I really miss the rehearsal process of theater.

During the rehearsal process I got thrown off the horse.

I truly love the rehearsal process, those eight hours a day! I really love actors.

I love the rehearsal process in the theatre, and the visceral sense of contact and communication with a live audience.

I've done a lot of television, and there's no rehearsal process - you have to come to the set with your guns blazing and with a point of view.

Certainly from the rehearsal process with Elizabeth I think it was very clear. Well let me start again. We were initially supposed to be more combative.

The rehearsal process is the biggest gift you can give to the director and to yourself as an actor because it allows you to shape the character and the scenes.

The rehearsal process is the most important thing to me, so working with colleagues who are effusive, thoughtful, young and vivacious is really inspiring as a musician.

One of the hardest things about directing is just to be patient and remind yourself that you've been in Week 1 of a rehearsal process yourself, and you know what it feels like.

Listen, there are some movies that are set in stone and the writer or the director does not want to change, but I've never worked on a movie, including my own, that didn't take advantage of a rehearsal process.

Casting, to me, is always the same. It's a very important part of a director's job. I pick people that I sense I'd like to be in a room with and will enjoy the rehearsal process with because that's the best part.

I tend to arrive in the rehearsal process with very strongly developed ideas about what I want to do. But I don't like those ideas to be things that are not subject to change, or subject to development, or subject to challenge.

I love that feeling. I guess I love escaping my life, really. I love going into another world and feeling for this amount of time that this is it, this is the world I'm going to live in. You feel it more during the rehearsal process.

It's exciting to do something like this because usually what happens in theater is that, after the first or second reading of a play, it falls apart completely and the rehearsal process is such that you begin to pick up the pieces and put it back together again.

Any rehearsal process - I find, anyway - does have quite an effect on me, and I very much live in that world for the whole period of time that I'm involved with the production. But normally, afterwards with a little bit of space, I can come right back out of it again.

I'm used to working with a rehearsal process and your body. It's a different thing to just be a voice. It's liberating, on one hand, because you get to show up in sweatpants and with Doritos on your fingers, but on the other hand, it's limiting because it's just your voice.

'Grease' was my Broadway debut. That was eye-opening. At the same time, it was very familiar. It was a Broadway show, but it's kind of the same as doing a show in Minnesota. It's the same type of rehearsal process. You are doing 8 shows a week, but I worked at a theatre in Minnesota that did 11 shows a week.

My favorite part about working in theater is the rehearsal process. I absolutely love the rehearsal process. Working out the characters, figuring the character out, and the relationships between the different characters. I love all of that, which, unfortunately in film, you get very little opportunity to have.

People probably have different philosophies about this, but I think that when you're first shaping the play and trying to find a character, the initial actors that develop it end up imprinting on it - you hear their voices; you hear their rhythms. You can't help but to begin to write toward them during the rehearsal process.

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