Quotes of All Topics . Occasions . Authors
Without the blues, modern music would be nothing like it is now - not remotely.
But I can't really say there is too much modern music that I'm blown away by at this moment.
The academic area of new music or modern music festivals is not something which attracts me at all.
The danger in having modern music tied to a period piece is that hearing something may take you out of the moment.
I did not want to be somebody who lived off his reputation. I wanted to continue to be part of the modern music scene.
The blues echoes right through into soul, R&B and hip hop. It's part of the make-up of modern music. You can't turn your back on the blues.
From his very first works, it was clear that Henri Sauguet would bring spontaneity, romance, and a nonacademic approach back to modern music.
If anybody is interested in listening to good modern music, I would recommend Jim Fassett, 'Symphony of the Birds.' It's really beautiful... with real birds.
That's what so sad about a lot of modern music, in my opinion, so many young bands never stay around long enough to fulfill their ultimate promise. They only get halfway there or a quarter of the way there.
When you think after 25 years of Mao, Chinese people had no idea about western music or even western culture. They had no idea about James Dean or the Beatles or Charlie Chaplin, modern music or modern cinema.
I urge you children to be patient with your parents. If they seem to be out of touch on such vital issues as dating, clothing styles, modern music, and use of family cars, listen to them anyway. They have the experience that you lack.
When you think 'Peaky Blinders,' when it first began it got mixed reviews and people didn't know what to do with it, and it was like: 'Why is there modern music on this?' So I think whenever you do something different you're going to get that response.
There is much modern music that is better adapted to a wind combination than to a string, although for obvious reasons originally scored for an orchestra. If in such cases the interpretation is equal to the composition the balance of a wind combination is more satisfying.
There's the way modern music is produced, which is, 'Here's a piece of music, and I'm the producer, so pay me and make sure my credit is right and get me my splits.' But I'm trying to go backward. Now, it's more like 'What's the texture? What's the over-arching story?' There are more things to pay attention to than 'Is this the right snare?'