Our grandsire, Adam, ere of Eve possesst, Alone, and e'en in Paradise unblest, With mournful looks the blissful scenes survey'd, And wander'd in the solitary shade. The Maker say, took pity, and bestow'd Woman, the last, the best reserv'd of God.

No man ever got very high by pulling other people down. The intelligent merchant does not knock his competitors. The sensible worker does not knock those who work with him. Don't knock your friends. Don't knock your enemies. Don't knock yourself.

Truth possesses within herself a penetrating force, unknown alike to error and falsehood. I say 'truth' and you understand my meaning. For the beautiful words truth and justice need not to be defined in order to be understood in their true sense.

Before I die, I want to be somebody’s favorite hiding place, the place they can put everything they know they need to survive, every secret, every solitude, every nervous prayer, and be absolutely certain I will keep it safe. I will keep it safe.

O grant me a house by the beach of a bay, Where the waves can be surly in winter, and play With the sea-weed in summer, ye bountiful powers! And I'd leave all the hurry, the noise, and the fray, For a house full of books, and a garden of flowers.

These poets (fans of whatever) should be contacting other young poets on their way - not those who have made it, who sit on a star and then have plenty of problems: usually no money, usually the fear their own writing is going down the sink hole.

The shrill voices of those who give orders Are full of fear like the squeakings of Piglets awaiting the butcher's knife, as their fat arses Sweat with anxiety in their office chairs.... Fear rules not only those who are ruled, but The rulers too.

I'm trying to write poems that involve beginning at a known place, and ending up at a slightly different place. I'm trying to take a little journey from one place to another, and it's usually from a realistic place, to a place in the imagination.

There's the part of me that's the organizer, part of me that's the artist, part of me that's the person who, even with those two things, wants to figure out what my place in the world is. How to engage with it and whether my life has any meaning.

I had decided against religion a couple of years back. If it were true, it made fools out of people, or it drew fools. And if it weren't true, the fools were all the more foolish. What I need is a good doctor, I thought. You either lived or died.

The psyches and souls of women also have their own cycles and seasons of doing and solitude, running and staying, being involved and being removed, questing and resting, creating and incubating, being of the world and returning to the soul-place.

Like all other lonely or hungry things, ego loves the light. It sees light, and the possibility of being close to the soul, and it creeps up to it and steals one of its essential camouflages. In a hunger for soul, our own ego-self steals the pelt

Books are influential in proportion to their obscurity, provided that the obscurity be that of inexpressible Realities. The Bible is the most obscure book in the world. He must be a great fool who thinks he understands the plainest chapter of it.

I found myself within a forest dark, for the straightfoward pathway had been lost. Ah me! How hard a thing is to say, what was this forest savage, rough, and stern, which in the very thought renews the fear. So bitter is it, death is little more.

I plucked a honeysuckle where The hedge on high is quick with thorn, And climbing for the prize, was torn, And fouled my feet in quag-water; And by the thorns and by the wind The blossom that I took was thinn'd, And yet I found it sweet and fair.

Lion sounds that have not grown from the mouse may exude naked power... but cannot convey any wisdom or understanding... The initial steps on the path to courageous speech then are the first tentative steps into the parts of us that cannot speak.

The "biggest" poems I ever made are based on the psychological principal of the "Johari Window:" what the self freely shares with others; what the self hides from others; what others hide from the self; and what is unknown to the self and others.

Poetry examines an emotional truth. It's an experience filtered through the personality of the poet. We look to poetry for visions, not scientific truths. The poet's job is to combine new elements. Explore their melting, seeping into one another.

I think one of the things that language poets are very involved with is getting away from conventional ideas of beauty, because those ideas contain a certain attitude toward women, certain attitudes toward sex, certain attitudes toward race, etc.

The nowadays ruling that no word is unprintable has, I think, done nothing whatever for beautiful letters. ... Obscenity is too valuable a commodity to chuck around all over the place; it should be taken out of the safe on special occasions only.

Go on thinking that you don't need to be read and you'll find that it may become quite true: no one will feel the need tom read it because it is written for yourself alone; and the public won't feel any impulse to gate crash such a private party.

If you have a dog, and you're a person whose moods are constantly changing, there's a moment when you look at the dog, and you feel bad for them because they're attached to you, and so it's funny for the dog to vocalize those things in some ways.

When I think of someone equating poems and machines, it makes me feel like that person would like poems to have a more obvious use value in society. They're not happy with poetry being this ephemeral, indefinable thing. They want it to be "real."

So close is the bond between man and woman that you can not raise one without lifting the other. The world can not move ahead without woman's sharing in the movement, and to help give a right impetus to that movement is woman's highest privilege.

I've always thought of myself as a reporter. When people ask why I don't stop writing, I say, `Look at what's happening in this world. Every day there's something exciting or disturbing to write about.’ With all that's going on, how could I stop?

When people look for the road in the clouds The cloud road disappears The mountains are tall and steep The streams are wide and still Green mountains ahead and behind White clouds to east and west If you want to find the cloud road Seek it within

Thou breeze, That mak'st an organ of the mighty sea, Obedient to thy wilful phantasies, Provoke him not to scorn; but soft and low, As pious maid awakes her aged sire, On tiptoe stealing, whisper in his ear The tidings of the young god's victory.

To set the cause above renown, To love the game beyond the prize, To honor, while you strike him down, The foe that comes with fearless eyes To count the life of battle good and dear the land that gave you birth, And dearer yet the brotherhood...

The sentence of the first murderer was pronounced by the Supreme Judge of the universe. Was it death? No, it was life. 'A fugitive and a vagabond shalt thou be in the earth'; and 'Whosoever slayeth Cain, vengeance shall be taken on him sevenfold.

He ploughs the waves, sows the sand, and hopes to gather the wind in a net, who places his hopes on the heart of a woman. [It., Ne l'onde solca, e ne l'arena semina, E'l vago vento spera in rete acogliere Chi sue speranze fonda in cor di femina.]

In a pine tree,/ A few yards from my window sill,/ A brilliant blue jay is springing up and down, up and/ down./ On a branch./ I laugh, as I see him abandon himself/ To entire delight, for he knows as well as I do/ That the branch will not break.

I am: yet what I am none cares or knows, My friends forsake me like a memory lost; I am the self-consumer of my woes, They rise and vanish in oblivious host, Like shades in love and death's oblivion lost; And yet I am, and live with shadows tost.

And fairy month of waking mirth From whom our joys ensue Thou early gladder of the earth Thrice welcome here anew With thee the bud unfolds to leaves The grass greens on the lea And flowers their tender boon receives To bloom and smile with thee.

When earth as if on evil dreams Looks back upon her wars, And the white light of Christ outstreams From the red disc of Mars, His fame, who led the stormy van Of battle, well may cease; But never that which crowns the man Whose victory was peace.

Hate is of all things the mightiest divider, nay, is division itself. To couple hatred, therefore, though wedlock try all her golden links, and borrow to tier aid all the iron manacles and fetters of law, it does but seek to twist a rope of sand.

Poems, novels - these things belong to the nation, to the culture and the people. They've been stolen from the people and now the stolen things are being returned to their owners, but I don't think their owners should be grateful to receive them.

Love is a very important part of life, and you have to give in to it. But after a while it ceases to be such an important force in life, and that's the time when you should give in to age and stop doing it, if you don't have the impulse any more.

One of the reasons I came to Berkeley was because I saw so many students of all different colors speaking so many different languages and ferociously presenting all these different views. I thought, this is the 21st century and I want to be here!

Whether you look at Judaism, Christianity, Islam, Hinduism, or Buddhism, wherever a distinction of sex is made, it is to the advantage of men. If you think of religions as if they were novels, the authors are men, and so are the major characters.

I make no apology for writing in nature's age-old and unaging language, of whose images we build our paradises, Broceliande and Brindavan, the Forest of Arden, Xanadu, Shelley's Skies, or even Wordsworth's Grasemere, which can be found on no map.

The fool sees naught but folly; and the madman only madness. Yesterday I asked a foolish man to count the fools among us. He laughed and said, "This is too hard a thing to do, and it will take too long. Were it not better to count only the wise?"

Every beauty and greatness in this world is created by a single thought or emotion inside a man. Every thing we see today, made by past generations, was, before its appearance, a thought in the mind of a man or an impulse in the heart of a woman.

But there are certain very practical things American Negro writers can do. And must do. There's a song that says, "the time ain't long." That song is right. Something has got to change in America-and change soon. We must help that change to come.

There's a nice clear difference between real protection (wash your hands, or wear a condom) and the fake protection offered by institutions which often come, finally and sadly, to be much too interested first of all in protecting their own power.

Very often I hear talk about female literature, or femininity in literature. It's a categorization I am not sure about. Maybe there are a few elements that distinguish women's observations from men's, like the ability to notice some fine details.

Is it exciting to have a codified identity, which then gets a codified set of rights and recognitions and visibility? Are we supposed to take it from there, within the same system? Or are we trying to upset the table before we want a place at it?

For me the experience of writing is really an experience of losing control.... I think it's very much like dreaming or like surfing. You go out there and wait for a wave, and when it comes it takes you somewhere and you don't know where it'll go.

Things might have been different if she hadn't been able to drift; if she'd had to concentrate on her next meal, instead of dwelling on all the injuries she felt we'd done her. An unearned income encourages self-pity in those already prone to it.

The bee is enclosed, and shines preserved, in a tear of the sisters of Phaeton, so that it seems enshrined in its own nectar. It has obtained a worthy reward for its great toils; we may suppose that the bee itself would have desired such a death.

For poetry is, I believe, always an act of the spirit. The poem teaches us something while we make it. The poem makes you as you make the poem, and your making of the poem requires all your capacities of thought, feeling, analysis, and synthesis.

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