I always thought what made 'Beetlejuice' look so great was because it looked like some genius kid made it in his basement.

I've always loved fantasy. I think it's a great way to look at issues that we have in our own lives with a little bit of the pressure off, you know.

Historically, if you look at great civilizations, why do they crumble? Is it because of what's outside or because of something internal? It's always internal. It is.

There were no surprises, because when you sell a pilot based on a pitch, no matter how great the script is, it's going to look different and feel different from what someone imagines in their head. There will always be varying degrees of disappointment or confusion.

When you're trying to look pretty, it's a lot easier to compare you to other people. I always felt intimidated in pilot season trying to audition for 'the girlfriend.' Whereas when it's like, 'you're auditioning for the part of this meth addict, trailer park whatever,' it's like, 'Great!'

I was always telling girls who said that they wanted to be the 'next' Kate Moss or the 'next' Gisele that it wasn't possible, because the 'next' girl wasn't going to look like anybody else; she would be somebody unique. If you look at all the great models... they all have an individual look.

I was very excited about working with Vatsal again in 'Kaun Hai.' I have always shared a great comfort level with him, right from the look test for 'Baazigar,' which is when I first met him. We hit it off instantly and would have a lot of fun during the shoot. We would chat a lot and that's how we got to know each other.

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