Quotes of All Topics . Occasions . Authors
I emote. I love things so much.
To be a good actor, you need to be able to emote with your body.
Singing is the form I've chosen to express myself. It's the way I emote best.
This is not a rock opera. This is not Tommy. I can write songs that emote, and that's it.
Feeling and reacting has more impact than just trying to emote what your character's saying.
I had a chance to get used to the lights and the camera without all that pressure to... emote.
I have realised that when you start thinking like the person you are playing, it gets easy to emote.
If there's a scene in which I need to cry or emote heavily, I just take care of it during the dubbing sessions.
If you're on a film set for 48 weeks of the year, you're nowhere near reality. You can't emote like a human being.
The more comfortable you are in front of the camera the more you can emote well. If you are confident then 90% game is won.
When you act, you want to emote and think in that language. I don't enjoy the process of doing a film in a language I am not good with.
That sense of failure, I don't know where people put it who don't write songs and aren't able to emote physically. It must go somewhere.
You have to emote much more to get what you're trying to get across to come through a quarter inch of latex that's superglued to your face.
Watching Sridevi emote was an experience. She was very quiet on the sets. But once in front of the camera, all her energy would be unleashed.
A lot of actresses I've worked with recently have done so much Botox their faces don't look real anymore. If you freeze everything on your face, you can't emote.
All over the world, actors and actresses are chosen for their performing skills. Not how they look or what they wear. It is all about how they act, how they emote.
I'm in a lower register because I'm not trying to shout out over a wall of amps. Singing lower sounded very pleasing to my ear, and it made it easier for me to emote.
I wouldn't say portraying a character in a film like 'Wanted' was easy. But it was fairly easier than playing a role where one is expected to emote more depth on screen.
My uncle is an actor, my dad is a producer, so they asked me if I was interested, and I was like, 'How can someone act in front of so many people with lights and emote.'
There's a need for music that has urgency and emotional honesty. That's why people are reintroducing themselves to guitar music - that instrument has an ability to emote.
I am so enriched because so much has happened in my life. The way I can express myself is because of the life I have led. It's only when you experience life can you emote it.
Emoting songs onscreen comes naturally to me since we do emote in the studio behind the mike as well. But acting in a full-length Bollywood film is a completely different ball game.
On '24,' you don't have time to emote and deal with stuff, because stuff just keeps happening. Every other minute, there's something crazy that's happening that's threatening this country.
I don't think I was a good model. I think I was born to emote and act. I would walk down the ramp and smile and they used to say, 'Give us a blank look.' It was really difficult not to smile.
Actors want to act; actors want to emote. It's like the emotional equivalent of tearing your shirt off and screaming to the heavens: you want to express, and you want to be seen to be expressing.
What appealed to me was that the focus of 'North Atlantic' was more about performance rather than emoting, because I was at a point in life where it was nice not to have to emote all over the place.
I was inspired by Solange's album, 'A Seat At The Table,' from the moment that I heard it. She has clearly taken the time to create a unique body of work and emote through her music from a true place.
I got interested in the emotions after studying patients who had lost the ability to emote and feel under certain circumstances. Many of those patients also had major impairments in their ability to make decisions.
If you interview people or friends who work with me, they would say I'm private or internal or don't emote a lot. Yet I do it every day for 10 million people. I just don't do it for the 30 people I'm in the room with.
I'm always trying to encapsulate how we, as emotional beings, interact with the world and the machines and technology around us - being able to emote through those things. They're not antithetical or mutually exclusive.
Keeping faith in my acting credentials, my mentor offered me a powerful role in 'Veerasaami,' which had scope for me to emote on the screen. Film-buffs have now welcomed my acting skills and appreciate me for my good performance.
I really do try not to emote. I don't like seeing it on documentaries - it seems a bit unprofessional. I also need to be human being and be a kind of sympathetic presence for the contributors I'm with, so there' a line you have to walk.
I'm an incredibly emotional person, but I always feel bad about that. The work is therapy... I need to emote wildly while I write. I weep. I'll laugh, get excited, and get up and pace. I try to take the emotional journey with the characters.
I think you can really tell a good actor if you can put a camera on them and they can just talk and emote and react and you don't have to keep cutting away from them, because they are the language and the behavior. It's all a tour-de-force performance.
I grew up in a blue-collar neighborhood and was raised by a man who did not emote, ever... I always cry at movies, and when I was a kid, I would try to hide it. It wasn't something a kid in Oaklyn, N.J., did. So I have these weird hang-ups about emotions.
'Gutur Gu' is a silent comedy, which I had never done. I wanted to do something out of the box. It's exciting, tough, and fun. Dialogues are very important for actors, and to emote without them took some getting used to. It's giving me scope to learn a lot.
'Mercury' is one of the most challenging projects I have worked on. From the nuances of the actors' expressions to the minute technicals of the movie, everything needed to be monitored and looked into. The actors were required to emote purely with their face.
I always do a lot of work around characters to make them real people because, oftentimes, they really are a sliver of a person. Even with truly wonderful writers, women characters are there to emote, and they're often incredibly chaste or worthy. Or they're a 'different type of woman', which is the worst.
Once I realised that my job as a model was to emote in front of the camera, I thought, 'Well now, I just have to add words, and I can do films.' But also, my success as a model made me more confident about becoming an actress because, just in case I failed, I thought, 'Well, you know, if I failed as an actress, I can do another job.'