I love to have a very bright center of my face. I learned that on 'Jessie'... it looks great on camera.

I feel that 'The Great Failure' is really a book written out of great love and a willingness to face all of who a human being is.

I always give Calzaghe credit. He was a great fighter, really tough, unbeaten in 46 fights. He's never, ever given me any props at all. And for that I'd love to punch him in the face really hard.

The typical Western is kind of a good-guy/bad-guy thing, and that's great, but initially when I heard about 'Into the West,' and what I love about it is it delves into both sides of our cultural past, and it puts more of a human face on the Native Americans.

Most of the pop videos I've seen that have any male/female interaction are usually centered around a romance - and that's great, I am all for romance. But let's face it, there are a lot of other sexualities and identities that are well-deserving of some shiny pop video love.

It's all about the sensuality of movement, every movement you make. That's why I love doing action movies. It's all about movement, dance - even if you're hitting someone in the face. You've got to sell it all with great passion. There's a narrative to the body. It's exactly the same as dance.

Every movie goes through that U-shape where you start with 'Oh that's a great idea. I love it.' Everything's possible and then you face 'Oh, we can't do that, and that's impossible, and that's a bad choice.' You go the practicality of it. And then you come up to 'Great.' But that middle part is when you don't have results yet.

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