As a producer and DJ, I just like makin' great music and hot records for the club.

Makin' records is one art form and playin' live is another. It's like the difference between makin' a movie and doin' theatre.

I'm a comic, and I'm supposed to outrage and make people laugh, Part of makin' people laugh is to shake up their thinkin'. That's what I came here to do.

From then on in, me and Sonny started makin' records. My first records, Sonny was backin' me up. Sonny wasn't singin' natural at the time; he was singin' falsetto.

When I'm makin' lectures to these universities, I tell 'em I like that little building because when I run short a audience, if I can get three people in there I've got a good crowd.

There's a smugness that goes with being a huge company. The big fish say, 'If it's so great, why didn't we invent it?' But how'd you like to be makin' buggy whips when cars came along?

As long as you're giving up quality records and you're makin' hit records, people are always gonna want to hear a hit, and they'll always want to be attached to something that's doin' great.

If you goin' to work, you gonna put my album on. If you happen to be makin' an hour-and-a-half drive, you gonna put my album on, because people spend more time in their car then they do in clubs.

That's when we was makin this video stuff. They went all over the place makin it. And they was wantin to know, at the college, how I got started playin and how do I do everything - you know, all that.

I'm makin' a lotta dough, everyone knows who you are, and who the hell cares whether you're typecast or not? Also, there's something wrong with complaining about being typecast in something you really enjoy doing.

A lot of artists go in the studio and say, 'OK, whaddaya want me to do? Is it gonna be a hit? I'll do it. Is it gonna get played on the radio? I'll do it.' So they start makin' these songs, and they fall in the same tempo, same category, same this, same that, and it'll just all sound the same.

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