Quotes of All Topics . Occasions . Authors
I am really sorry to see my countrymen trouble themselves about politics. If men were wise, the most arbitrary princes could not hurt them. If they are not wise, the freest government is compelled to be a tyranny. Princes appear to me to be fools. Houses of Commons and Houses of Lords appear to me to be fools; they seem to me to be something else besides human life.
If there were a sympathy in choice, War, death, or sickness, did lay siege to it, Making it momentary as a sound, Swift as a shadow, short as any dream, Brief as the lightning in the collied night That, in a spleen, unfolds both heaven and earth, And ere a man hath power to say 'Behold!' The jaws of darkness do devour it up; So quick bright things come to confusion.
I mean, it's hard to talk about death without realizing that's our end too, right? I am constantly aware of death. It's not that I want to be, but it's a fascination of the mind and it plays a role in why I want to live my life a certain way. The more I am aware of my mortality the better person I am and the better I am at choosing a life that is aware of its beauty.
The greatest horrors in the history of mankind are not due to the ambition of the Napoleons or the vengeance of the Agamemnons, but to the doctrinaire philosophers. The theories of the sentimentalist Rousseau inspired the integrity of the passionless Robespierre. The cold-blooded calculations of Karl Marx led to the judicial and business-like operations of the Cheka.
General, your tank is a powerful vehicle It smashes down forests and crushes a hundred men. But it has one defect: It needs a driver. General, your bomber is powerful. It flies faster than a storm and carries more than an elephant. But it has one defect: It needs a mechanic. General, man is very useful. He can fly and he can kill. But he has one defect: He can think.
For time flows on, and if it did not, it would be a bad prospect for those who do not sit at golden tables. Methods become exhausted; stimuli no longer work. New problems appear and demand new methods. Reality changes; in order to represent it, modes of representation must also change. Nothing comes from nothing; the new comes from the old, but that is why it is new.
Variación / Variations El remanso de aire bajo la rama del eco. El remanso del agua bajo fronda de luceros. El remanso de tu boca bajo espesura de besos. * The still waters of the air under the bough of the echo. The still waters of the water under a frond of stars. The still waters of your mouth under a thicket of kisses. Translated from the Spanish by Lysander Kemp
What discord we should bring into the universe if our prayers were all answered. Then we should govern the world and not God. And do you think we should govern it better? It gives me only pain when I hear the long, wearisome petitions of people asking for they know not what. . . . Thanks-giving with a full heart-and the rest silence and submission to the divine will!
We need to say that women have sex, have abortions, are at peace with the decision and move on with their lives. We need to say that is their right, and, moreover, it’s good for everyone that they have this right: The whole society benefits when motherhood is voluntary. When we gloss over these truths we unintentionally promote the very stigma we’re trying to combat.
The sciences that purport to treat of human things -- the new scientific storyings of the social, the political, the racial or ethnic, and the psychic, nature of human beings -- treat not of human things but mere things, things that make up the physical, or circumstantial, content of human life but are not of the stuff of humanity, have not the human essence in them.
Rats They fought the dogs and killed the cats, And bit the babies in the cradles, And ate the cheeses out of the vats, And licked the soup from the cook's own ladles. Split open the kegs of salted sprats, Made nests inside men's Sunday hats, And even spoiled the women's chats By drowning their speaking With shrieking and squeaking In fifty different sharps and flats.
One and all We lend an ear-nay, Science takes thereto- Encourages the meanest who has racked Nature until he gains from her some fact, To state what truth is from his point of view, Mere pin-point though it be: since many such Conduce to make a whole, she bids our friend Come forward unabashed and haply lend His little life-experience to our much Of modern knowledge.
He knows well the evening star, and once when he awoke, in a most distressful mood (some inward pain had made up that strange thing, an infant's dream), I hurried with him to our orchard plot, and he beheld the moon, and hushed at once. Suspends his sobs and laughs most silently. While his fair eyes, that swam with undropped tears, did glitter in the yellow moonbeam.
I wish he hadn't gone and cut his hair. He looks about eight years old. His ears have tripled in size. Everyone's started calling him Dumbo. Which wouldn't be so bad, except they've started calling me Mrs. Dumbo. You can't even tell he's got curly hair anymore. There's nothing left to run my fingers through. Just this weird blond AstroTurf sprouting out of his skull.
Altruism is for those who can't endure their desires. There's a world as ambiguous as a moan, a pleasure moan our earnest neighbors might think a crime. It's where we could live. I'll say I love you, Which will lead, of course, to disappointment, but those words unsaid poison every next moment. I will try to disappoint you better than anyone else has. --Mon Semblable
I have perceiv’d that to be with those I like is enough, To stop in company with the rest at evening is enough, To be surrounded by beautiful, curious, breathing, laughing flesh is enough, To pass among them, or touch any one, or rest my arm ever so lightly round his or her neck for a moment—what is this, then? I do not ask any more delight—I swim in it, as in a sea.
To me, fair friend, you never can be old, For as you were when first your eye I eyed, Such seems your beauty still. Three winters cold Have from the forests shook three summers' pride, Three beauteous springs to yellow autumn turn'd In process of the seasons have I seen, Three April perfumes in three hot Junes burn'd, Since first I saw you fresh, which yet are green.
Inanimate objects are always correct and cannot, unfortunately, be reproached with anything. I have never observed a chair shift from one foot to another, or a bed rear on its hind legs. And tables, even when they are tired, will not dare to bend their knees. I suspect that objects do this from pedagogical considerations, to reprove us constantly for our instability.
Do you like me?” No answer. Silence bounced, fell off his tongue and sat between us and clogged my throat. It slaughtered my trust. It tore cigarettes out of my mouth. We exchanged blind words, and I did not cry, I did not beg, but blackness filled my ears, blackness lunged in my heart, and something that had been good, a sort of kindly oxygen, turned into a gas oven.
The Witch's Life" When I was a child there was an old woman in our neighborhood whom we called The Witch. All day she peered from her second story window from behind the wrinkled curtains and sometimes she would open the window and yell: Get out of my life! She had hair like kelp and a voice like a boulder. I think of her sometimes now and wonder if I am becoming her.
She suffers according to the digits of my hate. I hear the filaments of alabaster. I would lie down with them and lift my madness off like a wig. I would lie outside in a room of wool and let the snow cover me. Paris white or flake white or argentine, all in the washbasin of my mouth, calling “Oh.” I am empty. I am witless. Death is here. There is no other settlement.
I'm now making myself as scummy as I can. Why? I want to be a poet, and I'm working at turning myself into a seer. You won't understand any of this, and I'm almost incapable of explaining it to you. The idea is to reach the unknown by the derangement of all the senses. It involves enormous suffering, but one must be strong and be a born poet. It's really not my fault.
Unless it comes out of your soul like a rocket, unless being still would drive you to madness or suicide or murder, don't do it. unless the sun inside you is burning your gut, don't do it. when it is truly time, and if you have been chosen, it will do it by itself and it will keep on doing it until you die or it dies in you. there is no other way. and there never was.
This miserable way is taken by the sorry souls of those who lived without disgrace and without praise. They now commingle with the coward angels, the company of those who were not rebels nor faithful to their God, but stood apart. The heavens, that their beauty not be lessened, have cast them out, nor will deep Hell receive them - even the wicked cannot glory in them.
Sentir mon Cœur is a privilege only granted to the exceptional man - the one who has the ability to find words that exactly (or, to himself, convincingly) express his feelings... The value of words help to define the feeling itself... The common failure is to allow habitual words and phrases, flowing spontaneously from the memory, to determine and deform the feelings.
The Poet's License! 't is the right, Within the rule of duty, To look on all delightful things Throughout the world of beauty. To gaze with rapture at the stars That in the skies are glowing; To see the gems of perfect dye That in the woods are growing, And more than sage astronomer, And more than learned florist, To read the glorious homilies Of Firmament and Forest.
O love, whose lordly hand Has bridled my desires, And raised my hunger and my thirst To dignity and pride, Let not the strong in me and the constant Eat the bread or drink the wine That tempt my weaker self. Let me rather starve, And let my heart parch with thirst, And let me die and perish, Ere I stretch my hand To a cup you did not fill, Or a bowl you did not bless.
Home is where the heart is, I thought now, gathering myself together in Betty's Luncheonette. I had no heart any more, it had been broken; or not broken, it simply wasn't there any more. It had been scooped neatly out of me like the yolk from a hard-boiled egg, leaving the rest of me bloodless and congealed and hollow. I'm heartless, I thought. Therefore I'm homeless.
Plague has hung over human history. The biggest human extinction was after 1492 in North and South America when the mortality rate was 95 per cent, which is enormous. But again, I'm actually giving you grounds for optimism: There were enough to continue. The five per cent who made it through are what you need to survive a bottleneck, which we have been through before.
It may seem paradoxical to say that we have been expelled from the present, but it is a feeling we have all had at some moment. Some of us experienced it first as a condemnation, later transformed into consciousness and action. The search for the present is neither the pursuit of an earthly paradise nor that of a timeless eternity: it is the search for a real reality.
Korea's first Zen Master-poet wrote simple yet elegant poetry of the world he inhabited, both physically and spiritually, and of daily insights-a pause along the way for a deep clear breath, a moon-viewing moment, a seasonal note or a farewell poem to a departing monk. His poems speak softly and clearly, like hearing a temple bell that was struck a thousand years ago.
You talk about making this article cheaper by reducing its price in the market from 8 d. to 6 d. But suppose, in so doing, you have rendered your country weaker against a foreign foe; suppose you have demoralized thousands of your fellow-countrymen, and have sown discontent between one class of society and another, your article is tolerably dear, I take it, after all.
I have often been surprised that Mathematics, the quintessence of Truth, should have found admirers so few and so languid. Frequent consideration and minute scrutiny have at length unravelled the cause: viz . that though Reason is feasted, Imagination is starved; whilst Reason is luxuriating in its proper Paradise, Imagination is wearily travelling on a dreary desert.
One of the very first poems I wrote was Docker That fist would drop a hammer on a Catholic and one of the sturdiest was Requiem for the Croppies, written 50 years after 1916 [the year of the Easter Rising]. Being responsible and what it means, what it demands, have indeed preoccupied me maybe too much. But this is it, this is the thing, this is what you're up against.
There are two kinds of women: those who marry princes and those who marry frogs. The frogs never become princes, but it is an acknowledged fact that a prince may very well, in the course of an ordinary marrige, gradually, at first almost imperceptibly, turn into a frog. Happy the woman who after twenty-five years still wakes up beside the prince she fell in love with.
We're not our skin of grime, we're not our dread bleak dusty imageless locomotive, we're all beautiful golden sunflowers inside, we're blessed by our own seed & hairy naked accomplishment-bodies growing into mad black formal sunflowers in the sunset, spied on by our eyes under the shadow of the mad locomotive riverbank sunset Frisco hilly tincan evening sitdown vision.
We disliked the rigours of existence, the unfulfilled longings, the enshrined injustices of the world, the labyrinths of love, the ignorance of parents, the fact of dying, and the amazing indifference of the Living in the midst of the simple beauties of the universe. We feared the heartlessness of human beings, all of whom are born blind, few of whom ever learn to see.
Like night dreams, stores often use symbolic language, therefore bypassing the ego and persona, and traveling straight to the spirit and soul who listen for the ancient and universal instructions imbedded there. Because of this process, stories can teach, correct errors, lighten the heart and the darkness, provide psychic shelter, assist transformation and heal wounds.
However, I think we have to go back to the American bogeyman - we have to understand that this is a country which currently allows American drones to fly over our skies and bomb our people on an almost weekly basis, this is a country that survives on American aid in the billions. Today's headline in the newspapers is about America stepping up arms supplies to Pakistan.
The compliments you are about to pay could only sadden me, because what you love in our dear peninsula is exactly the object of our hatreds. Indeed, you crisscross Italy only to meticulously sniff out the traces of our oppressive past, and you are happy, insanely happy, if you have the good fortune to carry home some miserable stone on which our ancestors have trodden.
Rhyme as an echo not a closing off of sound. Love it. I don't know where the rhymes came from. Or the puns like "no/know" and so on. Just a way my mind start moving toward what seemed urgent to it. I'd like to claim complete rational intent for it all, but it wasn't that way. if you asked me about rhyme thirty years ago, I'd have said: not me, never. And now I done it.
I'm saying that the domain of poetry includes both oral & written forms, that poetry goes back to a pre-literate situation & would survive a post-literate situation, that human speech is a near-endless source of poetic forms, that there has always been more oral than written poetry, & that we can no longer pretend to a knowledge of poetry if we deny its oral dimension.
But who is this, what thing of sea or land,- Female of sex it seems,- That so bedeck'd, ornate, and gay, Comes this way sailing Like a stately ship Of Tarsus, bound for th' isles Of Javan or Gadire, With all her bravery on, and tackle trim, Sails fill'd, and streamers waving, Courted by all the winds that hold them play, An amber scent of odorous perfume Her harbinger?
When Goethe says that in every human condition foes lie in wait for us, "invincible only by cheerfulness and equanimity," he does not mean that we can at all times be really cheerful, or at a moment's notice; but that the endeavor to look at the better side of things will produce the habit, and that this habit is the surest safeguard against the danger of sudden evils.
I think of bad news as a huge bird, with the wings of a crow and the face of my Grade Four school teacher, sparse bun, rancid teeth, wrinkly frown, pursed mouth and all, sailing around the world under cover of darkness pleased to be the bearer of ill tidings, carrying a basket of rotten eggs, and knowing- as the sun comes up- exactly where to drop them. On me, for one.
First one gets works of art, then criticism of them, then criticism of the criticism, and, finally, a book on The Literary Situation , a book which tells you all about writers, critics, publishing, paperbacked books, the tendencies of the (literary) time, what sells and how much, what writers wear and drink and want, what their wives wear and drink and want, and so on.
Would you who judge of the lawfulness or unlawfulness of pleasure, take this rule; whatever weakens your reason, impairs the tenderness of your conscience, obscures your sense of God, or takes off the relish of spiritual things; in short; whatever increases the strength and authority of your body over your mind, that is sin to you; however innocent it may be in itself.
No Difference Small as a peanut, Big as a giant, We're all the same size When we turn off the light. Rich as a sultan, Poor as a mite, We're all worth the same When we turn off the light. Red, black or orange, Yellow or white, We all look the same When we turn off the light. So maybe the way, To make everything right Is for god to just reach out And turn off the light!
There are four types of men in this world: 1. The man who knows, and knows that he knows; he is wise, so consult him. 2. The man who knows, but doesn't know that he knows; help him not forget what he knows. 3. The man who knows not, and knows that he knows not; teach him. 4. Finally, there is the man who knows not but pretends that he knows; he is a fool, so avoid him.
It has been said that a poem should not mean but be. This is not quite accurate. In a poem, as distinct from many other kinds of verbal societies, meaning and being are identical. A poem might be called a pseudo-person. Like a person, it is unique and addresses the reader personally. On the other hand, like a natural being and unlike a historical person, it cannot lie.