Quotes of All Topics . Occasions . Authors
Normal people, who can be good people but do bad things, are very interesting to me, and people that never get a parking ticket or never do a bad thing in their lives can be really dangerous.
I've never been a bad person and always had quite good morals. There's always been a side of me that's been quite proper, but it's got distracted here and there. Now I'm the person I should be.
I don't roll like that but I've never been with a hooker either. Yeah, that's good to say in an interview cause I feel bad a little because people grew up watching me and that's a little disturbing.
I'm Braun Strowman. You can't put me in a category with anyone. I'm my own entity - there's nobody else like me - so I'm going to continue going out there to be Braun. I'm no good guy or bad guy, I'm Braun.
If I become defensive and upset right away, then that's going to adversely affect how I deal with it and it's probably not going to be good press for me and probably be bad just because I'm angry. Just be open and pleasant.
When 'Siruthai' became a hit, there was suddenly a lot at stake. A lot of people were telling me what to do and what not to. But at some point, you realise that's not the way to go. Good or bad, you need to be making your own choices.
I was really involved with other people's opinions of me, and it got heightened during my film career. I don't have any opinion, good or bad about it, it just was. It's not the way I feel now, and I think yoga has a lot to do with that.
I was warmed by the sun, rocked by the winds and sheltered by the trees as other Indian babes. I was living peaceably when people began to speak bad of me. Now I can eat well, sleep well and be glad. I can go everywhere with a good feeling.
When I attack a role, be it TV, film or stage, the first thing I say is, I don't want to know anything. If it's good I don't want to hear it; if it's bad I don't want to hear it. The only thing either thing can do is distract me. I like to stay focused.
For Michael Wright and Frank Darabont to cast me as the ultimate good guy and Eddie Burns as the ultimate bad guy, and really switching roles from what we usually play, is pretty awesome. That generally doesn't happen, but TNT is a horse of a different color.
Everybody has different issues, good or bad, that they carry with them on the court. It affects you. And for me, it affected me to where sometimes I would be overly aggressive and, in other ways, it would affect people to where they can't perform on the court.
If one person in a group of ten is missing the tip of his little finger, I will notice it almost immediately. This extreme attention to visual detail is not a virtue, just a fact of my person. It happens seemingly involuntarily and strikes me as neither good nor bad.
Growing up, if I had been given any advice - bad or good - I probably wouldn't have been able to act on it regardless. I wasn't shy, but I'd get nervous. I got a little more confident later in high school when I realized I could get girls to pay attention to me by making them laugh.
The idea of 'advice,' in terms of telling people advice or asking people for advice, has become not comprehensible to me, to a certain degree, due to feeling, like, for something to be accurately defined as 'good' or 'bad,' I would want to know the context, goal, perspective for it.
I started out in graduate school to be a fiction writer. I thought I wanted to write short stories. I started writing poems at that point only because a friend of mine dared me to write a poem. And I took the dare because I was convinced that I couldn't write a good poem... And then it actually wasn't so bad.
People are going to take shots at you for everything you did bad, and they forget about all the good things you did. They do it to everyone. They're going to do it to me, they've done it to all of them. They did it to Tom Landry. Are you kidding me? Tom Landry? With the fedora? Come on. They did it to Tom Landry.
I've not been a prolific poet, and it always seemed to me to be a bad idea to feel that you had to produce in order to get... credits. Production of a collection of poems every three years or every five years, or whatever, looks good, on paper. But it might not be good; it might be writing on a kind of automatic pilot.
Across the Atlantic, commercial therapy of all kinds provides so many more comfortable outlets for people when they are under pressure. The English tradition is to get a grip, whereas the American version is to get in touch with your feelings, to say: 'I'm a good person. Isn't it terrible when bad things happen to people like me?'