Quotes of All Topics . Occasions . Authors
My first job ever real job in the field was as an airborne traffic reporter and producer in Los Angeles, but I was laid off pretty quickly - which was totally fair, because I'm terrible with directions, and that's kind of the whole job.
I don't think a reporter necessarily becomes an arm of law enforcement. I think a reporter is like any other citizen. If a citizen can do his or her duty as a witness, if they have information about a crime, or if they have information about a criminal group, I think that there's a duty on the part of the citizen.
Very quickly, I discovered I did not have what it takes to be a good crime reporter: I was too unassertive and a little bit wimpy. It was very clear that was not what I was going to do, but I loved journalism, and I'm the daughter of a film professor, and my mom taught reading.
As a novelist, you deepen your characters as you go, adding layers. As a reporter, you try to peel layers away: observing subjects enough to get beneath the surface, re-questioning a source to find the facts. But these processes aren't so different.
The difference between a reporter, a newspaper columnist, a paid speaker, a television personality, a radio talk show host, a blogger, a movie producer, a publicist, and a political strategist, is growing less - and not more - distinct.
I was a cub reporter on a local newspaper in Limerick city, and I used to cover the district court meetings. All of life passed through the Limerick courthouse. Misery, malevolence, the dark side of humanity... I tell ya, it made 'Angela's Ashes' look like 'The Wonderful World of Disney.'
When my TV show, 'Sports Jobs with Junior Seau,' assigned me to be a 'Sports Illustrated' reporter for a weekend, I didn't realize I'd have to squeeze it in around another sports job. I had planned to retire from the NFL to enjoy the cushy lifestyle of a full-time reality TV star, but I wound up getting run over by a bull.
I was a news reporter for 16 years, seven of them a foreign correspondent in the Middle East, Africa and the Balkans. Perhaps the most useful equipment I acquired in that time is a lack of preciousness about the act of writing. A reporter must write. There must be a story. The mot juste unarriving? Tell that to your desk.
When you lose a parent at ten years old, the world seems like a much scarier place. It makes complete sense to me that I took survival courses when I was a teenager and started going to war zones as a reporter. I didn't ever want to be taken advantage of, and I wanted to be able to take care of those around me.
I loved my job at the paper. I loved meeting new people every day and never knowing where I would end up. But somehow, the ever-shifting schedules of a police officer and a reporter did not equal 'family friendly.' One of us needed to take a normal job for the sake of our young daughter.
Writing for adults and writing for young people is really not that different. As a reporter, I have always tried to write as clearly and simply as possible. I like clean, unadorned writing. So writing for a younger audience was largely an exercise in making my prose even more clear and direct, and in avoiding complicated digressions.
I had - all my life, everybody who knew me thought that I would probably grow up to be a reporter, a newspaper reporter because we didn't have much television in those days.
If someone asks about sexual reassignment surgery, you are supposed to say, 'Why are we talking about that?' But I am a post-op transsexual. And I am a reporter. If you can explain and talk about it, you demystify it. And if you demystify it, it's not an issue.
To be a good reporter, writing about war, you have to write about the people. It's not about the tanks or the RPGs or military strategy. It's always about the effect war has on civilians, on society, and how it disrupts and destroys lives.
Even a liberal reporter is a patriot, wants the best for this country. And people, your fair and balanced friends at Fox, don't fully understand that.
Every reporter inhales skepticism. You interview people, and they lie. You face public figures, diligently making notes or taping what is said, and they perform their interviews to fit a calculated script. The truth, alas, is always elusive.
As a former reporter, I wrote 'The Scarecrow' quickly - I didn't have to think about what the character would do the way I do with Harry Bosch.
For those of us who spent our careers competing with David Broder, the hardest thing to abide was the inevitable comparison. If someone said Jack Germond - or Jules Witcover or Walter Mears or whoever - 'is a pretty good political reporter,' the default response would be, 'but he's no David Broder.'
As someone who has spent a lot of her career as an investigative reporter, I'll confess that a frustration of mine has always been that so much investigative journalism involves a dissection of events in the past.
Now that I look back on it, having retired from being a reporter, it was kind of romantic. It was a wonderful way to live one's life, just as I imagined it would be when I was 6 or 7.
I didn't want to just be an analyst for women's basketball and volleyball. I didn't just want to be a sideline reporter. I didn't just want to be a host. I wanted to be someone that my producers or coordinating producers could call on me for any event, any subject matter or any role.
I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.
In the early nineties, I was a cub reporter on a city newspaper in Limerick, and assigned to the courthouse there. One day, an old detective sergeant came and whispered to me in the press pit. He pointed out a young offender, a teenager who was up for stealing a car or something relatively minor, and said, 'See this kid? He'll kill.'
And when I'd be reporting in Israel, Palestinians would say, the Jews they're not like us, and the Jews would say the same things about the Palestinians, they don't want what we want. And I never bought it as a reporter and I don't buy it as a novelist. I think, you know, the sound of somebody crying for their lost child sounds the same.
Well, you know, in any political campaign, you're gonna have people on one side that are gonna slip a reporter something because they think it'll hurt the guy on the other side.
I read rip-and-read news, but I wasn't a reporter. I was reading the wire, and the other thing was, I was reading commercials - and I could do a hell of a commercial.
I don't miss being a reporter as a job, but I do miss the everyday interaction with the front line of law enforcement. I still have a cadre of cops who keep me up to date, but I don't have the access I used to.
I think about the question of perspective in reporting all the time, and since I spent 20 years of my career in Washington as both a reporter and an editor I'm keenly aware that a newspaper should not be dominated by stories in which the only voices and perspective come from those in power.
But the reporter has the responsibility to determine, number one, whether that is true, and number two, to make a judgment as to whether it's in the public interest and whether or not it should be part of the debate.
I'm a reporter; you can't subpoena people to talk to you. If you write to them and try to call them on the phone and they don't answer or so forth, then take them unawares.
My experience as a newspaper reporter was invaluable in terms of getting me to the kind of writing I do now. It gave me a work ethic of writing every day and pushing through difficult creative times. I mean, there's no writer's block allowed in a newsroom.
I've had a lot of fun, and when I talk to kids in journalism schools, I say, look, I know what the journalism teachers tell you that this is a great way to perform public service and all that, but I say the main reason, if you decide what you want to do is be a reporter, the main reason you want to do it is because it's just so much fun.
Covering Richard Nixon's triumphant run in 1968 turned out to be my last major assignment as a general correspondent for CBS News. In September of that year, '60 Minutes' made its debut and I began the best, the most fulfilling job a reporter could imagine.