Quotes of All Topics . Occasions . Authors
Walter Cronkite was a personally decent and convivial man, who literally couldn't kill a fly, was kind to his children, generally helpful to juniors, authentically curious about the news, and, in his time, an energetic reporter.
Rove and his attorneys can parse the words all they want, but it is now clear that while Rove may not have given a reporter Plame's name, he clearly identified her by telling the reporter that Joseph Wilson's wife was a CIA agent.
What I learned is that there are indeed some stories that are too true to tell, too revealing for the general population to metabolize. And too challenging to your reporter colleagues, whose turf or toes you might have tread upon.
My mother was a reporter, and though she quit when they had kids, she still loved it. She told me about the people at the paper and the articles she wrote. She had the best memory of anyone I know, and she could really tell a tale.
In fact, I spent 25 years as a reporter, swearing I would never become an editor. Sitting at a desk, watching other people go out and find the story, and then fussing with other people's words - I just didn't get the appeal of that.
Everybody has an iPhone; everyone can be a reporter now. Everybody can tell a story from every part of the world. Why places like CNN matter is that it is still important to bring them together, put context around it, and explain it.
I think it's like any other job. If you want an extension as a reporter or a media guy or whatever you want to do, I think you are going to open up your ears to talking about a raise or whatever it might be. I'm in the same position.
As any editor will tell you, startling newsroom revelations are generally met with queries about where the information came from and how the reporter got it. Seriously startling revelations are followed by the vetting of libel lawyers.
It is fitting that yesteryear's swashbuckling newspaper reporter has turned into today's solemn young sobersides nursing a glass of watered white wine after a day of toiling over computer databases in a smoke-free, noise-free newsroom.
Part of the mystique of blogs is their protean quality: They work both sides of the divide between politics and media, further blurring the already fuzzy distinctions between reporter, pundit, political operative, activist, and citizen.
My degree was in education, but the idea of being a teacher lost out to being a reporter. I worked at a newspaper for a while, then went to New York and worked in PR at RCA and NBC, and at 'The United States Steel Hour,' a drama series.
I'm one of these people who doesn't say that objectivity is not within our reach. I think if you're a pro, and you're a reporter, you do it. Whether you agree with the guy or not is just quite incidental. It doesn't count at all, really.
I was a technology reporter. And I think everybody who covers tech at some point or another feels like a little kid with their face pressed against the glass looking in at the candy shop and going, 'Wow, it looks so cool and so much fun.'
In my very early days as a journalist, as a cub reporter on a local newspaper, I used to cover the district courthouse in Limerick city - all human life passed through that establishment, and my time there remains a source of inspiration.
Being a reporter and chasing down an assignment isn't an easy thing to do, especially when you're dealing with athletes that are so focused and trying to get their little game plan together to perform under adverse conditions... it's tough.
I wore a lot of vintage clothing. I dressed like a reporter, with a little card in my hat. I had these fantasies of who I wanted to be, so I'd dress like an explorer, a cowboy. I dressed up like Elton John a lot too. That was another period.
I have long argued that no one should be allowed to write opinion without spending years as a reporter - nothing like interviewing all four eyewitnesses to an automobile accident and then trying to write an accurate account of what happened.
Inventing sources is not a crime in and of itself, although it certainly violates every code of journalistic ethics known to man. A criminal fraud case would require that the reporter's deceit had been malicious and resulted in financial gain.
I've been a war reporter and a human rights defender. A professor and a columnist. A diplomat and - by far most thrillingly - a mother. And what I've learned from all these experiences is that any change worth making is going to be hard. Period.
The reporting I did was mostly entertainment or lifestyle. I took a very different approach than most reporters. I approached it more casually than you would think a reporter would. Now I'm a morning radio personality, and radio is really casual.
I was watching the devastations of the Kashmir floods, and a reporter was asking a local, who had just lost her house and her son, how she was feeling. I was stunned at the insensitivity. I did a 10-15 second satire on it and put it up on Facebook.
Because I worked as a newspaper reporter for about 14 years before attempting my first novel, I learned to write under almost any circumstances- by candle light, in longhand, in African villages where there was no power, under shelling in Kurdistan.
It is not entirely true that a TV producer or reporter has complete control over the contents of programs. The interests and inclinations of the audience have as much to do with the what is on television as do the ideas of the producer and reporter.
But when my mother ran for City Council, that was the moment when I knew I wanted to be a political reporter. Some reporters asked her about being married to my father - they have an interracial relationship - as if that was somehow a negative thing.
It was difficult to find my way into 'I Am Abraham,' to feel confident enough to inhabit Lincoln's persona. I began with a prologue in a neutral voice, wrote of Lincoln at the White House with a sly young reporter quizzing him about his humble origins.
'The Post' is a fairly fusty place when it comes to profanity. If a reporter tries to get a bad word into a story, the word is usually forwarded to top editors, who consider it with the gravity and speed that the Vatican applies to candidates for sainthood.
As a reporter in Israel, I have interviewed hundreds of people in its intelligence and defense establishments and studied thousands of classified documents that revealed a hidden history, surprising even in the context of Israel's already fierce reputation.
To note an artist's limitations is but to define his talent. A reporter can write equally well about everything that is presented to his view, but a creative writer can do his best only with what lies within the range and character of his deepest sympathies.
The deadlines are much, much longer with books. When I was a reporter, a lot of times I'd come in at 8:30 a.m., get an assignment right away, interview somebody, turn the story in by 9:30, and have the finished story in the paper that landed on my desk by noon.
My mother, Nancy Dickerson, was a reporter for CBS and NBC and the first female star of television news; my father, Wyatt Dickerson, was a successful businessman. Their parties, from the '60s to the '80s, attracted cabinet officials, movie stars, and presidents.
Having been aware of the Red Sox since the 1946 World Series, having been growled at by Ted Williams as a young reporter in 1960, having been present at the horror of 1986 and the comeback of 2004, I have seen the highs and lows of some other people's favorite team.
The world reacts very strangely to people they see on TV, and I can begin to understand how anchor monsters are made. If you're not careful, you can become used to being treated as though you're special and begin to expect it. For a reporter, that's the kiss of death.
Whatever any boxer does in the ring, I don't think any reporter should call him a coward. Anyone who does that I lose complete respect for. There's a difference between being a coward and being scared, or apprehensive. Different fighters have got different mentalities.
Years ago, I did an interview about my mother for a publication called 'Info' magazine, and during that interview I told the reporter about my mother's leiomyosarcoma. She had had a hysterectomy, but at the time of it, the doctors didn't even think to look for sarcoma.
I am a former newspaper reporter turned church secretary turned vampire novelist. I wrote my first complete novel, 'Nice Girls Don't Have Fangs,' at night while I was working as the receptionist for a Baptist church. That was an interesting conversation with the pastor.
The fall of the Berlin Wall is very much a sequel, a continuation of the story about Eastern Europe emerging from war and Communism. The notion of presenting history as a story also appealed to me very much, since that is the way I look at the events I cover as a reporter.
I think it's particularly fun not being a full-time showbiz reporter because you still have the 'Oh, wow!' factor when you go out on the red carpet and there are these big stars that are standing there. But if you're doing this day in and day out, it becomes a little blase.
A long time ago, a sports reporter wrote that I wasn't strong in the free-skate, that I was more of a short-program skater. And that bothered me because I work so hard every day just for a person to judge me on a couple of bad skates and deem me a bad free skater. That's absurd!
I have been a print reporter my whole career. It's all I ever wanted to be. I specialize in political profiles. I have probably profiled hundreds of people over the years, people in very powerful positions. People don't always like what I write, but most people still talk to me.
Ben Affleck exec-produced a documentary for HBO called 'Reporter' about my 2007 win-a-trip journey. I take the trip each year partly to encourage young people to think about global humanitarian issues: I think blogs by a student may be more compelling for that audience than my own work.
'Amazing Grace' is not a book of interviews or onetime snapshots. It's a memoir of a journey that took me into a place I had never been and took over two years of my life. I don't think the people in this book would have said the things to me that they did if they perceived me as a reporter.
The greatest promotion I ever had on a newspaper was when 'The Washington Post' suddenly promoted me from city-side general assignment reporter to Latin American correspondent and sent me off to Cuba. Fidel Castro had just come to power. It was a very exciting assignment, but also very serious.
As a reporter, I spent a great deal of time in court. During brief breaks in testimony, I would often look at the spouse, usually the wife, of the accused. I began to wonder how listening to the details of a crime purportedly committed by your spouse would affect that person's view of her husband.
If you've read my New York Times bestseller 'Stonewalled', you know that I'm a fan of an intellectual exercise I call the Substitution Game. It involves comparing how the press treats similar events or people depending on how the reporter or news organization feels about the issue or the newsmaker.
Working in local news makes you very self-sufficient, which is a good thing because you know how all the different jobs work. I've worked many of those jobs in the newsroom, from my first job answering the phones and working the prompter, to producing, to being a reporter who does all of those things.
For 30 years I've been schooled in everything from government, and economics, to medicine and international relations. But don't be impressed. Someone once said being a general assignment reporter simply means you are equally ignorant about most everything. In other words, I know a little about a lot.
When I got out of undergrad, I had a degree in theater and telecommunications. My first job, I was a news reporter for the local stories for NPR. Then I was a country-western DJ. I did data entry for a yearbook company. In my mid-20s I went back to grad school at NYU, and I specialized in playwriting.
As a newspaper reporter, I covered and was around a fair number of crime scenes involving juvenile delinquents, and few things bothered me more than listening to their parents. Crying, ranting, proclaiming how great their children were despite being kicked out of school or previous run-ins with the law.
When I was trained as a journalist, as a race-relations reporter in Nashville covering the end of the civil-rights movement, we were strictly forbidden to use the first-person pronoun. There was kind of an electric charge around it. To come out from hiding and use the word 'I' carried a lot of fright for me.
A new book by 'New York Times' reporter Charlie Savage, 'Power Wars,' suggests that there has been little substantive difference between George W. Bush's administration and Obama's when it comes to national-security policies or the legal justifications used to pursue regime change in the Greater Middle East.