I always look at the work of fashion designers as if they were art.

We should always remember that sensitiveness and emotion constitute the real content of a work of art.

When I work with my art department on putting imagery together for my blog posts I always think, 'Would I pin this?' That really helps.

We always describe a piece as 'really lively' where it seems the work dances off the paper or the silk. Art has to hit you on an emotional level rather than just the analytical.

I continue to write essays about art. The visual is always part of my work, and it gives me immense pleasure to make up the words of art and create them verbally rather than build them.

The work of art is always unfaithful to its creator... Art lays at a higher level; it says something more, and almost always, it says something different from what the artist wanted to say.

What lists and awards don't measure - and I feel this strongly - is the lasting value of any work of art. They're a snapshot of a moment, and one should always consider their judgments in that context.

There were no museums or galleries in Shanghai, but I was very keen on art - I was always sketching and copying, and sometimes I think that my whole career as a writer has been the substitute work of an unfulfilled painter.

I really admire Ana Mendieta. She was a Cuban American artist who died the year I was born and whose work examines violence, feminism, and belonging. Her art is always brave and visually arresting and vibrates with meaning.

I've always liked this idea that writing should comfort the afflicted, and afflict the comfortable to create trouble. The value of a work of art can be measured by the harm spoken of it. If you're not feeling that, then absolutely, why bother?

In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist's obsession with his subject; the form is always in proportion to the obsession.

My mother is an artist, and I have a strong visual sense. I almost always choose the cover art for my books. I've learned that the more I collaborate, like by having someone do a soundtrack to one of my books, the more I see my own work differently.

I have a list of ideas that I want to do for my art series, but I'm always trying to figure out what's going to work. Ever since I was in art school, I would read and get ideas. Sometimes the photograph sparks an idea in me, and I continue in that direction.

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