When I work on my music, I always kind of just try to do my best work.

Like David Bowie, Madonna visualizes music so that her best work seems equally designed with the stage or screen in mind - not just the jukebox.

The Beatles did their best cover work on Little Richard's 'Long Tall Sally' and music influenced by Richard, such as Larry Williams's 'Dizzy Miss Lizzie.'

Nothing means more to me than making the best music and me getting better as a writer and producer... I want you to know I work really hard. The bar is really high.

It really shaped me as a person going to DeMatha. Anyone that plays athletics or does music or does whatever, it teaches them to work to the best of their abilities.

Without a sense of place the work is often reduced to a cry of voices in empty rooms, a literature of the self, at its best poetic music; at its worst a thin gruel of the ego.

I think it's really important to be humble for the music because there is always someone better than you, there is always something new for you to learn for music and you can't be the best in the world. It makes you work very hard.

I am inspired just by the way a scene can be interpreted by the actors. It can make a huge difference on the type of music that you write. It's best for me if I don't work at all on a project until the movie is shot and I have some sort of edit in front of me.

I'm not saying that every song has to be an all-time hit or the greatest ever music. That's not what you should set out to do. But you have to find out what will work best for a particular story or theme or backdrop, and discuss how not to make it a cliche or fall into such traps.

When I don't feel like working out, lifting weights or doing serious cardio, the best thing for me to do is just go on the treadmill and walk. I walk and listen to music and 10 minutes will go by, then 15, and then I'll speed up a bit. Once my blood really starts flowing, I'll get a second wind and then I want to work out.

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