Every show is different. The public has always been nice to me. I'm fortunate that way.

In a way, it has been an advantage for me to be a woman because there is always some academic committee that needs you to fill a quota!

The dream for me was always the Masters and after my freshman season on the Houston golf team I knew CBS was the only way I'd get there.

I also feel I adapted. I was willing to try to fit into any role. The way I figured, it was always up to me to prove my worth, that I deserved to be here.

There's always been something about Jeffrey Tambor, not only as an actor but as a person, where his ability to embody a sort of very dignified feminine way of being just - this was just very clear to me.

There is such a thing as tempting the gods. Talking too much, too soon and with too much self-satisfaction has always seemed to me a sure way to court disaster. The forces of retribution are always listening. They never sleep.

It's kind of a rule of thumb for me to self-doubt going into any kind of project. I always think that I shouldn't be doing it and I don't know how to do it and I'm going to fail and that I fooled them. I always try to find a way out.

When I come to London, it is always quite relaxing for me in a way, not just because it is one of my favourite cities but because it comes immediately after the French Open, which for me is a very significant tournament with lots of pressure.

There's got to be a backbone, there's got to be a skeleton to the whole way I perform, but you never want to hit the same note twice during a performance, I think. I think it's always got to be fresh so it doesn't bore me, and I always want to go out on edge.

To have a superstar - he's Allen Iverson - he really took me under his wing and really forced me to shoot the ball and forced me to make plays, and to have him do that for me - and the way he was always in my ear telling me to shoot the ball and supporting me - it's a big deal.

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