Even though I make those movies, I find myself wishing that more of those magic moments could happen in real life.

Being the house ethnic was destroying my life and my sense of myself, because I had been consigned to play every dusky maiden you have ever seen in your life in movies.

It's not that I am not emotional, but I am extremely secure and curb it, as I am afraid to let go and be broken. So, I have cultivated myself to be detached in life, specially where movies are concerned.

I'm proud of all the movies I've made. They're not sequels, they're not franchises. And the reason I pick my films carefully is that I don't want to spit on my life. I like to think of myself as more than that.

Being a sci-fi geek myself and going to movies all my life, I came to the conclusion that there were really two camps of how robots have been designed. It's either the tin man, which is a human with metal skin, or it's an R2D2.

I don't want to limit myself. I want to keep doing all sorts of roles. I guess what lies behind this urge is the conviction that movies have changed my life. And certain performances have inspired me to try to be someone different.

I myself have always had that secret desire to become something completely different and enact revenge on certain things. So I do that through my movies. My desires become reality in the movie because it can't become real in real life.

I tend to make movies about my peer group. I couldn't see myself now going back and making a movie about a bunch of college kids, necessarily. I kind of always operate in the things I'm observing around me, whether it's friends having babies now in my life or what have you.

I didn't know this about myself, but when 'Pirates of the Caribbean' came out I realised that I didn't enjoy a huge amount of recognition. I didn't react to it well, but I think life is about finding out who you are and what you like. So I started doing independent movies and art-house films instead.

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