People in Midland are real nice folks: I can't prove that with statistics, but I know West Texas, and it's just a fact.

When I'm in a bikini or at a photo shoot, I'm real confident. But, if I'm in a group of people I don't know, I'm really quiet.

I think Clinton fatigue was a real thing. It's just hard to get comfortable with Gore - it was hard for him to project who he is, the person people know in private.

I think people could be a bit friendlier. The only real contact you have with people is when they're annoyed if you've had a party - you know, it's been a bit too noisy for them or something.

The border sheriffs are locally elected. They're accountable. They know the territory and the people. And they can respond the most quickly to what is a real national security emergency, because the border is unprotected.

Steve had a real sixth sense about so many things. He had an odd connection with wildlife. He was extraordinarily intuitive with people. I found it all very - I don't know if 'eerie' is the word, but remarkable, certainly.

I don't want to be responsible for messing up someone. I don't want to be responsible for that, because the things that happened in The Verve, it was heavy stuff. It was real. It wasn't just frivolous nonsense, you know what I mean? There was real people's lives.

What people don't normally know about us is the hustle is very real, and it's sorely driven a lot by how we consider ourselves. We don't pay a whole lot of attention to any type of judgment that we might get from outside people. I think that comes from growing up onstage.

I took a break after 'Confessions.' I was real picky. And then I suddenly realized I hadn't worked in a year. And I was sort of, like, not really happy. I think people are happier when they have structure, you know? You realize that as you get older. You have to have rituals and structure.

We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.

I had begun my professional career when I was 9 years old at the Cleveland Play House, and it was a very specific, real theater sort of like, you know, in England and the Berliner Ensemble - very devoted people. And I thought the theater was the greatest place I had ever been, and that's what I wanted to do.

Share This Page