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  • I want to strip my work of 'effects' until it stands monolithic, based on reality and yet transcending it. It must flow naturally from my materials, from the way of the chisel and the way of the block... It is the ultimate ideal.

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I want to strip my work of 'effects' until it stands monolithic, based on reality and yet transcending it. It must flow naturally from my materials, from the way of the chisel and the way of the block... It is the ultimate ideal.


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