Quotes of All Topics . Occasions . Authors
No one can penetrate me. They only see what's in their own fancy, always.
Audiences always sound like they're glad to see me, and I'm damned glad to see them.
Many filmmakers pretend that they never see anything, which has always seemed odd to me.
The one thing I have always tried to get across is what you see is what you get. This is me, like it or lump it.
I've always made my decisions based on two factors: intellectual analysis and my gut. And when they meet, that's a go from me. That's when I see the goal.
It always amazes me to think that every house on every street is full of so many stories; so many triumphs and tragedies, and all we see are yards and driveways.
The French league is clearly developing. It is really pleasing to see. Paris, for me, is above everyone else in France. When they come for you, it is always attractive.
I've always been the point guard, always been the floor general out there, and it's helped me see things I didn't previously see on offense from a shooting guard standpoint.
Coming from Mumbai, the one thing that always amazes me about Noida is the roads here. Such wide roads are something you don't get to see in Mumbai. Driving around here is surely a pleasure.
I gravitated to the pro wrestlers and the grappling - Hulk Hogan 'hulking up' always looked cornball to me - and I wanted to see Ric Flair, Ricky Steamboat, and Harley Race go move-for-move.
Part of me always longed to do just one more film and see what Luke would be like now that he's on the level of Obi-Wan Kenobi, the student having become the master. But it was not meant to be.
I always approach every play based on the cast. When Denzel and I did 'Fences,' I didn't go to rehearsals and say, 'OK, James Earl Jones did a wonderful job in '87. Let me see if you can come close to James Earl Jones.'
Anybody who dedicates himself to exploring the human condition, there's always a detached eye that's watching. In any situation, a little part of me is observing it, to see if there are any raw materials to create something else later.
I was very ambitious. It all started because my first boyfriend dumped me when I was 14. I'd always wanted to be a model and thought, 'Right, he's going to see me everywhere.' I was relentless in my pursuit of modeling. It was revenge.
I've had to ban my mum from coming to see me play. She gets so nervous before any show. I've always got a few nerves but she's so much worse than me. You'd think she'd be able to handle that kind of situation. After all, she is a concert pianist.
Don't see the point in reading ghost-written autobiographies, even though some of these published lives may fascinate me. The 'ghost' is always present, manipulating an interview into first-person singular text, and it feels like I'm reading a lie.
If you don't take no chances, then you're not a performer. Performers always take chances. You go see a singer, they'll hit the high note. They'll hit that note, they're not afraid, they're gonna exaggerate the fact and make me enjoy it, make me say, 'Wow, I wish I could do that!'
'Pulp Fiction' was probably one of the first films I ever saw that really kind of took effect on me. I was about four years old - obviously wasn't supposed to be seeing that film; my sister kind of sneaked it out and we got to see it. She's older than me. That was something I always used to watch.
My older sister Celia is an actress as well. She's a little bit older than me. So, in my formative years, she was always performing, and we would always go see her do things. And so, that just made me want to be... like her. Maybe if she was an Olympic swimmer, I would probably be an Olympic swimmer by now as well!