Quotes of All Topics . Occasions . Authors
The bay-trees in our country are all withered, And meteors fright the fixèd stars of heaven. The pale-faced moon looks bloody on the earth, And lean-looked prophets whisper fearful change. Rich men look sad, and ruffians dance and leap; The one in fear to lose what they enjoy, The other to enjoy by rage and war. These signs forerun the death or fall of kings.
When remedies are past, the griefs are ended By seeing the worst, which late on hopes depended. To mourn a mischief that is past and gone Is the next way to draw new mischief on. What cannot be preserved when fortune takes, Patience her injury a mockery makes. The robb'd that smiles steals something for the thief; He robs himself that spends a bootless grief.
There is a velvety sensuality here at the mouth of the Mississippi that you won't find anywhere else. Tell me what the air feels like at 3 AM on a Thursday night in late August in Shaker Heights, and I bet that you won't be able to say because nobody stays up that late. But in New Orleans, I'll tell you, it's like ink and honey passed through silver moonlight.
Firebugs dragging their gasoline bottles are approaching the Academy of Arts, with a grin. And so, instead of embracing them, let us demand the freedom of the elbow to knock the bottles out of their filthy hands. Even the most blockheaded bureaucrat, provided he loves peace, is a greater lover of the arts than any so-called art-lover who loves the arts of war.
Already known as one of America’s best and wittiest poets, William Trowbridge has, in Ship of Fool, found the perfect vessel to convey his vision: comic, tender, wry, compassionate, full of insight and rueful understanding of what it means to carry on, cream pies in the face, pants falling down as the Green Weenie rampages through our foolish, beautiful lives.
In the interest of the ethical and moral health of the country, the writer, the poet, the artist, the thinker, must hold a mirror up his or her country and say, look, this is who we are, this is how we live, this is our past, we must own it, forgive ourselves, transcend our transgressions, and become better people. Turning the tide must be a continuous effort.
Yes, he is here in this open field, in sunlight, among the few young trees set out to modify the bare facts-- he's here, but only because we are here. When we go, he goes with us to be your hands that never do violence, your eyes that wonder, your lives that daily praise life by living it, by laughter. He is never alone here, never cold in the field of graves.
And the betrayers of language ...... n and the press gang And those who had lied for hire; The perverts, the perverters of language, the perverts, who have set money-lust Before the pleasures of the senses; howling, as of a hen-yard in a printing-house, the clatter of presses, the blowing of dry dust and stray paper, foetor, sweat, the stench of stale oranges.
Alas! fond child, How are thy thoughts beguil'd To hope for honey from a nest of wasps? Thou may'st as well Go seek for ease in hell, Or sprightly nectar from the mouths of asps. The world's a hive, From whence thou canst derive No good, but what thy soul's vexation brings: But case thou meet Some petty-petty sweet, Each drop is guarded with a thousand stings.
If a teacher told me to revise, I thought that meant my writing was a broken-down car that needed to go to the repair shop. I felt insulted. I didn't realize the teacher was saying, 'Make it shine. It's worth it.' Now I see revision as a beautiful word of hope. It's a new vision of something. It means you don't have to be perfect the first time. What a relief!
In loneliness, in sickness, in confusion-the mere knowledge of friendship makes it possible to endure, even if the friend is powerless to help. It is enough that they exist. Friendship is not diminished by distance or time, by imprisonment or war, by suffering or silence. It is in these things that it roots most deeply. It is from these things that it flowers.
My eyes already touch the sunny hill. Going far ahead of the road I have begun. So we are grasped by what we cannot grasp; it has inner light, even from a distance- and charges us, even if we do not reach it, into something else, which, hardly sensing it, we already are; a gesture waves us on answering our own wave... but what we feel is the wind in our faces.
Botha swimmer and a drowned man are in the water; the latter is borne by the water and controlled by it, while the swimmer is borne along by his own power and of his own volition. Every movement made by the drowned man - indeed, every act and word that issue from him - comes from the water, not from him... The saints are like this. They have died before death.
It sucks to be poor, and it sucks to feel that you somehow deserve to be poor. You start believing that you're poor because you're stupid and ugly. And then you start believing that you're stupid and ugly because you're Indian. And because you're Indian you start believing you're destined to be poor. It's an ugly circle and there's nothing you can do about it.
Poetry can explain individuals to ourselves, and change our attitudes, and help us see the complexity of the world, but the kind of poetry I follow isn't going to change public opinion directly. Other art forms can - if you're a TV writer, you have some interesting challenges, or if you're a country musician, somebody like Brad Paisley. But poetry not so much.
Unlike some of my other dharma brothers who got names that were very long and obscure, and nobody could remember or pronounce, that they didn't like. They wanted to give their names back, but it wasn't like that, it wasn't transactional. He would name some people and say 'you're married', and then they were married, but you know it wasn't really transactional.
I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant loosing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.
When I think about what really matters, it's not looking at art that has made the most difference or has been most shaping of the poetry; it's simply living as completely in the world as a politically alert creature, as someone who is both stuck in and also trying to view the historical moment. Folded into all of that, of course, whatever you see in your life.
Even so; an't please your worship, Brakenbury, You may partake of any thing we say: We speak no treason, man; we say the King Is wise and virtuous, and his noble queen Well struck in years, fair, and not jealous; We say that Shore's wife hath a pretty foot, A cherry lip, a bonny eye, a passing pleasing tongue; And that the Queen's kindred are made gentlefolks.
Without a doubt the sense of beauty does not lie determined in the concreteness of an individual beautiful thing or person. Rather its purpose is much more the enchantment of the soul, for there is nothing physical that is not made with the intent of affecting the soul, and there is no soul that does not intend to dazzle everything physical with its sensations.
Then a miracle occurred in the form of a plate of sandwiches. Geryon took three and buried his mouth in a delicious block of white bread filled with tomatoes and butter and salt. He thought about how delicious it was, how he liked slippery foods, how slipperiness can be of different kinds. I am a philosopher of sandwiches, he decided. Things good on the inside.
My philosophy is fundamentally sad, but I’m not a sad man, and I don’t believe I sadden anyone else. In other words, the fact that I don’t put my philosophy into practice saves me from its evil spell, or, rather, my faith in the human race is stronger then my intellectual analysis of it; there lies the fountain of youth in which my heart is continually bathing.
The three Divine are in this hierarchy, First the Dominions, and the Virtues next; And the third order is that of the Powers. The in the dances twain penultimate The Principalities and Archangels wheel; The last is wholly of angelic sports. These orders upward all of them are gazing, And downward so prevail, that unto God They all attracted are and all attract.
Tomorrow I too – this feeling and thinking soul, the universe I am to myself – yes, tomorrow I too will be someone who no longer walks these streets, someone others will evoke with a vague: 'I wonder what's become of him?” And everything I do, everything I feel, everything I experience, will be just one less passer-by on the daily streets of some city or other.
It is a most just punishment, that man should lose that freedom, which man could not use, yet had power to keep, if he would; and that he who had knowledge to do what was right, and did not should be deprived of the knowledge of what was right; and that he who would not do righteously, when he had the power, should lose the power to do it, when he had the will.
A mental disease has swept the planet: banalization the state of affairs, arising out of a struggle against poverty, has overshot its ultimate goal-the liberation of man from material cares-and has become an obsessive image hanging over the present. Offered the choice of love or a garbage disposal, young people of all countries have chosen the garbage disposal.
For you who came so far; for you who held out, wearing a black scarf to signify grief; for you who believe true love can find you amidst this atlas of tears linking one town to its own memory of mortar, when it was still a dream to be built and people moved there, believing, and someone with sky and birds in his heart said this would be a good place for a park.
It is not merely the multiplicity of tints, the gladness of tone, or the balminess of the air which delight in the spring; it is the still consecrated spirit of hope, the prophecy of happy days yet to come; the endless variety of nature, with presentiments of eternal flowers which never shall fade, and sympathy with the blessedness of the ever-developing world.
Read as little as possible of literary criticism - such things are either partisan opinions, which have become petrified and meaningless, hardened and empty of life, or else they are just clever word-games, in which one view wins today, and tomorrow the opposite view. Works of art are of an infinite solitude, and no means of approach is so useless as criticism.
I got in a fight with my girlfriend," I said. "I was just driving around, blowing off steam, you know?" Well, you should be more careful where you drive," the officer said. "You're making people nervous. You don't fit the profile of the neighborhood." I wanted to tell him that I didn't fit the profile of the country but I knew it would just get me into trouble.
You start doing your research and realizing that the fertility rate for women drops considerably. And you're like, "Oh my God, now I want to get pregnant, and now it's a crazy time where I might not be able to get pregnant because I'm getting older and my eggs are aging and my uterus isn't as fertile as it used to be and my loins are not where they used to be."
When a philosopher, scientist, or psychologist discusses the discrepancy between the actual and the ideal, he or she attempts to convince us with the tools of discursive thought ... An artist does it differently ... their primary approach is different, even though both groups, if you will, are investigating the actual, the ideal, and the discrepancy in between.
...healing comes not from being loving but from being itself. It is not a case of being clear but of clear being. This healing is not about anything else but being itself. Nothing separate, no edges, nothing to limit healing. Entering, in moments, the realm of pure being, the gateless gate swings open- beyond life and death, our original face shines back at us.
What may appear to be proud ungrateful and headstrong fron the outside may from the inside express an unshakable integrity of character. Pride, if it doesn't step over the line into arrogance, is simply an unprejudiced self-esteem. Ingratitude is the appropriate response to a kindness that has hooks on it. Headstrong is another word for trusting your own heart.
On Leven's banks, while free to rove, And tune the rural pipe to love, I envied not the happiest swain That ever trod the Arcadian plain. Pure stream! in whose transparent wave My youthful limbs I wont to lave; No torrents stain thy limpid source, No rocks impede thy dimpling course, That sweetly warbles o'er its bed, With white, round, polish'd pebbles spread.
Upon the first goblet he read this inscription, monkey wine; upon the second, lion wine; upon the third, sheep wine; upon the fourth, swine wine. These four inscriptions expressed the four descending degrees of drunkenness: the first, that which enlivens; the second, that which irritates; the third, that which stupefies; finally the last, that which brutalizes.
Others may fashion more smoothly images of bronze (I for one believe it), evoke living faces from marble, plead causes better, trace with a wand the wanderings of the heavens and foretell the rising of stars. But you, Roman, remember to rule the peoples with power (these will be your arts); impose the habit of peace, spare the vanquished and war down the proud!
Ye winds ye unseen currents of the air, Softly ye played a few brief hours ago; Ye bore the murmuring bee; ye tossed the air O'er maiden cheeks, that took a fresher glow; Ye rolled the round white cloud through depths of blue; Ye shook from shaded flowers the lingering dew; Before you the catalpa's blossoms flew, Light blossoms, dropping on the grass like snow.
Dreams are imperfections of sleep; even so is consciousness the imperfection of waking. Dreams are impurities in the circulation of the blood; even so it's consciousness a disorder of life. Dreams are without proportion, without good sense, without truth; so also is consciousness. Awake from dream, the truth is known: awake from waking. The truth is: The Unknown
Before the beginning of years There came to the making of man Time with a gift of tears, Grief with a glass that ran, Pleasure with pain for leaven, Summer with flowers that fell, Remembrance fallen from heaven, And Madness risen from hell, Strength without hands to smite, Love that endures for a breath; Night, the shadow of light, And Life, the shadow of death.
As Sokrates tells it, your story begins the moment Eros enters you. That incursion is the biggest risk of your life. How you handle it is an index of the quality, wisdom, and decorum of the things inside you. As you handle it you come into contact with what is inside you, in a sudden and startling way. You perceive what you are, what you lack, what you could be.
It's only in bad novels that people are divided into two camps and have nothing to do with each other. In real life everything gets mixed up! Don't you think you'd have to be a hopeless nonentity to play only one role all your life, to have only one place in society, always to stand for the same thing?--Ah, there you are!" - Larissa Fyodorovna in Doctor Zhivago.
I can see now how deeply God's absence affected my unconscious life, how under me always there was this long fall that pride and fear and self-love at once protected me from and subjected me to.... For if grace woke me to God's presence in the world and in my heart, it also woke me to his absence. I never truly felt the pain of unbelief until I began to believe.
As human beings we have this immediate gateway - you’ve just to articulate exactly the way that you’re exiled, exactly the way that you don’t belong, exactly the way that you can’t love, exactly the way that you can’t move ... and you’re on your way again. You’re on your way home. If you can just say exactly the way that you’re imprisoned - the door swings open.
Lakoff's idea is that most of our thought is guided by underlying conceptual mappings between two domains that share some content, that overlap in the sets of their attributes. ... Contrary to the assertions of Lakoff and some of the cognitive metaphor theorists, people can read through to an underlying mapping, but only when the surface metaphor is new to them.
It's difficult to talk about [W.S.] Merwin's poems, as it's hard to talk about a feeling or a smell. It is what it is, but so much so that it overwhelms both sense and the senses. I aspire to something about his work, that imbues his poems, though I'm not sure I could say what that is. A purity, maybe, the kind of purity that comes from being beaten, like steel.
I don't want to be classed as a humorist. It makes me feel guilty. I've never read a good tough quotable female humorist, and I never was one myself. I couldn't do it. A "smartcracker" they called me, and that makes me sick and unhappy. There's a hell of a distance between wisecracking and wit. Wit has truth in it; wisecracking is simply calisthenics with words.
We live in an age of science and of abundance. The care and reverence for books as such, proper to an age when no book was duplicated until someone took the pains to copy it out by hand, is obviously no longer suited to ’the needs of society’, or to the conservation of learning. The weeder is supremely needed if the Garden of the Muses is to persist as a garden.
In the ordinary jumble of my literary drawer, I sometimes find texts I wrote ten, fifteen, or even more years ago. And many of them seem to me written by a stranger: I simply do not recognize myself in them. There was a person who wrote them, and it was I. I experienced them, but it was in another life, from which I just woke up, as if from someone else's dream.
I sometimes think, with a sad delight, that if one day, in a future I no longer belong to, these sentences, that I write, last with praise, I will at last have the people who understand me, those mine, the true family to be born in and be loved... I will only be understood in effigy, when affection no longer repays the dead the unaffection that was, when living.