Don't be too quick to draw conclusions from what happens to you; simply let it happen. Otherwise it will be too easy for you to look with blame... at your past, which naturally has a share with everything that now meets you.

most of the people in a war never fight for even a minute though they bear for years and die forever. They do not fight, but only starve, only suffer, only die: the sum of all this passive misery is that great activity, War.

If a man that is desperately sick today, did believe he should arise sound the next morning; or a man today, in despicable poverty, had assurance that he should tomorrow arise a prince: would they be afraid to go to bed....?

If only the sun-drenched celebrities are being noticed and worshiped, then our children are going to have a tough time seeing the value in the shadows, where the thinkers, probers and scientists are keeping society together.

There is an inmost center in us all, where truth abides in fullness;....and, to know, rather consists in opening out a way where the imprisoned splendor may escape, then in effecting entry for a light supposed to be without.

It seems like every ten years there's a book that says that poetry used to be popular, and now it's not, but we really have no way of knowing, in terms of relative size of audience and other things, exactly who readers were.

I'm sure that writing isn't a craft, that is, something for which you learn the skills and go on turning out. It must come from some deep impulse, deep inspiration. That can't be taught, it can't be what you use in teaching.

Whoever has tasted the breath of morning knows that the most invigorating and most delightful hours of then day are commonly spent in bed; though it is the evident intention of nature that we should enjoy and profit by them.

To help the poor to a capacity for action and liberty is something essential for one's own health as well as theirs: there is a needful gift they have to offer which cannot be offered so long as they are confined by poverty.

Hungry, you're a dog, angry and bad-natured. having eaten your fill, you become a carcass; you lie down like a wall, senseless. At one time a dog, at another time a carcass, how will you run with lions, or follow the saints?

Someone who goes with a half a loaf of bread to a small place that fits like a nest around him, someone who wants no more, who is not himself longed for by anyone else. He is a letter to everyone. You open it. It says, Live.

These laid the world away; poured out the red Sweet wine of youth; gave up the years to be Of work and joy, and that unhoped serene, That men call age; and those who would have been, Their sons, they gave, their immortality.

Alas! they had been friends in youth; But whispering tongues can poison truth, And constancy lives in realms above; And life is thorny, and youth is vain; And to be wroth with one we love Doth work like madness in the brain.

Faults They came to tell your faults to me, They named them over one by one; I laughed aloud when they were done, I knew them all so well before,-- Oh, they were blind, too blind to see Your faults had made me love you more.

Each time I see the Upside-Down Man Standing in the water, I look at him and start to laugh, Although I shouldn't oughtter. For maybe in another world Another time Another town, Maybe HE is right side up And I am upside down

But I've grown thoughtful now. And you have lost Your early-morning freshness of surprise At being so utterly mine: you've learned to fear The gloomy, stricken places in my soul, And the occasional ghosts that haunt my gaze.

Where does the hand become the wrist? where does the neck become the shoulder? The watershed and then the weight, whatever turns up and tips us over that razor's edge between something and nothing, between one and the other.

I made a point of eating so fast I never kept the other people waiting who generally ordered only chef's salad and grapefruit juice because they were trying to reduce. Almost everybody I met in New York was trying to reduce.

I remember, I remember The roses, red and white, The violets, and the lily-cups, Those flowers made of light! The lilacs, where the robin built, And where my brother set The laburmum on his birthday,- The tree is living yet.

Is it a spiral of water in the tragic gleam of a revolver, an egg, a glistening arc or the floodgate of reason, a keen ear attuned to a mineral hiss, or a turbine of algebraic formulas? (On Man Ray's first photograms, 1921.)

The first symptom of true love in a man is timidity, in a young woman, boldness. This is surprising, and yet nothing is more simple. It is the two sexes tending to approach each other and assuming each the other's qualities.

As for the author, he is profoundly unaware of what the classical or romantic genre might consist of.... In literature, as in allthings, there is only the good and the bad, the beautiful and the ugly, the true and the false.

Do all men kill the things they do not love ............ The quality of mercy is not strain'd It droppeth as the gentle rain from heaven Upon the place beneath: it is twice blest It blesseth him that gives and him that takes

Animals don't even try to look any different from what nature intended. They humbly wear their shells, scales, spines, plumes, pelts, and down. ... The conscious impulse to change one's appearance is found only among humans.

I am not a pessimist but a pejorist (as George Eliot said she was not an optimist but a meliorist); and that philosophy is founded on my observation of the world, not on anything so trivial and irrelevant as personal history.

I am uncomfortable with talking of poetry as a priestly profession, because I have little use for organized religions and priestly hierarchies. They have demoralized, persecuted, so many, including women, gays, non-believers.

Publishing my book is like giving it away. At first you start talking about it, but you are basically letting go. I won't say it's like giving birth because I haven't given birth. It's more like when your children leave home.

The acts of the human race on the world's stage have doubtless a coherent unity, but the meaning of the vast tragedy enacted will be visible only to the eye of God, until the end, which will reveal it perhaps to the last man.

Tis not your work, but Love's. Love, unperceived, A more ideal Artist he than all, Came, drew your pencil from you, made those eyes Darker than the darkest pansies, and that hair More black than ashbuds in the front of March.

If you were Queen of pleasure And I were King of pain We'd hunt down Love together, Pluck out his flying-feather, And teach his feet a measure, And find his mouth a rein; If you were Queen of pleasure And I were King of pain.

Translators who choose to work on canonized writers can usually lean on an extensive critical apparatus around either the author or the book in question, especially in the case of writers like [Honore] Balzac and [Emil] Zola.

I’ll put it out there: I am scarred by the nostalgic indicipherability of my own desires; I an engulfed by the intimidating unknown, pushed through darkness and dragged down by the irretrievable past sweetness of my memories.

True. There is a beautiful Jesus. He is frozen to his bones like a chunk of beef. How desperately he wanted to pull his arms in! How desperately I touch his vertical and horizontal axes! But I can't. Need is not quite belief.

Usually the poems are written in one sitting. There's always a groping towards some satisfying ending. But I'd say the hardest part is not writing. Once the writing starts, it's too pleasurable to think of it as a difficulty.

For most Americans, poetry plays no role in their everyday lives. But also for most Americans, contemporary painting or jazz or sculpture play no role either. I'm not saying poetry is singled out as a special thing to ignore.

I don't know if this is true to you but for me sometimes it gets so bad that anything else say like looking at a bird on an overhead power line seems as great as a Beethoven symphony. then you forget it and you're back again.

There's a fount about to stream, There's a light about to beam, There's a warmth about to glow, There's a flower about to blow; There's a midnight blackness changing Into gray; Men of thought and men of action, Clear the way.

Jesu, lover of my soul, Let me to thy bosom fly, While the nearer waters roll, While the tempest still is high; Hide me,O my Saviour, hide, Till the storm of life is past; Safe into the haven guide, O receive my soul at last.

Christmas hath a darkness; Brighter than the blazing noon; Christmas hath a chillness Warmer than the heat of June, Christmas hath a beauty Lovelier than the world can show: For Christmas bringeth Jesus, Brought for us so low

They have our bundles split open in museums / our dresses & shirts at auctions / our languages on tape / our stories in locked rare book libraries / our dances on film / The only part of us they can't steal / is what we know.

To give generously but appropriately and then, most difficult of all, and as the full apotheosis of the art, with feeling, in the moment and spontaneously, has always been recognized as one of the greatest of human qualities.

If I see someone I see the ghost of them, the air around them, and where they’ve been. If I see a city I see it’s living ghostliness—the stray looks, the dying hands. I see it’s needs and its discomforts locked in apartments.

[On James Gould Cozzens' By Love Possessed:] It is a vast enterprise encompassing all sorts of love, except, naturally, those branches which extend to Jews, Negroes, and people who have lost track of their great-grandparents.

I don't write every day, but if I go more than a couple of months without writing, I begin to get a little nervous. I usually have bursts of poems. Five or six come together and then I slack off and want to do something else.

Today not even a universal fire could make the torrential poetic production of our time disappear. But it is exactly a question of production, that is, of hand-made products which are subject to the laws of taste and fashion.

On the road halfway between faith and criticism stands the inn of reason. Reason is faith in what can be understood without faith, but it's still a faith, since to understand presupposes that there's something understandable.

Did you ever hear Of the frolic fairies dear? They're a blessed little race, Peeping up in fancy's face, In the valley, on the hill, By the fountain and the rill; Laughing out between the leaves That the loving summer weaves.

Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among, the ten thousand things, each scratched too late with such knowledge, the wages of dying is love.

My father took me back home, back to Greenwich Village, and he thought by taking me out of the orphanage he'd be out of the World War too. But no way - they got him anyway. He went in the Navy and then I lived on the streets.

Reread, rewrite, reread, rewrite. If it still doesn't work, throw it away. It's a nice feeling, and you don't want to be cluttered with the corpses of poems and stories which have everything in them except the life they need.

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