I try to live instinctively. And I guess I've always enjoyed living in a fantasy world, daydreaming.

We live in a fractured world. I've always seen it as my role as an artist to attempt to make wholeness.

The main events of '205 Live' are always among the discussion as far as top acts of the week in the world.

In the real world in which we live, you always have to choose between evils. And in choosing between evils, you have to have moral criteria for how to make those choices.

The function of the killer and watching him - whatever that says about the world in which we live - it was always more about that world than it was about the actual watching.

I feel like it's a dangerous and dark world if 'Sunny' becomes mainstream comedy. If you were to turn on CBS at 8 o'clock on Thursday and see an episode of 'It's Always Sunny In Philadelphia,' I don't know if I want to live in that world.

Much as I wish it were not so, we do live in a dangerous world. It has, in fact, always been this way. Our earliest ancestors had to worry about predators, natural disasters, disease, and - unique among our species - attacks by other people.

I've always written about people who have very abstracted in a certain way. I write about scientists and artists and musicians. I write about people who live in their heads who are very obsessed about a certain set of details in the physical world.

We live in a world where, for whatever reason, the conversations that tend to stick are the ones where 'if it bleeds, it leads.' But we've always been afraid of new technologies in spite of the fact that they've helped improve our lives in countless ways.

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