I'm going to always rise above the doubt that may exist about me.

I'm always conscious of what I'm writing, conscious of what the actor may ask me. I have a defense for nearly every line in the song.

Playing characters allows me to do things I may not always do, while singing in concerts allows me to really find my own voice and grow.

To plead for the Oppress'd and to defend the Weak seem'd to me a generous undertaking; for tho' it may be secure, 'tis not always Honourable to run over to the strongest party.

The lyrics tend to fascinate people, but for me, when I listen to a record I don't always latch on to the lyrics. I listen to the whole thing and it may be five or six days before I even realize what the song's about.

Don't see the point in reading ghost-written autobiographies, even though some of these published lives may fascinate me. The 'ghost' is always present, manipulating an interview into first-person singular text, and it feels like I'm reading a lie.

No matter how successful I may get, I'll always be a failed musician, sitting at a concert double-fisting overpriced twenty-ounce beers, wishing it was me on stage brooding soulfully to my fans. I had my shot once, but I let it slip through my fingers.

It usually starts with the director and any other creatives who may be involved at the start. It's a collaboration. I bring what I have naturally and, hopefully, what they cast me for, and then we start playing and tweaking until we have what they feel's right. It helps to have some artwork to inspire me, but I don't always get that luxury.

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