Quotes of All Topics . Occasions . Authors
The fashion world has always been part of my life.
All my life I've always wanted to be a world champion.
My whole life, I've always had one foot in the classical world and one foot in the rock, pop, and folk world.
We have always held to the hope, the belief, the conviction that there is a better life, a better world, beyond the horizon.
It's the life of an actor to always be questioning, always be wondering. There is no occupation in the world less dependable.
It's a wonderful world. You can't go backwards. You're always moving forward. It's the wonderful part about life. And that's terrific.
I see life and the world simply as an arena for competition. That's just what people do, and there are always going to be winners and losers.
My parents always instilled in me to be a citizen of the world, so that's why I've taken to traveling and why it's such a huge part of my life.
I've always dreamt of having some sort of undercover job. I think it's probably the coolest thing in the world, but ultimately a very lonely life.
I am always loath to use the world 'evil,' but if 'evil' is the reverse of 'live,' Guy de Rothschild is thoroughly evil. He stands for the opposite of life.
My thing was always about individuality and about creating a world - because you don't just wear clothes, you live a life. You have style. You project who you are.
For some reason, I always thought I was special. And for some reason, I always thought that I had a purpose in life: that I was supposed to contribute to the world.
When you have had the kind of fame I had, I was always hounded by the media and I lived a very isolated life. Now it's even more difficult. The world has changed dramatically.
My grandfather worked with charities his whole entire life, and we grew up living with him. He always told me about the other side of the world and everything that's going on.
All the people in Star Trek will always be known as those characters. And what characters to have attached to your name in life! The show is such a phenomenon all over the world.
I didn't have anybody, really, no foundation in life, so I had to make my own way. Always, from the start. I had to go out in the world and become strong, to discover my mission in life.
I have always wanted to do a feature film that brings the world of Lisa Frank to life. We have so much backstory on our characters, and they have been alive in my imagination since the beginning.
I could do nice, but it's just not as much fun. Being nice isn't my biggest goal in life. I'm trying to be honest about who I am, and that's not always nice. I'm not always the world's cheerleader.
Dictators are ludicrous characters, and, you know, in my career and in my life, I've always enjoyed sort of inhabiting these ludicrous, larger-than-life characters that somehow exist in the real world.
There were always moments where I'd say, 'What else can I do with my life?' But when I was 30 years old and discovered I could write - I wrote 'Black Cloud' in six weeks - it opened up a whole new world for me.
It seems extraordinary to have waited so long into one's life to have found the part that actually uses your basic rhythm. And I think that's always sort of what actors connect up with - their own sort of world.
You never know what's going on in someone else's life and that you can't always understand how what you say or what you do - no matter how big or small it may seem to you, it could be the end of the world for someone else.
Obviously, because of my disability, I need assistance. But I have always tried to overcome the limitations of my condition and lead as full a life as possible. I have traveled the world, from the Antarctic to zero gravity.
Sometimes things feel hopeless. Not always within my own life - but looking outward, it seems like rough times lie ahead of us. The world seems to be kind of caving in on itself in a lot of ways. But I try to look on the bright side.
We want to live in the black and white, but we don't. The world is gray. And, I'm always fascinated by people who are clearly, 'This is black and this is white, and that's the way life is.' Life always has something to say about that.
Acting is always at the core of my life, but I'm also excited about producing. I'm excited about directing, and I have a life in the filmmaking world, and so I want to explore all aspects of it, not just the acting, but acting is the root.
I've always been aware of both how extraordinarily normal and how extraordinarily extraordinary my life has been. It's always been important, first to my parents when I was younger, and now very much to me, to live in the world. I would never want to live in a cloister.
As a little kid in the late 1960s, I was afraid of the world. Even if I didn't get caught in the draft that was sending American teenagers to Vietnam, there was always the possibility of a Soviet nuclear attack. I made constant escape plans and imagined a life going from port to port.
Sketching in general - anywhere, not just in Gitmo, but in life, in the world - is a profoundly disruptive act. Because you're creating something when you're kind of expected to consume or sit passively. I've always sketched things as a way to get into them, whether it was a fancy nightclub or, you know, to have kids think I was cool, whatever.