I love the concept of the romance that exists when people are broken. Like, the promise of a romance when you're at the bottom. I think that's infinitely compelling and romantic.

I try to speak of a love that not necessarily romantic. I think there is so much love between people and so much love people want to give but it's harder and harder these days to show that, to celebrate that, you know?

I could never understand, when I watch romantic comedies, the notion that for some reason, unattractive or heavy people don't fall in love. If they do, it's in some odd, kooky, roundabout way - and it's not. It's exactly the same.

I'm a feminist, but I think that romance has been taken away a bit for my generation. I think what people connect with in novels is this idea of an overpowering, encompassing love - and it being more important and special than anything and everything else.

They are just really stupid people in Hollywood. You write them a script, and they say they love it, they absolutely love it. Then they say, 'But doesn't it need a small dog, and an Eskimo, and shouldn't it be set in New Guinea?' And you say, 'But it is a sophisticated romantic comedy set in Paris.'

Well, there's just some universal truths in a way that I've just observed to be true. You read Voltaire. You read modern literature. Anywhere you go, there's these observations about romantic love and what it does people, and these rotten feelings that rarely are people meaning to do that to each other.

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