The club scene is terrible.

I can't stand the club scene.

By the time I started doing stand-up, the club scene had died.

I can't stand the club scene. It's all about impressing people.

As a young queer kid growing up, I explored my identity through the Chicago and Washington, D.C., club scene.

I went through a clubbing phase - then, I dunno, dude. The club scene in Jakarta sucks. It's rich kids and kids who are trying to look rich.

For a lot of bands, the London club scene very much starts to become more important than the music they create. Which we never want to happen.

I like the dueling club scene, where Daniel and I fight with our wands. I thought it was a brilliant scene to shoot. I think the end product looked really good.

I'm still a little girl in Hawaii, I have the same friends I had when I was a kid who love me for who I am - not what I do. I never got caught up in the club scene or took wrong roads.

I came to NYU to study experimental theater. Shortly thereafter, I was featured in a 'Newsweek' article about the emerging downtown club scene, and, well, that was it for NYU. I was off and running.

I was a girly-girl until I moved to New York. Then I got really into the androgynous look of the early-'90s club scene. I had really short hair and started blurring the line a bit. But for me, grade school was about Benetton, Esprit, and Guess jeans.

New York had a big influence on me growing up, and I was really part of the club scene - the Mudd Club and Studio 54. When you're living in New York, you are just bombarded with style, trying to figure out how to be cool and how to feel relaxed at the same time.

Share This Page