Quotes of All Topics . Occasions . Authors
We have to allow ourselves the freedom to make mistakes, including cultural mistakes, in our first drafts. I believe it's okay to get cultural details wrong in your first draft. It's okay if stereotypes emerge. It just means that your experience is limited, that you're human.
I attended Catholic school. We received a great education from the nuns. ... Also, guilt. Guilt and a feeling of never being satisfied with what you've done. And a sense that you are inadequate and a big phony. All useful for a writer. I'm always being edited by my inner nun.
All of this strife on the political front might just be the death throes of another set of [less-honorable] American beliefs, that have, at their core, the notion that equality is something the privileged group "gives" to those not so privileged - a reaching down, as it were.
The modern world seems to have no notion of preserving different things side by side, of allowing its proper and proportionate place to each, of saving the whole varied heritage of culture. It has no notion except that of simplifying something by destroying nearly everything.
Properly speaking, of course, there is no such thing as a return to nature, because there is no such thing as a departure from it. The phrase reminds one of the slightly intoxicated gentleman who gets up in his own dining room and declares firmly that he must be getting home.
There are many books which we think we have read when we have not. There are, at least, many that we think we remember when we do not. An original picture was, perhaps, imprinted upon the brain, but it has changed with our own changing minds. We only remember our remembrance.
I'd say that Holland, Sweden, and Denmark are all better countries politically than the United States. The average person is far better off in one of those countries than he is in the United States and poverty of the sort that we have is absolutely unknown in Northern Europe.
Theatre is very much concerned with the society, with the social situation... A theatre piece of itself, demands a confrontation with the audience. It demands that you connect with people; it demands a collective and social effort with the company and later with the audience.
I know nothing more enjoyable than that happy-go-lucky wandering life, in which you are perfectly free; without shackles of any kind, without care, without preoccupation, without thought even of to-morrow. You go in any direction you please, without any guide save your fancy.
In Iceland, you can see the contours of the mountains wherever you go, and the swell of the hills, and always beyond that the horizon. And theres this strange thing: youre never sort of hidden; you always feel exposed in that landscape. But it makes it very beautiful as well.
When a writer develops a story, he is confronted with a poison that is inside him. If you don't have that poison, your story will be boring and uninspired. It's like fugu: The flesh of the pufferfish is extremely tasty, but the roe, the liver, the heart can be lethally toxic.
It's true that at the time I was fond of Kurt Vonnegut and Richard Brautigan, and it was from them that I learned about this kind of simple, swift-paced style, but the main reason for the style of my first novel is that I simply did not have the time to write sustained prose.
So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty-five days a year. Watanabe: Wow, and did your search pay off? M: That's the hard part. I guess I've been waiting so long I'm looking for perfection. That makes it tough.
As man is so constituted that it is utterly impossible for him to attain happiness save by seeking the happiness of others, so does it seem to be of the nature of things that individuals and classes can obtain their own just rights only by struggling for the rights of others.
The face of nature and civilization in this our country is to a certain point a very sufficient literary field. But it will yield its secrets only to a really grasping imagination. To write well and worthily of American things one need even more than elsewhere to be a master.
I didn't have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let's say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!
'You didn't build that' will be Obama's political epitaph: With these remarks, Obama has come out of the closet as a most odious collectivist, who believes religiously that government predation is a condition for production. Or, put simply, that the parasite created the host.
Enthusiasm is that secret and harmonious spirit which hovers over the production of genius, throwing the reader of a book, or the spectator of a statue, into the very ideal presence whence these works have really originated. A great work always leaves us in a state of musing.
Giving women education, work, the ability to control their own income, inherit and own property, benefits the society. If a woman is empowered, her children and her family will be better off. If families prosper, the village prospers, and eventually so does the whole country.
I'm not willing to sign a contract. They want everything. They want the rights to do the movie and everything else they can think of, forever. There's no limit to the contract. In this universe and universes to be discovered - I'm not making this up - this is in the contract.
I have lived with passion and in a hurry, trying to accomplish too many things. I never had time to think about my beliefs until my 28-year-old daughter Paula fell ill. She was in a coma for a year, and I took care of her at home until she died in my arms in December of 1992.
I never try to give a message in my books. It's about living with characters long enough to hear their voices and let them tell me the story. Sometimes I would love to have a happy ending, and it doesn't happen because the character or the story leads me in another direction.
For a writer, New York works well. Literary work is very elitist. I worked two hours a day, maximum, and the time after that was very agreeable. I walked a lot with pleasure. Those two hours augmented the day. I wrote more here than in Paris, an entire chapter of a new novel.
I was trying to feel some kind of good-bye. I mean I’ve left schools and places I didn’t even know I was leaving them. I hate that. I don’t care if it’s a sad good-bye or a bad good-bye, but when I leave a place I like to know I’m leaving it. If you don’t you feel even worse.
I look East, West, North, South, and I do not see Sauron; but I see that Saruman has many descendants. We Hobbits have against them no magic weapons. Yet, my gentlehobbits, I give you this toast: To the Hobbits. May they outlast the Sarumans and see spring again in the trees.
There are many things in the deep waters; and seas and lands may change. And it is not our part here to take thought only for a season, or for a few lives of Men, or for a passing age of the world. We should seek a final end of this menace, even if we do not hope to make one.
I feel like so much of what I'm doing is making a road where there is no road and inviting people on that road with me. It's scary. It's scary, but I can't listen to the voices that are saying form is the only way, or that there is only this kind of form or that kind of form.
The Great Migration can get forgotten if we don't pay attention or bear witness to it. It's part of my personal history and the history of millions of African Americans who left those oppressive conditions for better lives in the North. It's important to put that on the page.
The American doctrinaire is the converse of the American demagogue, and, in this way, is scarcely less injurious to the public. The first deals in poetry, the last in cant. He is as much a visionary on one side, as the extreme theoretical democrat is a visionary on the other.
I really like people who can do both drama and comedy and not some like middle of the road do both drama and comedy. I'm not talking about some guy who does these bland dramedies all the time. I'm talking about people that have done heavy drama and who have done heavy comedy.
What the Internet offers is this completely unfiltered transmission of thought to thought, of psyche to psyche, and whatever you're feeling, you can just sort of put it down and send it out there, and you can do it all in the confines of your room, without any actual contact.
A child who can love the oddities of a fantasy book cannot possibly be xenophobic as an adult. What is a different color, a different culture, a different tongue for a child who has already mastered Elvish, respected Puddleglums, or fallen under the spell of dark-skinned Ged?
Scarily, football helmets, which do a fine job of protecting against scalp laceration and skull fracture, do little to prevent concussions and may even exacerbate them, since even as the brain is rattling around inside the skull, the head is rattling around inside the helmet.
We often feel that we lack something, and seem to see that very quality in someone else, promptly attributing all our own qualities to him too, and a kind of ideal contentment as well. And so the happy mortal is a model of complete perfection--which we have ourselves created.
Taste is only to be educated by contemplation, not of the tolerably good but of the truly excellent. I therefore show you only the best works; and when you are grounded in these, you will have a standard for the rest, which you will know how to value, without overrating them.
The world is for thousands a freak show; the images flicker past and vanish; the impressions remain flat and unconnected in the soul. Thus they are easily led by the opinions of others, are content to let their impressions be shuffled and rearranged and evaluated differently.
The pain comes from knowing that we have never been safe, and therefore will never be safe again. It comes from knowing we can never be so ignorant again. It comes from knowing we can never be children again. Losing innocence. Remembering heaven. That was the essence of hell.
A few people would suffer, but a lot of people would be better off.' 'It's just not right,' said Kevin stubbornly. 'Maybe not. But neither's your way of looking at it. There doesn't have to be a right side and a wrong side. both sides can be right, or both sides can be wrong.
It's so hard to express yourself.' I understand this.' I want to express myself.' The same is true for me.' I'm looking for my voice.' It's in your mouth.' I want to do something I'm not ashamed of.' Something you are proud of, yes?' Not even. I just don't want to be ashamed.
If we are not given the option to live without violence, we are given the choice to center our meals around harvest or slaughter, husbandry or war. We have chosen slaughter. We have chosen war. That's the truest version of our story of eating animals. Can we tell a new story?
The word vegetarian, I think, does a disservice because there are a lot of people who care but maybe don't care, or can't care in an ultimate way. If you think about environmentalism, nobody would ask, "Are you an environmentalist or not?" The question doesn't make any sense.
I, who have been so many men in vain, want to be one man, myself alone. From out of a whirlwind the voice of God replied: I am not, either. I dreamed the world the way you dreamed your work, my Shakespeare: one of the forms of my dream was you, who, like me, are many and one.
The achievement of the hero is one that he is ready for and it's really a manifestation of his character. It's amusing the way in which the landscape and conditions of the environment match the readiness of the hero. The adventure that he is ready for is the one that he gets.
The world comes second hand - fifth hand - to us and the illusion that it is fresh because it is shown as a picture of an actual place or is given as a 'true account' by some reporter who claims to have been 'there' divides man into incalculable parts without any true center.
He was sitting not far away, watching me, and I surprised a smile on his face, the first real smile I had ever seen him give, a smile that curved and softened the tight mouth, and warmed the ice-cool eyes; a smile that brought the blood to my face and made my heart turn over.
I can see myself watching him shave every morning. And at other time I see us in that house and see how one bright day (or a day like this, so cold your mind shifts every time the wind does) he will wake up and decide it's all wrong. I'm sorry, he'll say. I have to leave now.
The stuffs you're good at and the stuffs you're bad at are just different parts of the same thing. Same goes for people you love and the people you don't. And the people who love you and the people who don't. The only thing that mattered was that you cared about a few people.
[Science] has challenged the super-eminence of religion; it has turned all philosophy out of doors except that which clings to its skirts; it has thrown contempt on all learning that does not depend on it; and it has bribed the skeptics by giving us immense material comforts.
I have always been interested in abandoned cars. I can't tell you how many times I've been in a car, driving, and there's a car sitting in a pasture, totally abandoned. Or on the edge of a creek or something. I always wonder: why did somebody park it in the pasture and leave?
But every great scripture, whether Hebrew, Indian, Persian, or Chinese, apart from its religious value will be found to have some rare and special beauty of its own; and in this respect the original Bible stands very high as a monument of sublime poetry and of artistic prose.