised
With contemporary poetry having approximately as many fans outside the immediate field as there are devotees of undergoing knee surgery, any sentient, breathing reader who's genuinely interested in poetry... not scared of it... seems a godsend.
I’d cut my soul into a million different pieces just to form a constellation to light your way home. I’d write love poems to the parts of yourself you can’t stand. I’d stand in the shadows of your heart and tell you I’m not afraid of your dark.
In the terrible years of the Yezhov terror I spent seventeen months waiting in line outside the prison in Leningrad. One day somebody in the crowd identified me . . . and asked me in a whisper . . . "Can you describe this?" And I said: "I can."
The stones and trees, insensible to time, / Nor age nor wrinkle on their front are seen; / If Winter come, and greenness then do fade / A Spring returns, and they more youthful made; / But man grows old, lies down, remains where once he's laid.
Blessed be they whose lives do not taste of evilbut if some god shakes your houseruin arrivesruin does not leaveit comes tolling over the generationsit comes rolling the black night salt up from the ocean floorand all your thrashed coasts groan
Now we're like planets, holding to each other from a great distance. [...] Now we're hundreds of miles apart, our short arms keep us lonely, no one hears what's in my head. [...] It's March, even the birds don't know what to do with themselves.
Literature doesn't have a country. Shakespeare is an African writer. His Falstaff, for example, is very African in his appetite for life, his largeness of spirit. The characters of Turgenev are ghetto dwellers. Dickens characters are Nigerians.
Nero wasn't worried at all when he heard the utterance of the Delphic Oracle: "Beware the age of seventy-three." Plenty of time to enjoy himself still. He's thirty. The deadline the god has given him is quite enough to cope with future dangers.
Don't fight your demons. Your demons are here to teach you lessons. Sit down with your demons and have a drink and a chat and learn their names and talk about the burns on their fingers and scratches on their ankles. Some of them are very nice.
The nine-to-five is one of the greatest atrocities sprung upon mankind. You give your life to a function that doesn't interest you. This situation so repelled me that I was driven to drink, starvation, and mad females, simply as an alternative.
Most of the world was mad. And the part that wasn't mad was angry. And the part that wasn't mad or angry was just stupid. I had no chance. I had no choice. Just hang on and wait for the end. It was hard work. It was the hardest work imaginable.
I have seen too many men wilt and go silly under a little light, and then they continue to write and get published, turning out pure crap under a name that has become a bad habit. The next poem is all that counts. You can't stand on past poems.
The AvowalAs swimmers dareto lie face to the skyand water bears them,as hawks rest upon airand air sustains them;so would I learn to attain freefall, and floatinto Creator Spirit's deep embrace,knowing no effort earnsthat all-surrounding grace.
A man that simply loads himself down with possessions of which he has no actual need, when he dies slips out of them--as a little insect might slip out of some parasite shell into which it has ensconced itself--into the grave, and is forgotten.
Nothing is so beautiful as spring - when weeds, in wheels, shoot long and lovely and lush; Thrush's eggs look little low heavens, and thrush through the echoing timber does so rinse and wring the ear, it strikes like lightning to hear him sing.
People ask the way to Cold Mountain Roads do not go through Summer arrives yet the ice has not melted Though the sun is out it's foggy and dim How did I arrive here? My mind and yours are not the same When our minds are one You will be here too
Siddhartha has one single goal-to become empty, to become empty of thirst, desire, dreams, pleasure and sorrow-to let the Self die. No longer to be Self, to experience the peace of an emptied heart, to experience pure thought-that was his goal.
The body loaded by the excess of yesterday, depresses the mind also, and fixes to the ground this particle of divine breath. [Lat., Quin corpus onustum Hesternis vitiis, animum quoque praegravat una Atque affigit humo divinae particulam aurae.]