Quotes of All Topics . Occasions . Authors
The crime novel has always been my favourite genre.
Never do anything yourself that others can do for you.
I don't really consider any of my novels 'crime' novels.
It's what's in *yourself* that makes you happy or unhappy.
I read a lot of thrillers, especially American crime novels.
There's a real emphasis on being witty in Scotland, even in crime novels.
My first crime novel, "Wild Horses," sold at auction, and that changed my life at an ideal time.
The best crime novels are not about how a detective works on a case; they are about how a case works on a detective.
I wasn't that into crime novels at all, but a friend introduced me to the work of Jim Thompson - I loved all his books.
With the crime novels, its delightful to have protagonists I can revisit in book after book. Its like having a fictitious family.
I like Jo Nesbo and Hakan Nesser. There are so many good books in the world. I don't want to spend time reading bad crime novels.
Horror and supernatural novels give you a lot of what you look for in a crime novel, just with a twist that was very fresh for me as a reader.
I'm good with a grill. I like to make cheeseburgers - I once read in a David Goodis crime novel that you're only supposed to flip a burger once.
I'm a fast writer, and crime novels are easy to do. It's much harder to write a 1,000 word article, where everything has to be 100 per cent correct.
Michael Koryta is an amazingly talented writer, and I rank The Prophet as one of the sharpest and superbly plotted crime novels I've read in my life.
The best crime novels are all based on people keeping secrets. All lying - you may think a lie is harmless, but you put them all together and there's a calamity.
Get Carter remains among the great crime novels, a lean, muscular portrait of a man stumbling along the hard edge - toward redemption. Ted Lewis cuts to the bone.
I think Melbourne is by far and away the most interesting place in Australia, and I thought if I ever wrote a novel or crime novel of any kind, I had to set it here.
I abhor crime novels in which the main character can behave however he or she pleases, or do things that normal people do not do, without those actions having social consequences.
Ever since the '70s, Maj Sjowall and Per Wahloo were the godfathers of Scandinavian crime. They broke the crime novel in Scandinavia from the kiosks and into the serious bookstores.
The Chicago Way is a wonderful first novel. Michael Harvey has studied the masters and put his own unique touch on the crime novel. This book harkens the arrival of a major new voice.
I am a master of fiction. I am also the greatest crime novelist who ever lived. I am to the crime novel in specific what Tolstoy is to the Russian novel and what Beethoven is to music.
I think the "crime novel" has replaced the sociological novel of the 1930s. I think the progenitor of that tradition is James M. Cain, who in my view is the most neglected writer in American literature.
It's an unusual way to write a crime novel, to have these lingering, fairly large story points, but it's something I knew I had to do if I wanted to write a sequel...but, you know, people still have to read and enjoy this book, or it's a moot point.
Many Scandinavian writers who had made their name in literary fiction felt they wanted to have a go at the crime novel to show they could compete with the best. If Salman Rushdie had been Norwegian, he would definitely have written at least one thriller.
The wildest ride in modern crime novel exoticum. A novel so steeped in milieu that it feels as if you've blasted to mars in the grip of a demon who won't let you go. Read this book, savor the language-it's the last-and the most compelling word in thrillers.
The most difficult part of any crime novel is the plotting. It all begins simply enough, but soon you're dealing with a multitude of linked characters, strands, themes and red herrings - and you need to try to control these unruly elements and weave them into a pattern.
Don't Shoot is a work of moral philosophy that reads like a crime novel - Immanuel Kant meets Joseph Wambaugh. It's a fascinating, inspiring, and wonderfully well written story of one man's quest to solve a problem no one thought could be solved: the scourge of inner city gang violence This is a vitally important work that has the potential to usher in a new era in policing.