Quotes of All Topics . Occasions . Authors
The tree that never had to fight for sun and sky and air and light but stood out in the open plain and always got it share of rain, never became a forest king but lived and died a scrubby thing. Good timber does not grow with ease. The stronger wind, the stronger trees.
This have I known always: Love is no more than the wide blossom which the wind assails, than the great tide that treads the shifting shore, strewing fresh wreckage gathered in the gales; Pity me that the heart is slow to learn, that the swift mind beholds at every turn.
The true Church is not an institution to be kept apart from the world because the world "is common and unclean," but a vital heart of truth and love, beating with the life of Jesus, and sending abroad its sanctifying pulsations until nothing shall be common and unclean.
Sometimes I need to reject the music proposed for my songs because the musicians misunderstand that the Fanny Crosby who once wrote for the people in the saloons has merely changed the lyrics. Oh my no. The church must never sing it's songs to the melodies of the world.
We didn't have an indigenous Taliban before 2008. We didn't have a war in Swat before 2008, we didn't have a war in Waziristan. We never, in our 63-year history, we have never allowed unmanned Predator drones from ANY country to fly over our skies and kill our citizens.
What is any religion? A little ritual, a little superstition, and some magic. It's not a strictly spiritual affair; it has psychological roles to fulfill. You might not want it to be a religion based on your own experience but that's like wanting to clean up your dreams
By all means use sometimes to be alone. Salute thyself: see what thy soul doth wear. Dare to look in thy chest; for 'Tis thine own: And tumble up and down what thou findst there. Who cannot rest till he good fellows find, he breaks up house, turns out of doors his mind.
If that thy fame with ev'ry toy be pos'd, 'Tis a thin web, which poysonous fancies make; But the great souldier's honour was compos'd Of thicker stuf, which would endure a shake. Wisdom picks friends; civility plays the rest; A toy shunn'd cleanly passeth with the best.
Simplicity is the character of the spring of life, costliness becomes its autumn; but a neatness and purity, like that of the snow-drop or lily of the valley, is the peculiar fascination of beauty, to which it lends enchantment, and gives what amiability is to the mind.
Badness you can get easily, in quantity. The road is smooth and lies close by. But in front of excellence the immortal gods have put sweat, and long and steep is the way to do it, and rough at first. But when you come to the top, then it is easy, even though it is hard.
We know that an object that is not consciously noticed at the time of a first visit can, by its absence during subsequent visits, provoke an indefinable impression: as a result of this sighting backward in time, the absence of the object becomes a presence one can feel.
"Love" is so short of perfect rhymes that convention allows half-rhymes like "move". The alternative is a plague of doves, or a kind of poem in which the poet addresses his adored both as "love" and as "guv" - a perfectly decent solution once, but only once, in a while.
'Love' is so short of perfect rhymes that convention allows half-rhymes like 'move.' The alternative is a plague of doves, or a kind of poem in which the poet addresses his adored both as 'love' and as 'guv' - a perfectly decent solution once, but only once, in a while.
Men have their intellectual ancestry, and the likeness of some one of them is forever unexpectedly flashing out in the features of a descendant, it may be after a gap of several centuries. In the parliament of the present every man represents a constituency of the past.
I was just sitting on my bed in a dormitory room, and I started writing. The thing that was magic about it was that once you put down one word, you could cross it out. I figured that out right away. I put down 'mountain,' and then I'd go, 'No - 'valley.' That's better.'
She who only finds her self-esteem In others' admiration, begs an alms; Depends on others for her daily food, And is the very servant of her slaves; Tho' oftentimes, in a fantastic hour, O'er men she may a childish pow'r exert, Which not ennobles but degrades her state.
Men perish with whispering sins-nay, with silent sins, sins that never tell the conscience that they are sins, as often with crying sins; and in hell there shall meet as many men that never thought what was sin, as that spent all their thoughts in the compassing of sin.
Arts and sciences in one and the same century have arrived at great perfection; and no wonder, since every age has a kind of universal genius, which inclines those that live in it to some particular studies; the work then, being pushed on by many hands, must go forward.
Although in society in general, the idea of an Irish composer of 'classical music', or whatever you want to call it, is still a strange item, generally speaking. Even in the arts, among our fellow creative artists in other disciplines, you still feel slightly out of it.
The shaman/priest/artist/teacher/leader does not operate for the sole benefit of herself and her kind but for the benefit of the people at large and of the universe and its patterns, as becomes what she perceives as fitting into place, into her sense of natural justice.
What's important about poetry in the context of leadership is that most of the time, power has to do with dominance. But poetry is never about dominance. Poetry is powerful but it cannot even aspire to dominate anyone. It means making a connection. That's what it means.
You are good when you are one with yourself. Yet when you are not one with yourself you are not evil. For a divided house is not a den of thieves; it is only a divided house. And a ship without rudder may wander aimlessly among perilous isles yet sink not to the bottom.
With Complicated Grief I can say that there was a certain simplification in the process. Getting older means less wasted effort, things are clearer earlier. Being young meant flailing around a lot, especially as I was trying to invent new shapes without a ton of models.
It is a delicious moment, certainly, that of being well nestled in bed, and feeling that you shall drop gently to sleep. The good is to come, not past; the limbs have just been tired enough to render the remaining in one posture delightful; the labour of the day is gone
Poetry is perhaps what teaches us to nurture the charming illusion: how to be reborn out of ourselves over and over again, and use words to construct a better world, a fictitious world that enables us to sign a pact for a permanent and comprehensive peace ... with life.
Nations are not truly great solely because the individuals composing them are numerous, free, and active; but they are great when these numbers, this freedom, and this activity are employed in the service of an ideal higher than that of an ordinary man taken by himself.
Youth dreams a bliss on this side of death. It dreams a rest, if not more deep, More grateful than this marble sleep; It hears a voice within it tell: Calm's not life's crown, though calm is well. 'Tis all perhaps which man acquires, But 'tis not what our youth desires.
On a very personal level, I have fond memories of spending a lot of time in the Library of Congress working on my collection of poems 'Native Guard.' I was there over a summer doing research in the archives and then writing in the reading room at the Jefferson building.
The hoop dancer dances within what encircles him, demonstrating how the people live in motion within the circling spirals of time and space. They are no more limited than water and sky. At green corn dance time, water and sky come together, in Indian time, to make rain.
Had this author [Sir W Drummond Academical Questions, chap. iii.], instead of inveighing against the guilt and absurdity of atheism, demonstrated its falsehood, his conduct would have, been more suited to the modesty of the skeptic and the toleration of the philosopher.
Nature never set forth the earth in so rich tapestry as divers poets have done; neither with pleasant rivers, fruitful trees, sweet-smelling flowers, nor whatsoever else may make the too-much-loved earth more lovely; her world is brazen, the poets only deliver a golden.
Images are not quite ideas, they are stiller than that, with less implication outside themselves. And they are not myth, they do not have the explanatory power; they are nearer to pure story. Nor are they always metaphors; they do not say this is that, they say this is.
Know that however ugly the parts appear the whole remains beautiful... ... the wholeness of life and things, the divine beauty of the universe. Love that, not man Apart from that, or else you will share man's pitiful confusions, or drown in despair when his days darken.
Sometimes I know what my characters are moving away from or toward; more often I just wait and see. For instance, though I knew Sinkler in 'The Trusty' was going for water, I did not know that he would meet a fetching young farm wife until I got him into her front yard.
Sometimes in order to help He makes us cry Happy the eye that sheds tears for His sake Fortunate the heart that burns for His sake Laughter always follow tears Blessed are those who understand Life blossoms wherever water flows Where tears are shed divine mercy is shown
Load the ship and set out. No one knows for certain whether the vessel will sink or reach the harbor. Cautious people say, 'I'll do nothing until I can be sure.' Merchants know better. If you do nothing, you lose. Don't be one of those merchants who wont risk the ocean.
A lover knows only humility, he has no choice. He steals into your alley at night, he has no choice. He longs to kiss every lock of your hair, don't fret, he has no choice. In his frenzied love for you, he longs to break the chains of his imprisonment, he has no choice.
And watch two men washing clothes, one makes dry clothes wet. The other makes wet clothes dry. they seem to be thwarting each other, but their work is a perfect harmony. Every holy person seems to have a different doctrine and practice, but there's really only one work.
I am alone, as though I stood On the highest peak of the tired gray world,About me only swirling snow, Above me, endless space unfurled;With earth hidden and heaven hidden, And only my own spirit's prideTo keep me from the peace of those Who are not lonely, having died.
The librarian spoke in a reverential whisper. Corliss knew she'd misjudged this passionate woman. Maybe she dressed poorly, but she was probably great in bed, certainly believed in God and goodness, and kept an illicit collection of overdue library books on her shelves.
[Bob Dylan] builds his lyrics, of course, from personal experience, but it's also a literary work. He draws heavily on his knowledge of American lyric tradition as well as European modernism. But he should let the Nobel Prize Committee know if he is accepting it or not.
I associate the garden with the whole experience of being alive, and so, there is nothing in the range of human experience that is separate from what the garden can signify in its eagerness and its insistence, and in its driving energy to live -- to grow, to bear fruit.
Wonderful nature has a double meaning, which dazzles great minds and blinds uncultivated souls. When man is ignorant, when the desert is filled with visions, the darkness of solitude is added to the darkness of intelligence; hence, in man, the possibilities of perdition
You know that the nucleus of a time is not The poet but the poem, the growth of the mind Of the world, the heroic effort to live expressed As victory. The poet does not speak in ruins Nor stand there making orotund consolations. He shares the confusions of intelligence.
The editor sat in his sanctum, his countenance furrowed with care, His mind at the bottom of business, his feet at the top of a chair, His chair-arm an elbow supporting, his right hand upholding his head, His eyes on his dusty old table, with different documents spread.
Let the minor genius go his light way and enjoy his life - the great nature cannot so live, he is never really in holiday mood, even though he often plucks flowers by the wayside and ties them into knots and garlands like little children and lays out on a sunny morning.
For God's sake, let us sit upon the ground, and tell sad stories of the death of kings... All murdered; for within the hollow crown that rounds the mortal temples of a king, keeps Death his court... and with a little pin bores through his castle wall, and farewell king!
I have people say that they love how I keep them off balance as to what is real or not real about pretty much everything I write. I think it's an accurate description of how I feel every day. I can't tell what's real and what's not anymore. I think that's what makes art.
. . . had I a river I would gladly let all honest anglers that use the fly cast line in it, but, but where there is no protection, then nets, poison, dynamite, slaughter of fingerlings, and unholy baits devastate the fish, so that 'free fishing' spells no fishing at all.
Beauty spins and the mind moves. To catch beauty would be to understand how that impertinent stability in vertigo is possible. But no, delight need not reach so far. To be running breathlessly, but not yet arrived, is itself delightful, a suspended moment of living hope.