The government is a very large constructor. They have schools, colleges, hospitals and courts, offices. We are trying to influence the public works department to adopt green buildings.

I want to design jewelry for girls and guys... I'ma spread it out, but I'ma design, probably when I'm just designing furniture and buildings, I'll probably being the jewelry thing, too.

The skyline in Alfred Hitchcock's 'Rope' is made up: no, you don't get the Waldorf and the Chrysler and the Empire State buildings and a dozen other magnificent structures in one window.

The reason for this project comes from my childhood, that is clear to me. I did not have any toys. So, I played in the bricks of ruined buildings around me and with which I built houses.

Now I would go to London's Pudding Lane on 2 September 1666 and put out that little fire. I'd love to investigate the histories of a few of the buildings that burned for Restoration Home.

I love to walk through the streets of Jesus Maria and Pueblo Libre. The Spanish colonial buildings are in bright colors, two stories high, with these intricate wooden, windowed balconies.

Beauty is not generic, bland, and clinical. It isn't all things to all people. The Cathedral of Notre Dame in its endlessly intricate detail was beautiful. Modern office buildings are not.

I was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that.

The sort of lifetime achievement stuff that I'm getting now is kind of like Tom Sawyer's funeral because they all know I'm sick. I am getting buildings named after me and awards and stuff.

And autos are not the only product that could be made more energy efficient if we just put in place sensible requirements. This is also true of many appliances and even of entire buildings.

I studied at a time when buildings were sterile things, and their creators were hands-off people - super-intelligent people, but you felt they didn't love the stuff buildings are made from.

It was very clear that this was a very, very old site. There were remains of sod walls. Fishermen assumed it was an old Indian site. Bu Indians didn't use that kind of buildings and houses.

As a child, I used to have a secret dread - and a recurring nightmare - of the whole world becoming city, being covered with cement and buildings and streets. No more country. No more woods.

Because, if we understand how a building is to be produced and we find a way that it can be more simply produced, then obviously we are contributing to building better buildings more easily.

Care should be taken that all buildings are well lighted: in those of the country this point is easily accomplished, because the wall of a neighbour is not likely to interfere with the light.

So what we have tried to do in our later buildings is to try to be completely consistent, as a painter is consistent or as a sculptor is consistent. Architecture also must be very consistent.

I don't think I have a signature style that announces, 'This is a Safdie.' But I think star architects have seized an opportunity to go anywhere in the world to produce meaningless buildings.

The first thing many tourists see in Hawaii is concrete - a long dreary stretch of it through landscapes dominated by sad, cheap apartment buildings and almost entirely denuded of plant life.

I saw 'The Shining' really young. I don't think it scarred me, but I had a paper route, and I delivered to some apartment buildings, and it made it a little scary to walk down those hallways.

And what are we going to leave for future generations? Are we going to leave them only buildings, cars? Or are we going to create more empathetic, more diverse societies more open to diversity?

In my opinion, further consideration of those views will help us find a way out of the current impasse, and reveal to us the kinds of buildings and cities required by the informational society.

On the screen I saw tanks rolling through dusty streets, and fallen buildings, and forests of unfamiliar trees into which East Pakistani refugees had fled, seeking safety over the Indian border.

Bad people will find a way to do harm, whether it's homemade explosives, illegal weapons, or flying planes into buildings. Restricting law-abiding citizens' right to bear arms is not the answer.

The thing I'd really like to see is the old London Bridge, with all the old buildings around it like Shakespeare's Globe. I'd like to walk along that. Don't worry, I won't get drunk and fall in.

In China, it's very easy to make architecture special because anything you design will look different, as most parts of the city are very similar. They make so many massive residential buildings.

Terrorist attacks can shake the foundations of our biggest buildings, but they cannot touch the foundation of America. These acts shatter steel, but they cannot dent the steel of American resolve.

We shall not have succeeded in demolishing everything unless we demolish the ruins as well. But the only way I can see of doing that is to use them to put up a lot of fine, well-designed buildings.

It makes the city unique and hold a charm. In old Kolkata, there are some beautiful old buildings... some of them are well-maintained; somewhere reflects what the city has gone through in the past.

Typically, an historic site is considered by the National Park Service to contain a single historical feature, while generally a National Historic Park extends beyond single properties or buildings.

Buildings in modern cities have lost their metaphoric aspect. Much contemporary architecture is very fragmented and busy on the outside. It's like a skin or a skull, but you don't know what's inside.

In 1964, when we first arrived in New York City, I remember vividly seeing the skyline of Manhattan, and our first proposal of 1964 was to wrap two lower Manhattan buildings. We never got permission.

It was a bright, clear afternoon in the late fall that pretty Miss Cable drove up in her trap and waited at the curb for her father to come forth from his office in one of Chicago's tallest buildings.

Where can we find greater structural clarity than in the wooden buildings of old? Where else can we find such unity of material, construction and form? here, the wisdom of whole generations is stored.

If you look at the buildings, you'll find that one part looks as if it was designed by one man, and you go around and look at another facade and it looks as if it was designed by another man, you see.

Why are video games so violent? The ones I've seen remind me of the 4th of July, with everything exploding, buildings, cars, airplanes, men and women. Kill, kill, and kill for sport and entertainment.

From Brighton to Bradford, from Suffolk to Somerset, I have explored some remarkable buildings and structures that, in different ways, have helped to shed light on the way modern Britain has developed.

I grew up in Hong Kong, and London used to seem very gray: the sky was gray, the buildings were gray, the food was incredibly gray - the food had, like, new kinds of grayness specially invented for it.

I'm particularly interested in the public role that all buildings play. I believe that we architects should try to go beyond our basic obligations to the public, and our opportunities to do so are many.

The lanes and streets of the city being set out, the choice of sites for the convenience and use of the state remains to be decided on; for sacred edifices, for the forum, and for other public buildings.

When I design buildings, I think of the overall composition, much as the parts of a body would fit together. On top of that, I think about how people will approach the building and experience that space.

I've always liked traveling around Europe and seeing the architecture. The buildings in capital cities have been there for hundreds and hundreds and hundreds of years. Some look better than the new ones.

If you look over the course of a hundred years, I think the gradual erosion of the consensus that's held our country together is probably more serious than a few bearded terrorists who fly into buildings.

Barcelona is a beautiful city. I love the buildings and the architecture and always enjoy being close to that. It makes sense as an art person to work in places like that, it always feels nice and creative.

I don't usually go in for reviews of buildings that aren't yet built, since you can tell only so much from drawings and plans, and, besides, has there ever been a building that didn't look great as a model?

Kolkata is a great city, has great food and great people. We had some problems finding the kind of old buildings we were looking for, and even handling the crowds, but on the whole it was fun shooting there.

I love New York, it's always been my home. It has everything - music, fashion, entertainment, impressive buildings, huge parks, street cafes. And it's very international, with people from all over the world.

I grew up in a big sky country. Then I lived in Manhattan, where you can only see the sky between buildings, and then I went into a building where you couldn't see the sky at all. I didn't like that so much.

Well, they didn't lack for topics after Hiroshima. Why should 9/11 slow them down? I know it got a lot of press, but it's just a few large buildings and aircraft, it's not like D-Day and the Seige of Berlin.

I'd love to go and visit the Mosque in Mecca again, just for the sheer beauty of it, not for God - much the way a non-Catholic might go to Vatican City because of the beauty of the buildings and the artifacts.

The Washingtonian said it shouldn't be built. The gallery's East Building is now considered a triumph, and members of the American Association of Architects have voted it one of the best buildings of all time.

Share This Page