Quotes of All Topics . Occasions . Authors
Reardan is the rich white farm town that sits in the wheat fields exactly 22 miles away from the Rez. And it's a hick town I suppose filled with farmers and rednecks and racists cops who stop every Indian that drives through. During one week when I was little dad got stopped three times for DWI- Driving While Indian.
The problem is that too many adults think their kids' lives are simple, or they try to make their lives simple, when their emotional lives are just as complicated as ours. They might have a few less tools to deal with it because they're young, but the emotions are all the same, and the subject matter is all the same.
The sickness rolled through me in great waves. After each wave it would fade away and leave me limp as a wet leaf and shivering all over and then I would feel it rising up in me again, and the glittering white torture chamber tiles under my feet and over my head and all four sides closed in and squeezed me to pieces.
I do feel that now and I feel that this development of recording poems, of speaking poems at readings, of having records of poets, I think this is a wonderful thing. I'm very excited by it. In a sense, there's a return, isn't there, to the old role of the poet, which was to speak to a group of people, to come across.
If you look at the Directory of American Poets and Writers, you know there are hundreds of poets in New York City. So therefore, just by specific gravity, it seems like a more significant place. Robert Wrigley is a poet who lives in rural Idaho - I think it's really back-country Idaho - and he writes beautiful poems.
One of Still Lifes many achievements is its paradoxical mix of intensity and stillness. Alexander Longs visions of landscape, identity and "History itself, a joke that no one gets" are simultaneously meditative and alert, restless and focused. This is a smart, compassionate poet. Still Life is a mesmerizing new book.
I know thou art gone to the home of thy rest-- Then why should my soul be so sad? I know thou art gone where the weary are blest, And the mourner looks up, and is glad; I know thou hast drank of the Lethe that flows In a land where they do not forget, That sheds over memory only repose, And takes from it only regret.
One of my main wishes in wanting to write about my mother was to explore the impact of her death on my life, explore our relationship, think about the different versions of myself that I was with and without her. I also had the really strong wish to bring her to life for my children, who were born after she was gone.
It has become necessary to call the attention of European governments to a fact which is apparently so insignificant that the governments seem not to notice it. The fact is this: an entire people is being annihilated. Where? In Europe. Are there witnesses? One witness, the entire world. Do the governments see it? No.
I said earlier that I do not believe an artist's life throws much light upon his works. I do believe, however, that, more often than most people realize, his works may throw light upon his life. An artist with certain imaginative ideas in his head may then involve himself in relationships which are congenial to them.
First we have to see. Or first we have to be taught to see. We have to be taught to see here, because here is everywhere, related to everywhere else, and if we don't see, hear, taste, smell and feel in this place - not only will we never know anything but the world of sense will be by that much diminished everywhere.
The historic transition from Novice to Proficient to Adept was said to be accomplished virtually overnight by the progression from marijuana to peyote to lysergic acid. Instant mysticism had arrived. Before the court of law, hippies demanded freedom for LSD the way early Christians demanded freedom for the Eucharist.
He that commends me to mine own content Commends me to the thing I cannot get. I to the world am like a drop of water That in the ocean seeks another drop, Who, falling there to find his fellow forth, Unseen, inquisitive, confounds himself: So I, to find a mother and a brother, In quest of them, unhappy, lose myself.
When daffodils begin to peer, With heigh! the doxy, over the dale, Why, then comes in the sweet o' the year; For the red blood reigns in the winter's pale. The white sheet bleaching on the hedge, With heigh! the sweet birds, O, how they sing! Doth set my pugging tooth on edge; For a quart of ale is a dish for a king.
Come, seeling night, Scarf up the tender eye of pitiful day, And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale. Light thickens, and the crow Makes wing to th' rooky wood. Good things of day begin to droop and drowse, While night's black agents to their prey do rouse.
Time hath not yet so dried this blood of mine, Nor age so eat up my invention, Nor fortune made such havoc of my means, Nor my bad life reft me so much of friends, But they shall find awaked in such a kind Both strength of limb and policy of mind, Ability in means, and choice of friends, To quit me of them throughly.
Distrust even Mathematics; albeit so sublime and highly perfected, we have here a machine of such delicacy it can only work in vacuo, and one grain of sand in the wheels is enough to put everything out of gear. One shudders to think to what disaster such a grain of sand may bring a Mathematical brain. Remember Pascal.
Meanwhile the mind, from pleasure less, Withdraws into its happiness; The mind, that ocean where each kind Does straight its own resemblance find; Yet it creates, transcending these, Far other worlds, and other seas; Annihilating all that's made To a green thought in a green glade ... Such was that happy garden-state.
There are different gradations of personhood in different poems. Some of them seem far away from me and some up close, and the up-close ones generally don't say what I want them to say. And that's true of the persona in the poem who's lamenting this as a fact of a certain stage of life. But it's also true of me as me.
True, when you behold Damascus from the Salahiyeh, the last slope of the Anti-Lebanon, it is the realization of all that you have dreamed of Oriental splendor; the world has no picture more dazzling. It is Beauty carried to the Sublime, as I have felt when overlooking some boundless forest of palms within the tropics.
The Occupy Wall Street movement, in general, by putting this idea out there that the one percent is leeching off the 99 percent, is making a new discussion, making people figure out how to withhold their labor and come and put their issues on the table with the ruling class all over the country and all over the world.
It takes a certain kind of mind to narrate, to work through character motivation, to be unforgiving to one's writer-self when it comes down to creating the minutiae of detail. Writing fiction requires stamina, a sense of how people's lives work, how people work toward and against one another and, above all, precision.
They have no idea that it can be done by a bus driver, a field hand, or a fry cook. They have no idea where it comes from. It comes from pain, damnation and impossibility. The blow to the soul of the gut. It comes from getting burned and seared and slugged. It comes from...new and awful places and the same old places.
Courage is the measure of our heartfelt participation with life, with another, with a community, a work, a future. To be courageous, is not necessarily to go anywhere or do anything except to make conscious those things we already feel deeply and then to live through the unending vulnerabilities of those consequences.
People know, or dimly feel, that if thinking is not kept pure and keen, and if respect for the world of mind is no longer operative, ships and automobiles will soon cease to run right, the engineer's slide rule and the computations of banks and stock exchanges will forfeit validity and authority, and chaos will ensue.
Duende I can't remember her name. It's not as though I've been in bed with that many women. The truth is I can't even remember her face. I kind of know how strong her thighs were, and her beauty. But what I won't forget is the way she tore open the barbecued chicken with her hands, and wiped the grease on her breasts.
If you're writing a song, you have to write something that can be understood serially. When you're reading a poem that's written for the page, your eye can skip up and down. You can see the thing whole. But you're not going to see the thing whole in the song. You're going to hear it in series, and you can't skip back.
The danger (where there is any) from armed citizens, is only to the *government*, not to *society*; and as long as they have nothing to revenge in the government (which they cannot have while it is in their own hands) there are many advantages in their being accustomed to the use of arms, and no possible disadvantage.
I'm anticlerical, not antireligion. If somebody believes there is God, I'm not interested in trying to persuade that person there is no intelligent design to the universe. Where I become interested and wake up is about the temporal power of religion, things like prayer in schools, or Catholic-secular hospital mergers.
I am one of those who believe that spiritual progress is a rule of human life, but the approach to perfection is slow and painful. If a woman elevates herself in one respect and is retarded in another, it is because the rough trail that leads to the mountain peak is not free of ambushes of thieves and lairs of wolves.
I myself discovered many authors through school reading lists and through school anthologies. The positives are: young readers can find the world opening up to them through books they study. The negatives may include bad experiences kids have - if they don't like the book or the teacher, or the way the book is taught.
There are many ways that we grow, but there are two major ways: We shed what no longer works, or we're broken open. If we're unwilling to shed, then we will be broken open. Through shedding, we are worn down, just as nature is eroded to its beauty. I think that through suffering, human beings are eroded to our beauty.
If it came to a magic genie, I would ask him for two extra wishes. One would be that no one would have to live with the muscular dystrophy disease or any disease. And the second one would be world peace, that we just stop fighting, talk about things, and we could live in harmony once again, like God intended us to do.
Here's what I think: the best author photo ever taken is the author photo of you holding your extra-large engulfing rabbit and looking straight at the camera. I never hope to have one so good. The only way I guess it could be any more literary is if the rabbit were smoking a Gauloise and drinking a tiny cup of coffee.
I am not sure, once a poet has found out what has been written already, and how it was written - once, in short, he has learnt his trade - that he should bother with literature at all. Poetry is not like surgery, a technique that can be copied. Every operation the poet performs is unique, and need never be done again.
It seems to me that this whole alone is worthy of the deeper sort of love; and that there is peace, freedom, I might say a kind of salvation, in turning one's affections outward toward this one God, rather than inwards on one's self, or on humanity, or on human imaginations and abstractions - the world of the spirits.
Some huge work goes on growing. How could one person´s words matter? Where you walk heads pop from the ground. What is one seed head compared to you? On my death day I´ll know the answer. I have cleared this house, so that your work can, when it comes, fill every room. I slide like an empty boat pulled over the water.
Never yet did there exist a full faith in the Divine Word (by whom light as well as immortality was brought into the world) which did not expand the intellect, while it purified the heart--which did not multiply the aims and objects of the understanding, while it fixed and simplified those of the desires and passions.
My father was a basketball player, so I loved basketball because he did. It was a direct transference. But, more than that, basketball, in the United States at least, plays the same function that soccer does everyone else in the world. It's the sport of poverty. It's the sport born of poverty. It's the cheapest sport.
If you've ever been to a poetry slam, you know that the highest scoring emotion is self-righteous indignation: how dare you judge me. So in that way, the poem, 'What Teachers Make,' is an absolutely formulaic slam poem designed to allow me to get up on my soap box and say, 'Let me tell you what really makes me angry.'
The process of reading is not a half sleep, but in the highest sense, an exercise, a gymnast's struggle: that the reader is to do something for him or herself, must be on the alert, just construct indeed the poem, argument, history, metaphysical essay--the text furnishing the hints, the clue, the start, the framework.
I know them, yea, And what they weigh, even to the utmost scruple; Scambling, out-facing, fashion-mong'ring boys, That lie, and cog, and flout, deprave, and slander, Go antickly, and show outward hideousness, And speak off half a dozen dangerous words, How they might hurt their enemies, if they durst; And this is all.
The dichotomies, the brokenness of the culture around things like the Vietnam war, and then a lot of it has to do with war and where we put our energy and money and attention. And the military industrial complex, which dominates our whole economy. Even with the vision of democracy in other places we know the dark side.
Has my heart gone to sleep? Have the beehives of my dreams stopped working, the waterwheel of the mind run dry, scoops turning empty, only shadow inside? No, my heart is not asleep. It is awake, wide awake. Not asleep, not dreaming— its eyes are opened wide watching distant signals, listening on the rim of vast silence
I think poetry always lives its life, and people come to it and people go away from it, 'people' in the sense of larger numbers of people. It's as though you begin to think that poetry is a resource, and that at certain times people seem to need it or want it or can find sustenance in it, and at other times they can't.
When we read, we are not looking for new ideas, but to see our own thoughts given the seal of confirmation on the printed page. The words that strike us are those that awake an echo in a zone we have already made our own—the place where we live—and the vibration enables us to find fresh starting points within ourselves
Current Catholic worship often ignores the essential connection between truth and beauty, body and soul, at the center of the Catholic worldview. The Church requires that we be faithful, but must we also be deaf, dumb, and blind? I deserve to suffer for my sins, but must so much of that punishment take place in church?
Poetry is a lousy form of activism; it doesn't really change much. And maybe we can point to one or two historical times when a poem has started a revolution or a rebellion or an uprising, but it doesn't happen that often, and if you put the number of poems next to the number of political acts, it would be pretty slim.
You wouldn't think such a place as San Francisco could exist. The wonderful sunlight there, the hills, the great bridges, the Pacific at your shoes. Beautiful Chinatown. Every race in the world. The sardine fleets sailing out. The little cable-cars whizzing down The City hills. And all the people are open and friendly.
What I like to do is treat words as a craftsman does his wood or stone or what-have-you, to hew, carve, mold, coil, polish, and plane them into patterns, sequences, sculptures, fugues of sound expressing some lyrical impulse, some spiritual doubt or conviction, some dimly realized truth I must try to reach and realize.