Quotes of All Topics . Occasions . Authors
There are no good wars or bad wars. The only thing bad about a war is to lose it. All wars have been fought for a so-called good Cause on both sides. But only the victor's Cause becomes history's Noble Cause. It's not a matter of who is right or who is wrong, it's a matter of who has the best generals and the better army!
There is scarcely an occurrence in nature which, happening at a certain time, is not looked upon by some persons as a prognosticator either of good or evil. The latter are in the greatest number, so much more ingenious are we in tormenting ourselves than in discovering reasons for enjoyment in the things that surround us.
Often you've read another poem that you think is so beautiful that you'd like to make something like that. And so you try to make a sonnet that works in a certain kind of way, or you try to make something that's songlike, or you create a refrain, or you love the way a poem works in two line stanzas and you try to do that.
The future life is where we will go on helping to bring the universe to perfection, which is God's grand ultimate aim. [The purpose of life] is to help God run the universe. Everyone in that better land will be busy all the time, and the environment will be perfect all the time for doing the work which God assigns to all.
It's just an old alley cat that has followed us all the way home. It hasn't a star on its forehead, or a silky satiny coat. No proud tiger stripes, no dainty tread, no elegant velvet throat. It's a splotchy, blotchy city cat, not a pretty cat, a rough little bag of old bones. 'Beauty,' we shall call you. 'Beauty' come in.
Might we never be the helpers of the great hinderer, Satan! Let us ask that the Lord Jesus would so perfectly tune our spirits to the keynote of His exceeding great love, that all our unconscious influence may breathe only of that love, and help all with whom we come in contact to obey the Gospel of our Lord Jesus Christ.
Realism sets itself at work to consider characters and events which are apparently the most ordinary and uninteresting, in order to extract from these their full value and true meaning. It would apprehend in all particulars the connection between the familiar and the extraordinary, and the seen and unseen of human nature.
But oh! the Latin!-Madame, you can really have no idea of what a mess it is. The Romans would never have found time to conquer the world if they had been obliged first to learn Latin. Lucky dogs! they already knew in their cradles the nouns ending in im. I on the contrary had to learn it by heart, in the sweat of my brow.
No, a true seeker, one who truly wished to find, could accept no doctrine. But the man who has found what he sought, such a man could approve of every doctrine, each and every one, every path, every goal; nothing separated him any longer from all those thousands of others who lived in the eternal, who breathed the Divine.
How does it happen, Maecenas, that no one is content with that lot in life which he has chosen, or which chance has thrown in his way, but praises those who follow a different course? [Lat., Qui fit, Maecenas, ut nemo quam sibi sortem, Seu ratio dederit, seu fors objecerit, illa Contentus vivat? laudet diversa sequentes.]
A nature wise With finding in itself the types of all, With watching from the dim verge of the time What things to be are visible in the gleams Thrown forward on them from the luminous past, Wise with the history of its own frail heart, With reverence and sorrow, and with love, Broad as the world, for freedom and for man.
Commemoration of Richard Meux Benson, Founder of the Society of St John the Evangelist, 1915 Our critical day is not the very day of our death, but the whole course of our life; I thank him, that prays for me when my bell tolls; but I thank him much more, that catechizes me, or preaches to me, or instructs me how to live.
Because most people are not sufficiently employed in themselves, they run about loose, hungering for employment, and satisfy themselves in various supererogatory occupations. The easiest of these occupations, which have all to do with making things already made, is the making of people: it is called the art of friendship.
My own view of myself was that I was small and innocuous, a marshmallow compared to the others. I was a poor shot with a 22, for instance, and not very good with an ax. It took me a long time to figure out that the youngest in a family of dragons is still a dragon from the point of view of those who find dragons alarming.
You most likely need a thesaurus, a rudimentary grammar book, and a grip on reality. This latter means: there's no free lunch. Writing is work. It's also gambling. You don't get a pension plan. Other people can help you a bit, but essentially you're on your own. Nobody is making you do this: you chose it, so don't whine.
Ordinarily, I go to the woods alone, with not a single friend, for they are all smilers and talkers and therefore unsuitable. I don't really want to be witnessed talking to the catbirds or hugging the old black oak tree. I have my way of praying, as you no doubt have yours. Besides, when I am alone I can become invisible.
I was not raised with religion, and I had no faith before my mother died. On the other hand, when she died, I did not immediately feel she was "gone." I don't believe she is in something like heaven, but I also feel that we don't understand much about the nature of the universe. So I hold on to that uncertainty, at times.
It is a grave error for historians of literature to interpret the national spirit of the age in an oversimplified manner, ignoring the complexity of various cultural and life processes. Instead of using their imagination, they try to read the future by observing the hands of a clock which is still busy measuring the past.
As an African-American, as a woman, I think that I've been sensitized to the way in which history privileges the white male and the way in which certain aspects of history, the things that we are taught in school, the things that are handed down, never, never entered the picture though they might have been very important.
To conquer a piece of earth and make it as beautiful as one can dream of it being: That is art, too. A man cannot be separated from the earth. I come out of the garden every day feeling, oh, inspired in a way that one needs in order to convert the daily-ness of the life into something greater than that little life itself.
I want to taste and glory in each day, and never be afraid to experience pain; and never shut myself up in a numb core of nonfeeling, or stop questioning and criticizing life and take the easy way out. To learn and think: to think and live; to live and learn: this always, with new insight, new understanding, and new love.
I do think culture is an argument, and that was part of the way I was brought up. People at a social occasion in Ireland will start shouting and arguing. When the Yeats family lived in Bedford Park, they had to go round to the neighbours to say, 'You might think we are fighting, but this is the way we talk to each other.'
You want a poem to unsettle something. There's a deep and interesting kind of troubling that poems do, which is to say, 'This is what you think you're certain of, and I'm going to show you how that's not enough. There's something more that might be even more rewarding if you're willing to let go of what you already know.'
The desires of the heart are as crooked as corkscrews Not to be born is the best for man The second best is a formal order The dance's pattern, dance while you can. Dance, dance, for the figure is easy The tune is catching and will not stop Dance till the stars come down from the rafters Dance, dance, dance till you drop.
The purpose of democracy - supplanting old belief in the necessary absoluteness of establish'd dynastic rulership, temporal, ecclesiastical, and scholastic, as furnishing the only security against chaos, crime, and ignorance - is, through many transmigrations, and amid endless ridicules, arguments, and ostensible failures
How can I, that girl standing there, My attention fix On Roman or on Russian Or on Spanish politics? Yet here's a travelled man that knows What he talks about, And there's a politician That has read and thought, And maybe what they say is true Of war and war's alarms, But O that I were young again And held her in my arms!
My rage is gone, And I am struck with sorrow. Take him up. Help, three o' th' chiefest soldiers; I'll be one. Beat thou the drum, that it speaks mournfully, Trail your steel spikes. Though in this city he Hath widowed and unchilded many a one, Which to this hour bewail the injury, Yet he shall have a noble memory. Assist.
When I was a young woman, I had this friend who was really beautiful, and she would talk about how she was losing her looks, that she wasn't as pretty as she once was. She was gorgeous, and I thought, I'm going to stop this bad habit of self-criticism that I think a lot of women get into. You make a choice to be different.
I'm increasingly on the side of thinkers like David Graeber who are talking back to this notion of totality and emphasizing how there are all kinds of moments in our daily lives that break - or at least could break - from the logic of profit and the modes of domination it entails. Zones of freedom, even if it's never pure.
Art and science coincide insofar as both aim to improve the lives of men and women. The latter normally concerns itself with profit, the former with pleasure. In the coming age, art will fashion our entertainment out of new means of productivity in ways that will simultaneously enhance our profit and maximize our pleasure.
The Bourne Underneath the growing grass, Underneath the living flowers, Deeper than the sound of showers: There we shall not count the hours By the shadows as they pass. Youth and health will be but vain, Beauty reckoned of no worth: There a very little girth Can hold round what once the earth Seemed too narrow to contain.
What thou lovest well remains, the rest is dross What thou lov'st well shall not be reft from thee What thou lov'st well is thy true heritage Whose world, or mine or theirs or is it of none? First came the seen, then thus the palpable Elysium, though it were in the halls of hell. What thou lovest well is thy true heritage.
Have you ever considered, beloved other, how invisible we are to each other? We look at each other without seeing. We listen to each other and hear only a voice inside out self. The words of others are mistakes of our hearing, shipwrecks of our understanding. How confidently we believe OUR meanings of other people's words.
You have to listen to your own voice. Not your heart, not your instincts, not any of that self-permissive psycho-babble stuff. No, none of that. If it was just about instincts and bright ideas it wouldn't need to be a voice. It's about words. You hear them, read them, then you write. But mostly read. Read the bloody poems.
If thy faith have no doubts, thou has just cause to doubt thy faith; and if thy doubts have no hope, thou hast just reason to fear despair; when therefore thy doubts shall exercise thy faith, keep thy hopes firm to qualify thy doubts; so shall thy faith be secured from doubts; so shall thy doubts be preserved from despair.
By the shores of Gitchee Gumee, By the shining Big-Sea-Water, Stood the wigwam of Nokomis, Daughter of the Moon, Nokomis, Dark behind it rose the forest, Rose the black and gloomy pine-trees, Rose the firs with cones upon them; Bright before it beat the water, Beat the clear and sunny water, Beat the shining Big-Sea-Water.
...Perses, hear me out on justice, and take what I have to say to heart; cease thinking of violence. For the son of Kronos, Zeus, has ordained this law to men: that fishes and wild beasts and winged birds should devour one another, since there is no justice in them; but to mankind he gave justice which proves for the best.
Writing for the page is only one form of writing for the eye. Wherever solemn inscriptions are put up in public places, there is a sense that the site and the occasion demand a form of writing which goes beyond plain informative prose. Each word is so valued that the letters forming it are seen as objects of solemn beauty.
I would not that death should take me asleep. I would not have him merely seize me, and only declare me to be dead, but win me, and overcome me. When I must shipwreck, I would do it in a sea, where mine impotency might have some excuse; not in a sullen weedy lake, where I could not have so much as exercise for my swimming.
I am certain I have not a right feeling towards women -- at this moment I am striving to be just to them, but I cannot. Is it because they fall so far beneath my boyish imagination? When I was a schoolboy I thought a fair woman a pure Goddess; my mind was a soft nest in which some one of them slept, though she knew it not.
The Internet may well disempower the nation state, but at the same time, it also strengthens certain specific state functions - like surveillance. As a political entity, it doesn't empower the nation sate. It creates the availability of much more data than the digestive system of the nation state could possibly assimilate.
On the whole, infinity is a fairly palpable aspect of this business of publishing, if only because it extends a dead author's existence beyond the limits he envisioned, or provides a living author with a future he cannot measure. In other words, this business deals with the future which we all prefer to regard as unending.
Even a friendly conversation which cannot be at any given moment be broken off voluntarily with complete arbitrariness has something illiberal about it. An artist, however, who is able and wants to express himself completely, who keeps nothing to himself and would wish to say everything he knows, is very much to be pitied.
And you receivers - and you are all receivers - assume no weight of gratitude, lest you lay a yoke upon yourself and upon him who gives. Rather rise together with the giver on his gifts as on wings; For to be overmindful of your debt, is to doubt his generosity who has the free hearted earth for mother, and God for father.
The very greatest genius, after all, is not the greatest thing in the world, any more than the greatest city in the world is the country or the sky. It is the concentration of some of its greatest powers, but it is not the greatest diffusion of its might. It is not the habit of its success, the stability of its sereneness.
Why shed tears that you must die? For if your past life has been one of enjoyment, and if all your pleasures have not passed through your mind, as through a sieve, and vanished, leaving not a rack behind, why then do you not, like a thankful guest, rise cheerfully from life's feast, and with a quiet mind go take your rest.
I was thinking a little bit about this very thing - poetry and music - the other day when I was listening to Lucinda Williams. The way she sings is very emotive, and there is a kind of drag to her articulation: she sings behind the beat, sort of like she's being pulled along by the song a little, or is in resistance to it.
Yet the story of Orpheus, it occurs to me, is not just about the desire of the living to resuscitate the dead but about the ways in which the dead drag us along into their shadowy realm because we cannot let them go. So we follow them into the Underworld, descending, descending, until one day we turn and make our way back.
During my travels in Iraq, Israel, Gaza, Brazil, Indonesia, Japan, Europe and all over the United States, I have seen and heard the voices of people who want change. They want the stabilization of the economy, education and healthcare for all, renewable energy and an environmental vision with an eye on generations to come.
Comedy in the past hasn't spoken to women because it wasn't written by women, and male writers don't make women three-dimensional characters. Too often, women just facilitate the man's comedy: they're not crazy; they're not funny. But women are as vulgar as they are elegant, as stinky as they are smelling of eau de parfum.