I guess I'm kind of used to it because it's always been that way for me.

If you don't pay attention to me, I'm going to make you pay attention to me. I've always been that way.

It's really hard for me to commit, one way or the other. I was just always creating and seeing what came out.

Writing is a type of therapy for me. I'm always trying to break down what happened, and why I felt a certain way.

I'm not always angry. In fact, I think I usually go out of my way to try to find roles that don't seem to be like me.

A manuscript under way always gave me something to do; only while enduring the aimlessness between books was I truly glum.

What's always a challenge for me is that my Spanish is not the level of my English. Nor do I read in Spanish the way I read in English.

In a way, it has been an advantage for me to be a woman because there is always some academic committee that needs you to fill a quota!

The dream for me was always the Masters and after my freshman season on the Houston golf team I knew CBS was the only way I'd get there.

For me, candlelit is the only way to have a dinner. There are always candles at my table. And I like to have Luis Miguel playing in the background.

I've always looked at what Lampard does, and to me is a huge phenomenon - the way he hits the ball, what positions he takes up - he really is incredible.

I'm not interested in a film about deceit anymore. I think I was always invested in deceit on some level. But it no longer compels me the way it did for so many years.

I always liked film as a teaching tool - a way of getting exposed to ideas that had never been presented to me. It just wasn't on the list of career options where I grew up.

I never have searched for a subject. They always just come along. They never come by way of decision-making. They just haunt me. I can't get rid of them. I did not invite them.

I always want to bring emotion across in a straightforward way. I don't want to get histrionic when I'm singing. For me that's just not interesting; it goes too far down one road.

What interested me was dance - the way that it was constructed with time-space constructions, and that it was abstract. I always thought: 'Why couldn't theater be that way? Or an opera?'

I never thought 'Sodapop Curtis' would announce my retirement. I always thought I would be the one to announce it. I'm a huge fan of the movie, but that caught me way off guard. I can't explain it.

There's always been something about Jeffrey Tambor, not only as an actor but as a person, where his ability to embody a sort of very dignified feminine way of being just - this was just very clear to me.

As a fair skinned blonde, I disappeared into the background. I've always been a loner, so I suppose dyeing my hair red was a way to say, 'I'm here, I exist, I'm a human being and you can't just push me aside.'

There is something about the way that Greek poets, say Aeschylus, use metaphor that really attracts me. I don't think I can imitate it, but there's a density to it that I think I'm always trying to push towards in English.

There is such a thing as tempting the gods. Talking too much, too soon and with too much self-satisfaction has always seemed to me a sure way to court disaster. The forces of retribution are always listening. They never sleep.

I always wanted to wrestle, but when you're a kid, how do you do pro wrestling? For me, it seemed like the easiest way for me was to get into amateur wrestling and go that route because it was a place where I was allowed to go.

It's kind of a rule of thumb for me to self-doubt going into any kind of project. I always think that I shouldn't be doing it and I don't know how to do it and I'm going to fail and that I fooled them. I always try to find a way out.

I've always argued that all Tame Impala melodies are pure pop. It's just that 'Lonerism,' for example, is a completely rumbling, fuzzed out psychedelic rock album. But for me, it was just pop music produced the way that I like to produce it.

For me, acting was always a way to explore emotions - to dip into the well and really try to reach rock bottom down there. That was the most exciting part of it. I hadn't found anything that really allowed me to do that until I came upon acting.

So many of the recipes that I come up with have a story. I'm a blogger. It flowed very naturally out of me, but I also knew this was a way to set my recipes apart. A, they are always using interesting ingredients but B, there is always a story behind it.

It was always that detail that drove me. Ever since I was a little kid, I used to get into the nitty gritty... when I was drawing army tanks or monsters, I'd do every nut and rivet, and I'd do every scale on the dragon's back. It was just the way I was built.

There's got to be a backbone, there's got to be a skeleton to the whole way I perform, but you never want to hit the same note twice during a performance, I think. I think it's always got to be fresh so it doesn't bore me, and I always want to go out on edge.

I had never considered using a hashtag anywhere other than on Twitter, but now I'm inspired. Text messages have always seemed a little flat to me, so the murmuring Greek chorus of a hashtag might be a perfect way to liven them up and give them a bit of dimension.

It seems to me that humour is everybody's way of keeping sane and standing off from the situations so that they can see it intellectually, as well as emotionally, and I don't know whether you've noticed, but if somebody tells a joke, it's nearly always a mini fantasy.

To have a superstar - he's Allen Iverson - he really took me under his wing and really forced me to shoot the ball and forced me to make plays, and to have him do that for me - and the way he was always in my ear telling me to shoot the ball and supporting me - it's a big deal.

Gothic in its purest sense is actually a very powerful, twisted genre, but the way it was being used by by journalists - 'goff' with a double f - always seemed to me to be about tacky, harum-scarum horror, and I find that anything but scary. That wasn't what we were about at all.

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