My music is my way to rearrange the world according to my own hopes.

I'm getting to put my music out into the world the way that I envisioned and hoped it would be when I was little, and that is a total dream come true.

It wasn't until I became involved with 'Nashville' that I thought I had opportunities to record my music in a way that I would want to put it out into the world.

I never do anything to strictly satisfy a fickle, ever-changing commercial world. I do the music I like to play. It's the only way I feel comfortable existing in the industry.

But times changed, and I changed, and I didn't feel that way anymore. The Beatles were happening. I think that was probably the main thing. The Beatles just changed the whole world of music.

I played more of an advisory role with Public Enemy. I really trusted them to make the music that they wanted to make, and the way The Bomb Squad worked with the... they created their whole own world of music.

I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted.

The world is changing, and the way we consume music is obviously changing. I was one of the biggest CD advocates you will find, but when Apple music and digital options came out, like for everyone else, it was more conducive to my lifestyle.

The spiral in a snail's shell is the same mathematically as the spiral in the Milky Way galaxy, and it's also the same mathematically as the spirals in our DNA. It's the same ratio that you'll find in very basic music that transcends cultures all over the world.

In my shows, I always try to incorporate music because it's the most natural way to set a tone. So if I want to do a show about depression, I use the opera. If I want to do a show about greed, I use spoken word. If I want to do a show about the injustice that's taking place in the world, I might play Sam Cooke.

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