My age is very insignificant to me. I don't think about it, but the world does. The world likes young people in general.

For me, there's a deeper genre appreciation for what a coming of age story can be about. To apply that to a superhero world, for me, that was very exciting.

From a very young age, militarism and trying to solve the world's problems through militarism is something that has always resonated with me as being a bad idea.

I started chess around the age of seven. I was inspired by the game, but soon legends like Kasparov, Karpov, Fischer, Anand and many other world champions captivated me.

I read. It's also nice for me to get involved in schoolwork, which is a totally different world than acting. It makes me feel like I am doing things that normal people are doing at my age.

From a very young age, I suspected there was more to my world than I could see: somewhere in the streets of Istanbul, in a house resembling ours, there lived another Orhan so much like me he could pass for my twin, even my double.

I used to watch the world as if it was a performance and I would realize that certain things that people did moved me, and certain things didn't move me, and I tried to analyze, even at that age, six and seven and eight, why I was moved by certain things they did.

When you're that age - that middle-school age, early high school - you're changing. You're going crazy. So I put all of my energy into pretending I was someone else, battling and screaming and all that stuff - casting spells and getting into a whole fantasy world. It was really healthy for me.

What use could the humanities be in a digital age? University students focusing on the humanities may end up, at least in their parents' nightmares, as dog-walkers for those majoring in computer science. But, for me, the humanities are not only relevant but also give us a toolbox to think seriously about ourselves and the world.

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