Depicting a terrorist act in a film isn't going to incite terrorism.

I'm not very good at depicting the characters' psychology on the page.

My writing has been largely concerned with the depicting of Negro life in America.

From depicting the past, so goes the suspicion, it is a short step to glorifying the past.

I think we're still struggling to find a way of depicting women that doesn't objectify them.

Whenever evil is destroyed people are happy. Then what's wrong in depicting positive violence?

Hostel' is a hard-hitting reality film depicting actual hostel life and I hope to break from my chocolate boy image.

Actors do movies because you want to make a connection; you want an audience to recognise themselves in what it is that you're depicting.

We've seen violent responses to 'Satanic Verses.' We've seen violent responses to the cartoons depicting the Prophet Mohammed in an evil way.

One of the things I love about 'Rubicon' is I really recognize the New York City that they're depicting in it, having lived here for 15 years.

Slavery was a violent, brutal, immoral system, and in accurately depicting how it worked, you have to include that, obviously. Or else you are lying.

Statues and murals depicting historical figures, and even Jesus Christ himself, are being targeted by angry mobs of individuals looking to rewrite history.

My writings are limited to depicting analytically, but also polemically, the horrors of reality. Redemption is the speciality of other authors, male and female.

You must be absolutely honest and true in the depicting of a totem for meaning is attached to every line. You must be most particular about detail and proportion.

What 'Floating Worlds' does draw on is Holland's artistry in bringing the past to life in her historical fiction and depicting the people who inhabited that past.

My manager sent me the first two scripts for 'True Detective,' and I just thought they were so interesting and that the world they were depicting was so titillating to me.

I come from a space where I wouldn't say all, but most of the films have really shortchanged women. I don't mean just the actresses, even just depicting us in that culture.

Why can't I make up my own characters and paint the people I want to see in the world? I'm depicting the many people who existed in history but whose presence was never documented.

There is no better story in the Old Testament, or perhaps the whole Bible, for depicting the difference between the ladder-defined life and the cross-defined life than that of the Tower of Babel.

I am fond of depicting the lives of young folks for one thing, and if you have parts for girls or young men, you must absolutely have young people to fill them - that is generally acknowledged now.

I think especially when depicting young love, so often we see young love where you're just all about this other person, where you're willing to do everything, anything, wherever they need you to be.

We've seen the uproars around the world concerning cartoons depicting the prophet Mohammad. Anyone who does not think comic strips are relevant never had a fatwa put on him/her for drawing a picture.

I try to ask visual questions. I'll ask what someone was wearing, if that seems relevant. If possible, I'll walk over the same ground that they're depicting. Of course, I can never get it precisely as it was.

When I stopped making films, they were getting on to the more realistic films and the explicit films and all. They were depicting life as it is, and some of it was unpleasant. I gradually moved away from that.

The concept of 'DAM999' is very interesting, which director Sohan Roy has written. The entire idea was to capture or encapsulate the nine rasas depicting different human emotions in the backdrop of dam disaster.

When I wrote my eighth thriller, 'Inside Out,' in 2009, the villains were a group of CIA and other government officials who colluded to destroy a series of tapes depicting Americans torturing war-on-terror prisoners.

Try driving the streets of Los Angeles without seeing a billboard depicting a film with a lead actor holding a gun. It's almost as if guns are harmless props used to bring out the cheekbones and jawline of the screen star.

Everything 'Atonement' does, it does incredibly well, including depicting characters of varying ages and temperaments and showing the intensity of early romantic love and connection and the very different intensity of haunting regret.

I loved movies. In particular, I loved movies depicting places and events that obviously you couldn't have gone out and shot. It was obvious you were looking at something that had been manufactured in some way. I was fascinated by that.

When depicting Asian people in movies, books, and television or as historical figures, it's more important to humanize them and give them all of the dimensions of humanity, and that includes sexuality. Ascribe the human the full range of human qualities.

The problem with depicting what's weird and what isn't is that it's got to this point of near total oversaturation. There's definitely a threshold at which that language and experience becomes tedious. How can something be weird if everything is apparently weird?

Every time you get on a stage or in front of a camera, the whole exercise is about imagination. You're constantly depicting something that doesn't exist, and trying to find the reality of it. Once you settle on that premise, everything else is a matter of degrees.

There's already a marriage clock, a career clock, a biological clock. Sometimes being a woman feels like standing in the lobby of a hotel, looking at the dials depicting every time zone in the world behind the front desk - except they all apply to you, and all at once.

I can remember somebody once saying to me that they thought my life must be less real than these other people that they were writing about, which I found a very peculiar thing 'cos all our lives are equally real, and it's just a matter of depicting them and talking about them.

I am excited to be doing 'SVU' - I think there's a lot of inherent drama and a lot of inherent conflict in procedural shows. I have a lot of respect for police officers and the work that they do. There's a lot of nobility to depicting what these officers do on a day to day basis.

Not only our political system is broken, but how we do business and have public discourse with one another. The system in Hollywood, specifically, is not depicting people of color; we're not even talking about Asian Americans or Latino Americans; we're not even getting into that question.

If you're truly depicting human behavior in an honest way, it is a lot of miscommunication, non-communication, paranoia, passive aggressiveness. People don't finish sentences. They don't say what they mean. They lie to each other. They take credit for things that are actually other people's ideas.

Scientists are supposed to study animals in a totally objective fashion, similar to the way we inspect a rock or measure the circumference of a tree trunk. Emotions are not to interfere with the assessment. The animal-rights movement capitalizes on this perception, depicting scientists as devoid of compassion.

In June 2010, after more than 38 years in uniform, in the midst of commanding a 46-nation coalition in a complex war in Afghanistan, my world changed suddenly - and profoundly. An article in 'Rolling Stone' magazine depicting me, and people I admired, in a manner that felt as unfamiliar as it was unfair, ignited a firestorm.

There's one Baldessari work I genuinely love and would like to own, maybe because of my Midwestern roots and love of driving alone. 'The backs of all the trucks passed while driving from Los Angeles to Santa Barbara, California, Sunday, 20 January 1963' consists of a grid of 32 small color photographs depicting just what the title says.

History has proven that art depicting black people cannot be disentangled from the political implications that such art has on their lives. As Africans were being stripped from the continent and sailed across the Atlantic to the Western world, depictions of black people in Western art changed in order to further render them racialized caricatures.

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