I've always done music with so-called thug- or gangster-type lyricists. I've always been associated with that because I'm from the West Coast.

Soul music as we've always known it hasn't changed. There are different players now with different attitudes, but there is nothing new being done musically.

I started directing chamber orchestras, then adding bigger pieces, adding winds, adding small symphonies. I've always loved chamber music, and I've done a lot.

One of my problems is I'm not really sure if I slot into rock or not. I've always tried to combine world music, folk, jazz, blues and rock, and have done since Traffic.

Music has done a lot to enhance the emotions of sports. It's played in arenas. Whenever there is footage cut together they're always using music. And it goes together, you know.

Selling a band predicated on nothing is always an interesting proposition, and of course, the fact of the matter is that I really started out in music before I ever acted, and I've done a ton of singing.

What I'm doing is basically the same as Bob Dylan did with folk songs and Woody Guthrie songs, the same as folk music's always done. I'm not going to sing about ploughing, but I'll write a song that sounds like it should be about ploughing.

When I sit down to make music, I try to enter a flow; I always open a blank session and just make something that I feel like making. Only after a piece of music is done does my frontal cortex allow me to organize what might be trying to come out of my subconscious.

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