Fargo is one of my favorite movies.

'Fargo' is one of my favorite movies.

Films like Fargo are why I love the movies.

One of my favorite movies of all time is Fargo.

One of my favorite movies of all time is 'Fargo.'

If 'Fargo' is about anything, it's American madness.

I didn't audition for 'Fargo.' It was a straight offer.

Wells Fargo behaves better than the average big bank. But nobody's perfect.

I taped my original audition for 'Fargo' with my agency in Chicago, Stewart Talent.

Everybody who was involved in that culture [Wells Fargo] should be held accountable.

At least three times a week, I'm approached by someone who says something about 'Fargo.'

'Fargo' was the turnaround for me, in terms of film, because it was a part; it wasn't a line.

I've always felt there was something wrong with Wells Fargo's culture, for a very, very long time.

The constant drip drop of fraudulent activities coming out of Wells Fargo is absolutely outrageous.

The cultural issues, I think, at Wells Fargo went very, very deep. They have to unwind these cultural issues.

I was a huge fan of 'Fargo.' I binge-watched the first two seasons in a couple of weeks. I loved that series.

When I auditioned for 'Fargo,' there was something about it that I was hungry for because of how right it felt for me.

The 'Fargo' characters, they're the characters of my people. They're stoic, hardworking, uncomplaining, and I loved them.

'Fargo' definitely makes it into my top three favorite films of all time; I have a serious obsession with the Coen brothers.

When Fargo came out, I hired a publicist for the first time in my life. I thought, if ever I was going to make it, that was then.

The most telling thing about 'Fargo,' both the now-classic movie and the television series, is that it doesn't take place in Fargo.

My personal style icons are Diane Von Furstenberg and Linda Fargo. For strength and their own style, Christine Lagarde and Angela Merkel.

I saw 'Fargo,' not when it came out, but probably a few years later, and went through multiple viewings - I'm sure my tape has been worn out.

'Fargo,' man, with so many actors playing so many great characters, and then they do another season, and it changes all over again? It's wild.

Wells Fargo had a glitch - the truth of the matter is they made a business judgement that was wrong. I don't think anything is fundamentally wrong.

I don't think they should trust anything that happens in 'Fargo' at all, and I'm sure 'Fargo' fans know not to make the mistake of trusting too much.

I've always been really attracted to playing with structure. To take the story of 'Fargo' and break it up in such a way that's it's not linear, per se.

I drove around New York when we did the upfronts and when we premiered 'Fargo,' and they crocheted a sweater for a double-decker bus and drove it around.

If, when I leave this earth, I'm remembered for 'Fargo,' so be it. But I think old Marge Gunderson is gonna get a run for her money with Olive Kittredge.

I was getting a lot of really nasty feedback about my weight during 'Fargo,' which is unfortunate because I am statistically a completely average-size woman.

I grew up in Minnesota and everyone is so nice there. It is like Fargo. Everyone's so chipper and you make friends just grocery shopping. We kill each other with kindness.

There is the moral spectrum in 'Fargo,' and you see it in other Coen brothers movies, where you have a very good character on one end and a very bad character on the other.

There are no characters in the limited series Fargo that are derived from the characters in the film Fargo. It's hard to describe how remarkably true to the film the show is.

I was involved with Wells Fargo Bank as a consultant in the late 1960s and early 1970s, when I suggested to them that they develop a product that has become known as index funds.

When I took on 'Fargo,' I thought, 'Well, this is just a terrible idea. Four people will watch it, and they'll hate-watch.' But that allowed me to just go for it and take the risks.

The great thing about 'Fargo' is that it's a more objective style of filmmaking: the camera moves in very classical ways, and the most interesting things normally are the characters.

I learn from all our major competitors, whether they're in or out of the U.S. Wells Fargo is very actively, very aggressively, and very successfully building its U.S. investment bank.

I don't know the extent to which they do business [ in Wells Fargo]. I just want to see how this thing continues to unfold and if they have a legitimately major change in their culture.

Playing football in Fargo has a total big-time feel. Everyone says it's FCS and it's a smaller school, but in Fargo, North Dakota, and in the state of North Dakota, NDSU football is the real deal.

There is a movie called “Fargo” playing right now. It is a masterpiece. Go see it. If you, under any circumstances, see “Little Indian, Big City,” I will never let you read one of my reviews again.

I read the 'Fargo' hashtag and what people tweeted at me and every article and every comment on every article. I really just ate it up. But I wasn't prepared for hearing what everybody thought of me.

'Fargo' becomes a metaphor for a type of true crime case where truth is stranger than fiction. So, there's no reason that there isn't another 10-hour true crime story that could be told in this region.

Making 'Fargo' for FX has been the highlight of my career. A writer can search his or her whole career for a network partner who truly understands and encourages their vision. For me, the search is over.

The first conversations I had for 'Legion' were right as the first year of 'Fargo' was ending. 'Daredevil' hadn't even begun then, so when signing on, I had no real sense of the onslaught that was coming.

It's an unwritten rule that when you move to California and you're an English person, you have to drive a convertible, and you have to bank with Wells Fargo because they have a stage coach on their bank card.

I was working, like, 14-hour days on 'Fargo,' and now if I schedule more than two things in a day, I'm like, 'Whoa, you guys. That's two train rides, and I have to plan for an hour-and-a-half lunch with my cat.'

The first dumb idea was to do it at all - to take 'Fargo,' this beloved classic, and turn it into a television show. The second dumb idea, when you do it and it works, was to throw everything out and start again.

I often do that with characters, going back to my bloody drama-school days, in terms of equating them with creatures. And it's very much there as a theme of all the seasons of 'Fargo' as well: the predator and the prey.

It was really fascinating for everyone involved in 'Fargo' that Marge Gunderson became the iconic character she did. I think it was something about the cultural zeitgeist and what was happening with women in the workplace.

The idea was always going to be that each year is a stand-alone story, which did make it easier on some level. It also requires the network to have the creative imagination to say, 'This is also 'Fargo,' you know what I mean?

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