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Picture books are an emotional medium. They need to make us feel something.

What I had to do was learn how to tell stories with my pictures. At first I didn't even know what that meant because I thought I was already doing it. After all these years of drawing stories and trying to teach it, I think it boils down to a pretty simple rule: it takes time to get to know the characters in a book and the world they inhabit. My first sketches are always horrible. Stereotypical. Contrived. Generic. I have to put in the time in order to deepen them and have it all mean something.
When I personally feel like I belong to the world, it is because I am with people I love in places I love. So I decided that would be my solution. I set All the World in a place I love - the central coast region of Southern California - and populated it with people and things that I love. I stopped worrying that I wasn't representing every place, every person, every possible experience. And I hoped that through this personal expression of mine, others would find their own personal meanings as well.
And when with excellent Microscopes I discern in otherwise invisible Objects the Inimitable Subtlety of Nature's Curious Workmanship; And when, in a word, by the help of Anatomicall Knives, and the light of Chymicall Furnaces, I study the Book of Nature, and consult the Glosses of Aristotle, Epicurus, Paracelsus, Harvey, Helmont, and other learn'd Expositors of that instructive Volumne; I find my self oftentimes reduc'd to exclaim with the Psalmist, How manifold are thy works, O Lord? In wisdom hast thou made them all.

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