Movies like that aren't about the visual effects and explosions. They're human stories about family, about life, about death.

My life comes down to three moments: the death of my father, meeting my husband, and the birth of my daughter. Everything I did previous to that just doesn't seem to add up to very much.

Obviously, I care about the kids. Family, all that sort of stuff. But really, I don't care about life, don't care about death. Nothing. That's the kind of man you are dealing with. That's why I can't be beaten.

I think, in real life, when we're facing death - that is, when we come out on the other side of it, whether it's death of a friend or a family member - you come out on the other side of the mourning cherishing your life that much more.

Providing patients and consumers with solid information on the cost and quality of their healthcare options can literally make the difference between life or death; and play a decisive role in whether a family or employer can afford healthcare.

Even in losing my mother, beautiful, amazing awakenings have happened within my family. Of course, losing her is not what you want. The things that happened after her death, she would be so just beside herself with joy that life turned out that way.

My thatha's death was the biggest blow I've dealt with in all my life. I have never seen death in my family, especially not of someone who's so close to me... I might be this big guy from the outside, but I'm very sensitive when it comes to my family.

I was 20 when I was sentenced to death. My life had been on a one-way path to self-destruction for years. I don't remember too much about my early life, but I think I had a happy childhood, growing up in Philadelphia in a loving family with five siblings.

When you have an intimate encounter with mortality as my family and I did with my mom's death, I took a long look at my life and I asked myself what was the one thing that I hadn't done that I had really wanted to do. And it was to write and direct a film.

The first memory I have in the world is of death and tears. That is how I would mark the beginning of my life: the way people mark the end of one. My family had gathered at Papa Joe's house because Mam' Grace was slipping away, only I didn't register it that way. For some reason I thought that it was her birthday.

Sometimes I take the watch, or I take the shoes, but usually the souvenir is to take the life you had with those directors, or the crew - the camera person, the lighting person. When you finish a film it's like a little death. You had a family for a bit, and you finish the movie and you probably will never see each other again.

I had written two or three books before my husband noticed that in every one of them a family member was missing. He suggested that it was because my father's death, when I was five, utterly changed my world. I can only suppose he is right and that this is the reason I am drawn to a narrative where someone's life is changed by loss.

The big things in the average person's life are the romances that they have - and then the destruction and loss of them. Parents, siblings, children, the death of parents, family tension... these are monumental things. They struck me as being interesting to write about. I didn't have a very exotic life, but all this stuff happened to me.

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