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  • [Ritual] dwells in an invisible reality and gives this reality a vocabulary, props, costume, gesture, scenery. Ritual makes things separate, sets them apart from ordinary affairs and thoughts. Rituals need not be solemn, but they are formalized, stylized, extraordinary, and artificial. In the name of ritual, we can do anything. We can do astonishing acts. In the end, ritual gives us assurance about the unification of things.

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[Ritual] dwells in an invisible reality and gives this reality a vocabulary, props, costume, gesture, scenery. Ritual makes things separate, sets them apart from ordinary affairs and thoughts. Rituals need not be solemn, but they are formalized, stylized, extraordinary, and artificial. In the name of ritual, we can do anything. We can do astonishing acts. In the end, ritual gives us assurance about the unification of things.

All rituals are paradoxical and dangerous enterprises, the traditional and improvised, the sacred and the secular. Paradoxical because rituals are conspicuously artificial and theatrical, yet designed to suggest the inevitability and absolute truth of their messages. Dangerous because when we are not convinced by a ritual we may become aware of ourselves as having made them up, thence on the paralyzing realization that we have made up all our truths; our ceremonies, our most precious conceptions and convictions - all are mere inventions.
I can tell you one other story about Rent Control. The lead actress in the film, her name was Elizabeth Stack, and it turned out she was Robert Stack's daughter. The only problem with that - and she was lovely - was that she was basically hired because [Gian Luigi Polidoro] thought she was [film producer] Ray Stark's daughter. And he figured that if he ran out of money, her father would kick in some more. I can still remember the day he freaked out when he realized she was actually Robert Stack's daughter. He was just screaming "Untouchables!" over and over.
The American way of stress is comparable to Freud's 'beloved symptom', his name for the cherished neurosis that a patient cultivates like the rarest of orchids and does not want to be cured of. Stress makes Americans feel busy, important, and in demand, and simultaneously deprived, ignored, and victimized. Stress makes them feel interesting and complex instead of boring and simple, and carries an assumption of sensitivity not unlike the Old World assumption that aristocrats were high-strung. In short, stress has become a status symbol.

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