Without philosophy, history is always for me dead and dumb.

For me, clothing has always been connected to history. That's what draws me in.

That period of history has always fascinated me - Greek history, Greek mythology.

We tend to regard history as true and 'The Adventures of Huckleberry Finn' as untrue. That's always puzzled me.

The Seven Cities of Gold always fascinated me. Southwestern U.S. history especially fascinates me. The whole spur of the Spanish exploration of the Southwestern U.S. was the search for these mythical Seven Cities of Gold.

The premise for me has always been that it's vulnerable people who do violent things. And the more vulnerable they feel, often, the more violent they are. But I think, you know, that's an idea that comes from history, from classical theater, for me.

It always amazes me that Japanese comics have, like, 200 pages. How do they do that? They're fat books; it's a whole different kind of comic that's very close to their films. So I'm drawing from that history and bringing it here - bringing it to Katana.

I always loved the Yorkshire members and was passionate about playing for the county, but the people who were running the club made it at times unbearable for me. The rulers had a history of doing what they wanted and sacking players seemingly on a whim.

Playing Sgt, Trotter in 'The Mousetrap' is the same as playing Scripps in 'The History Boys,' in the sense that they're dream roles that I've always wanted to do. The fact they're letting me do this professionally and I'm getting paid for it, I find astonishing.

As a child, I always wanted to be an actor. But as I grew older, the acting dream kind of faded away, and I took to studying a lot. A few years later, a relative of mine who really wanted me to try my hand at acting sent my photographs to a few production houses, and like they say, the rest is history.

I've always been intellectually restless, but it is the building part of it that most interests me. It is the constructing of the team that is my favorite part. Anyone who is familiar with the history of the A's franchise, even dating back to Philadelphia, knows that every five or 10 years, you have to tear it apart and rebuild it.

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