My SAG card, the first TV job that I ever had was 'Pan Am' as a reporter. But that may not be entirely true. I did some motion capture work, doing reshoots on a video game.

I guess, as a reporter, I always thought that my biggest strength was that I could get anybody to talk to me. I wasn't the best writer, but I could get people to talk to me.

A lot of people don't realize that I started my career in sports and was a sports reporter long before I was on television. I used to be an NBA reporter and an NHL reporter.

I was a terrible reporter. The only advantage was I made all my mistakes in a place and at a time where I didn't know anyone, but I literally made every mistake in the book.

My first race was '99/2000. At that time, I was at 'Salon,' and I was basically their campaign reporter, so I would just jump around from race to race, candidate to candidate.

Because I was once a reporter, I've always felt a sense of estrangement inside the newsroom. The field is alive and interactive, while the newsroom is quiet and stereotypical.

I had a reporter ask me how much I weigh. I said to him, 'You go first: How much do you weigh?' People always ask me what I eat. Other artists don't get asked these questions.

A reporter is always concerned with tomorrow. There's nothing tangible of yesterday. All I can say I've done is agitate the air ten or fifteen minutes and then boom - it's gone.

The reporter claimed he was going to write the article from my point of view. Instead, he made me sound like a little idiot. It made me never want to do another interview again.

With every book, you go back to school. You become a student. You become an investigative reporter. You spend a little time learning what it's like to live in someone else's shoes.

Well, one of the things I discovered in the course of looking back and writing about what I saw in my memory is that I was a closely observant person long before I became a reporter.

My employer was never at any time aware of anything in my past beyond the writing I did, because, frankly, it isn't relevant to the job I was asked to do, which was to be a reporter.

The 'Vanity Fair' article was interesting to do because it was the first time I ever really had the opportunity to be absolutely truthful with a reporter about every aspect of my life.

I made a sort-of living in the beginning of my acting career as a reporter. I think my very first job was 'Early Edition' as reporter no. 1, and for 'Light It Up,' I was reporter no. 2.

Even if you had the wherewithal to embarrass a reporter, there was no mechanism to do it. And in most cases, you might as well save your breath because the reporter had no shame anyway.

I met Bill Clinton in 1977 while I was working as a news reporter for KARK-TV in Little Rock, Arkansas. Shortly after we met, we began a sexual relationship that lasted for twelve years.

About 25 years ago, I started out as a reporter covering politics. And that sort of just evolved into organized crime, because organized crime and politics were the same thing in Boston.

Now, to anyone with even half a brain, a newspaper apologizing because a reporter did some reporting makes about as much sense as a doctor apologizing because he gave someone a diagnosis.

A reporter from 'The Times' wanted to arm-wrestle, and as I recall, he kept challenging me. So we went at it, and there was a pop. His arm broke. Very strange. He went into a kind of swoon.

I've been covering North Korea nuclear issues since I was a young reporter in the Tokyo bureau of 'The Times' and wrote some of the first pieces about the existence of the program at Yongbyon.

I grew up in L.A., and I worked for 'The Hollywood Reporter.' I knew enough about the business to know that the usual role of the author on a movie is to get out of the way and not say anything.

There are some movie stars in Hollywood that are so scared, they also tell the reporter that they are recording them, in case there is something wrong with what they wrote about them in the papers.

Going from reporter to anchor is like going from wide receiver to quarterback. As anchor, you're running the plays and having the feel of the show - and knowing when to be more upbeat or slow down.

I had pictured journalism as I'd seen it in the most ennobling films, where the reporter battles for the truth, propelled by conviction, and is triumphant. There are journalists who fit that ideal.

Once, I used to have the local reporter on the team bus and I'd tell him everything, so when he wrote about the club he was informed, even if he couldn't print some things. Those days are long gone.

There have been two Geraldo Riveras through his long career. One of them was a reporter who has done some remarkable work. The other was a television show host who did what it took to get an audience.

I've been in several situations where police officers and district attorneys have had the cooperation of people in the news media without either endangering the reporter or compromising their sources.

All I know is for a number of years, if someone like me called police for a burglary, a mugging, or something happened to me, chances are that a photographer or reporter would turn up before a policeman.

Right Wing watch falsely accused me of harassing Oliver Darcy, a reporter for CNN. However, I was practicing real journalism at a Conservative conference where it is the consensus that 'CNN' is fake news.

I always want to have San Francisco as my home and my base. I'm a business reporter - that's what I do and what I enjoy - and I don't know another place on the planet that would be as fascinating to cover.

The fact of the matter is, particularly when covering a campaign, which is a very high-speed story, it's incredibly unusual for the reporter to be in the same place as the dateline when the story is filed.

If you're a reporter, the easiest thing in the world is to get a story. The hardest thing is to verify. The old sins were about getting something wrong, that was a cardinal sin. The new sin is to be boring.

Will some reporter, or some Republican on the Sunday shows, please ask why tax cuts raid the non-existent Social Security Trust Fund but all the Democrats' new spending doesn't? Will someone please ask that?

Even before Barack Obama and Hillary Clinton threw their exploratory committees into the ring, every reporter seemed to be asking, 'Which candidate are Americans more ready for: a white woman or a black man?'

In 1962, I had an entry-level reporter's job at an Omaha television station. I had bargained to get a salary of $100 dollars a week because I didn't feel I could tell Meredith's doctor father I was making less.

True enough, nature has endowed me with a fair measure of patience and composure, yet I should be lying if I told you that, having seen the reporter off on his way to make his deadline, I fell peacefully asleep.

I want to be a Kid Reporter because I would like to meet interesting people, and I also love being in front of the camera! As a Kid Reporter, I would love to learn how to be a better writer and interview people.

As a reporter, I embedded for modest stints with American soldiers in Afghanistan and Iraq. When I'm asked about those experiences, I always say - and mean - that we civilians don't deserve the soldiers we have.

I always imagined a writer was someone who lived in an attic in Paris, but my mum instilled in me a belief that I could do anything - so I ended up writing my first novel while working nights as a news reporter.

My only advantage as a reporter is that I am so physically small, so temperamentally unobtrusive, and so neurotically inarticulate that people tend to forget that my presence runs counter to their best interests.

I don't like the word 'poetry,' and I don't like poetry readings, and I usually don't like poets. I would much prefer describing myself and what I do as: I'm kind of a curator, and I'm kind of a night-owl reporter.

I almost became a political journalist, having worked as a reporter at the time of Watergate. The proximity to those events motivated me, when I wound up doing philosophy, to try to use it to move the public debate.

If you can manipulate news, a judge can manipulate the law. A smart lawyer can keep a killer out of jail, a smart accountant can keep a thief from paying taxes, a smart reporter could ruin your reputation- unfairly.

When I lived in London, I worked at the U.N. for a while as its human rights and refugees officer. I have two degrees, and my second was in radio. I was a programmer and news reporter in Canada. My CV looks bananas.

I'll never forget the 2019 edition of International Fight Week for a couple of reasons: Not only did I experience my first earthquake, but I also got to work as a sideline reporter for three NBA Summer League games.

My interest is in turning over a rock and seeing what's underneath. It's a personality trait more than anything; it's what made me want to become a crime reporter, even though I was not suited for it personality-wise.

As a reporter you tend to seek coherence from your subject or your source - it all needs to add up and make sense. In truth, in reality, there's often a great deal of murkiness and muddiness, confusion and contradiction.

Television broadcasts have, in the main, been more suggestive, less specific, more distant in their images than the print press: often you knew that lump was a dead body only because a chattering reporter told you it was.

The problem with not having a camera is that one must trust the analysis of a reporter who's telling you what occurred in the courtroom. You have to take into consideration the filtering effect of that person's own biases.

I broke into comics by working as a press reporter for the industry, for a trade press in comics, and reporting on events and reporting on books and so forth, and I got to know some of the editors at DC Comics in the mid-'80s.

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