QUINCE Francis Flute, the bellows-mender. FLUTE Here, Peter Quince. QUINCE Flute, you must take Thisby on you. FLUTE What is Thisby? a wandering knight? QUINCE It is the lady that Pyramus must love. FLUTE Nay, faith, let me not play a woman; I have a beard coming.

O how wretched is that poor man that hangs on princes favors! There is betwixt that smile we would aspire to, that sweet aspect of princes, and their ruin, more pangs and fears than wars or women have, and when he falls, he falls like Lucifer, never to hope again.

you saw her fair, none else being by, Herself pois'd with herself in either eye; But in that crystal scales let there be weigh'd Your lady's love against some other maid That I will show you shining at this feast, And she shall scant show well that now seems best.

She speaks poniards, and every word stabs: if her breath were as terrible as her terminations, there were no living near her; she would infect to the north star. I would not marry her, though she were endowed with all that Adam bad left him before he transgressed.

O no, thy love though much, is not so great, It is my love that keeps mine eye awake, Mine own true love that doth my rest defeat, To play the watchman ever for thy sake. For thee watch I, whilst thou dost wake elsewhere, From me far off, with others all too near.

Now when the primrose makes a splendid show, And lilies face the March-winds in full blow, And humbler growths as moved with one desire Put on, to welcome spring, their best attire, Poor Robin is yet flowerless; but how gay With his red stalks upon this sunny day!

Hark! the hours are softly calling Bidding Spring arise To listen to the rain-drops falling From the cloudy skies To listen to Earth’s weary voices Louder every day Bidding her no longer linger On her charm’d way But hasten to her task of beauty Scarcely yet begun.

False history gets made all day, any day, the truth of the new is never on the news False history gets written every day ... the lesbian archaeologist watches herself sifting her own life out from the shards she's piecing, asking the clay all questions but her own.

Whoever thinks a faultless piece to see, Thinks what ne'er was, nor is, nor e'er shall be, In every work regard the writer's end, Since none can compass more than they intend; And if the means be just, the conduct true, Applause, in spite of trivial faults, is due.

Among the various forms of science which are reaching and affecting the new popular tradition, we have reckoned Anthropology. Pleasantly enough, Anthropology has herself but recently emerged from that limbo of the unrecognised in which Psychical Research is pining.

Poetry is my cheap means of transportation, by the end of the poem the reader should be in a different place from where he started. I would like him to be slightly disoriented at the end, like I drove him outside of town at night and dropped him off in a cornfield.

Poetry is my cheap means of transportation. By the end of the poem the reader should be in a different place from where he started. I would like him to be slightly disoriented at the end, like I drove him outside of town at night and dropped him off in a cornfield.

Happy is the man who can with vigorous wing Mount to those luminous serene fields! The man whose thoughts, like larks, Take liberated flight toward the morning skies --Who hovers over life and understands without effort The language of flowers and voiceless things!

Freud's translator accidentally omitted 'fashion' in the psychoanalytic list of primary instinctual drives; along with the drive to sexuality there is the drive to wear odd garments that may cut off circulation, occlude vision, make toes grow sideways, cause riots.

You want to belong, you want to be here. In interactions with others you're constantly waiting to see that they recognize that you're a human being. That they can feel your heartbeat and you can feel theirs. And that together you will live - you will live together.

O you proud Christians, wretched souls and small,/ Who by the dim lights of your twisted minds/ Believe you prosper even as you fall,/ Can you not see that we are worms, each one/ Born to become the angelic butterfly/ That flies defenseless to the Judgement Throne?

Like many a better one before me, I have gone down under the force of numbers, under the books and books and books that keep coming out and coming out and coming out, shoals of them, spates of them, flash floods of them, too blame many books, and no sign of an end.

What though the sea with waves continuall Doe eate the earth, it is no more at all ; Ne is the earth the lesse, or loseth ought : For whatsoever from one place doth fall Is with the tyde unto another brought : For there is nothing lost, that may be found if sought.

Now, I do say, "It's possible. You might be the first. I'm not saying it's impossible, but the odds are very much against you." All great poets have been great readers and the way to learn your craft in poetry is by reading other poetry and by letting it guide you.

The best answer to all objections urged against prayer is the fact that man cannot help praying; for we may be sure that that which is so spontaneous and ineradicable in human nature has its fitting objects and methods in the arrangements of a boundless Providence.

Every man on the planet should do some physical work: he should help in the bread-labor of mankind. He should also do some of the intellectual work: he should help in the thought-labor of mankind. In a word, every thinker should work, and every worker should think.

The abstract intelligence produces a fatigue that's the worst of all fatigues. It doesn't weigh on us like bodily fatigue, nor disconcert like the fatigue of emotional experience. It's the weight of our consciousness of the world, a shortness of breath in our soul.

I who have gone the gamut from an almost angry rejection of my dark skin by some of my brainwashed brothers and sisters to a surprised queenhood in the new Black sunam qualified to enter at least the kindergarten of new consciousness now... I have hopes for myself.

The writing of an assay-type poem or a poem investigating perspective isn't an exercise of rational or strategic mind. Poems for me are acts of small or large desperation. They grapple with surfaces too steep to walk in any other way, yet which have to be traveled.

But whither am I strayed? I need not raise Trophies to thee from other men's dispraise; Nor is thy fame on lesser ruins built; Nor needs thy juster title the foul guilt Of Eastern kings, who, to secure their reign, Must have their brothers, sons, and kindred slain.

To Hope "When by my solitary hearth I sit, And hateful thoughts enwrap my soul in gloom; When no fair dreams before my 'mind's eye' flit, And the bare heath of life presents no bloom; Sweet Hope, ethereal balm upon me shed, And wave thy silver pinions o'er my head.

So may'st thou live, till like ripe fruit thou drop Into thy mother's lap, or be with ease Gathered, not harshly plucked, for death mature: This is old age; but then thou must outlive Thy youth, thy strength, thy beauty, which will change To withered weak and grey.

It is for homely features to keep home,- They had their name thence; coarse complexions And cheeks of sorry grain will serve to ply The sampler and to tease the huswife's wool. What need a vermeil-tinctur'd lip for that, Love-darting eyes, or tresses like the morn?

Tenderness and Rot Tenderness and rot share a border. And rot is an aggressive neighbor whose iridescence keeps creeping over. No lessons can be drawn from this however. One is not two countries. One is not meat corrupting. It is important to stay sweet and loving.

In the "Intervention" section of the book we go into that looping from a battery of positions (where healer and sufferer are blurred). I'm very interested in "repetition and revision" (to use Suzan Lori-Parks's phrase) and in the culture's desire to loop or repeat.

I write from my knowledge not my lack, from my strength not my weakness. I am not interested if anyone knows whether or not I am familiar with big words, I am interested in trying to render big ideas in a simple way. I am interested in being understood not admired.

Anything made out of destructible matter Infinite time would have devoured before. But if the atoms that make and replenish the world Have endured through the immense span of the past Their natures are immortal-that is clear. Never can things revert to nothingness!

Lucretius was passionate, and much more in need of exhortations to prudence than Epicurus was. He committed suicide, and appears to have suffered from periodic insanity - brought on, so some averred, by the pains of love or the unintended effects of a love philtre.

I know that some books and some writers, you can pretty much draw a square around it and say, 'Nobody under 40,' or 'Nobody under 25.' With my books, it always has been, and continues to be, spread right across the board, and I think the operative term is 'reader.'

There were also some cruel reviews by women, but the tone of the male reviewers, sometimes hysterical, was different. I have suffered, but I don't want to name names but there have been men who have seemed to want to destroy me or my writing, men I don't even know.

There were also some cruel reviews by women, but the tone of the male reviewers, sometimes hysterical, was different. I have suffered, but I don't want to name names-but there have been men who have seemed to want to destroy me or my writing, men I don't even know.

There were moments ... when it seemed that all one could be asked was just to keep the ashtrays clean, the bed made, the wastebaskets emptied, as if one never got to the real things because of the constant exhausting battle to keep ordinary life from falling apart.

To mourn is to wonder at the strangeness that grief is not written all over your face in bruised hieroglyphics. And it's also to feel, quite powerfully, that you're not allowed to descend into the deepest fathom of your grief - that to do so would be taboo somehow.

We cannot know what John of Leyden felt Under the Bishop 's tongs - we can only Walk in temperate London, our educated city, Wishing to cry as freely as they did who died In the Age of Faith. We have our loneliness And our regret with which to build an eschatology.

When it shall please God to bring thee to man's estate, use great providence and circumspection in choosing thy wife. For from thence will spring all thy future good or evil; and it is an action of life, like unto a stratagem of war; wherein a man can err but once!

The point of marriage is not to create a quick commonality by tearing down all boundaries on the contrary, a good marriage is one in which each partner appoints the other to be the guardian of his solitude, and thus they show each other the greatest possible trust.

I will garden on the double run, my rhythm obvious in the ringing rakes, and trust in fate to keep me poor and kind and work until my heart is short, then go out slowly with a feeble grin, my fingers flexing but my eyes gone gray from cramps and the lack of oxygen.

While Europe's eye is fix'd on mighty things, The fate of empires and the fall of kings; While quacks of State must each produce his plan, And even children lisp the Rights of Man; Amid this mighty fuss just let me mention, The Rights of Woman merit some attention.

But give thanks, at least, that you still have Frost's poems; and when you feel the need of solitude, retreat to the companionship of moon, water, hills and trees. Retreat, he reminds us, should not be confused with escape. And take these poems along for good luck!

Entrance and exit wounds are silvered clean, The track aches only when the rain reminds. The one-legged man forgets his leg of wood, The one-armed man his jointed wooden arm. The blinded man sees with his ears and hands As much or more than once with both his eyes.

Children, together with women, constitute 90 percent of all refugee populations on the planet as well as the vast majority of those living in absolute poverty: the 'feminization of poverty' means that children are poor, too, since most parenting is done by mothers.

Every age probably regards itself as unique in its sexual sophistication, and if we take Ovid as a typical spokesman we should have to conclude that the keynote of his age was elegance. . . . Ovid could not possibly have taken himself, nor be taken for, an Ancient.

It's just this epidemic unimportance, this pervasive feeling that just about everything is "no big deal," that drives these ordinary people to those fast-food joints, there to try to fill with carbohydrates the spiritual and emotional emptiness gnawing inside them.

I’ve been looking for a long, long time, for this thing called love, I’ve ridden comets across the sky, and I’ve looked below and above. Then one day I looked inside myself, and this is what I found, A golden sun residing there, beaming forth God’s light and sound.

And who in time knows whither we may vent the treasure of our tongue, to what strange shores this gain of our best glories shall be sent, 't unknowing Nations with our stores? What worlds in the yet unformed Occident may come refined with the accents that are ours?

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