If you want to know what God thinks of money, look at the people He gives it to.

People think that celebs make a lot more money than we do. We look for bargains and we do a lot of stuff on our own.

Now people look at 'The Scream' or Van Gogh's 'Irises' or a Picasso and see its new content: money. Auction houses inherently equate capital with value.

People are scared to make something that doesn't look like another film that made a lot of money. It means we get 'Four Weddings And A Funeral' made again and again.

If you look around in London, there is a lot of dirty money. People see it as a safe haven: a bolthole to rely on if they are criminal or politically exposed in their own country.

As teenagers, we all see ourselves as outsiders... and it's very easy to look at other people who are more popular, who have more pocket money, and it makes you feel even more like an outsider, and it does shape who you become as a person.

It's not about how skinny you are or how much money or how many diamonds you have - that's the fluff that people sometimes look at as being the main thing. It's about understanding that the things that make you fabulous are all inside of you.

What a company's been earning doesn't mean anything. What you have to look at is what people think it's going to earn. If you can see something in two years is going to be entirely different than the conventional wisdom, that's how you make money.

As more and more money is coming into the formal economy, one can look at more attractive tax rates and lower tax slabs. Even if half the people who were in the informal sector move in to the formal economy and more taxes get collected, more money can be spent on the welfare.

The biggest challenge is that when people look at low price point products, they essentially invest less money in development, innovation, and new technology. And in order to innovate at a lower price point, and make sustainability attainable to the masses, you have to invest more. But that's counterintuitive for a lot of businesses.

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