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  • To know what you want to say is not the best condition for writing a novel. Novels go happiest when you discover something you did not know you knew: an insight into one of your opaque characters, a metaphor that startles you... a truth... that used to elude you.

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To know what you want to say is not the best condition for writing a novel. Novels go happiest when you discover something you did not know you knew: an insight into one of your opaque characters, a metaphor that startles you... a truth... that used to elude you.

[Thomas Henry] Huxley, I believe, was the greatest Englishman of the Nineteenth Century—perhaps the greatest Englishman of all time. When one thinks of him, one thinks inevitably of such men as Goethe and Aristotle. For in him there was that rich, incomparable blend of intelligence and character, of colossal knowledge and high adventurousness, of instinctive honesty and indomitable courage which appears in mankind only once in a blue moon. There have been far greater scientists, even in England, but there has never been a scientist who was a greater man.
The syndicates take the strip and sell it to newspapers and split the income with the cartoonists. Syndicates are essentially agents. Now, can you imagine a novelist giving his literary agent the ownership of his characters and all reprint, television, and movie rights before the agent takes the manuscript to a publisher? Obviously, an author would have to be a raving lunatic to agree to such a deal, but virtually every cartoonist does exactly that when a syndicate demands ownership before agreeing to sell the strip to newspapers.

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